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Laocoön And His Sons (Chinard)
{{italic title ''Laocoön and His Sons'' is a 0.83 m high marble sculpture by Joseph Chinard, now in the Museum of Fine Arts of Lyon. It is a reduced-scale copy of the ancient ''Laocoön and His Sons''. He received the inspiration for it during a trip to Rome in the 1740s, where he observed the methods of Doccia porcelain The Doccia porcelain manufactory, at Doccia, a ''frazione'' of Sesto Fiorentino, near Florence, was in theory founded in 1735 by marchese Carlo Ginori near his villa, though it does not appear to have produced wares for sale until 1746. It has .... Sources *Catalogue de l'exposition D'après l'Antique no 92, 16 octobre 2000 - 15 janvier 2001, Jean-Pierre Cuzin, Jean-René Gaborit, Alain Pasquier. category:1740s sculptures category:Marble sculptures Sculptures in the Museum of Fine Arts of Lyon Snakes in art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Chinard
Joseph Chinard (Lyon, 12 February 1756 — Lyon 20 June 1813) was a French sculptor who worked in a Neoclassical style that was infused with naturalism and sentiment. Life He received his early training in Lyon, as a painter, in the government-supported École Royale de Dessin, then worked with a local sculptor. His work at Lyon drew the attention of a patron who sent him to Rome, 1784-87. He sent back to Lyon copies of antiquities. In Rome he won a prize from the Accademia di San Luca, a signal honour for a non-Italian: his prize-winning sculpture, a terracotta ''Perseus and Andromeda'' remains in the collection of the Accademia. He returned to Rome again in 1791, when his activities sometimes drew the attention of the authorities, especially given his espousal of Revolutionary ideas during the French Revolution; in 1791 he was interned in the Castel Sant'Angelo for two months, on the orders of the Pope, for an action that were viewed as subversive, the exhibition in terracotta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museum Of Fine Arts Of Lyon
The Museum of Fine Arts of Lyon (french: Musée des Beaux-Arts de Lyon) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988 and 1998, remaining open to visitors throughout this time despite the restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France. Buildings Abbey Until 1792, the buildings belonged to the Royal Abbaye des Dames de Saint-Pierre, which was built in the 17th century. The abbess always came from the high French nobility and her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön And His Sons
The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums, where it remains. It is very likely the same statue that was praised in the highest terms by the main Roman writer on art, Pliny the Elder. The figures are near life-size and the group is a little over in height, showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The group has been called "the prototypical icon of human agony" in Western art, and unlike the agony often depicted in Christian art showing the Passion of Jesus and martyrs, this suffering has no redemptive power or reward. The suffering is shown through the contorted expressions of the faces (Dr. Guillaume-Benjamin Duchenne pointed out to Charles Darwin that Laocoön's bulging eyebrows are physiologically impossible) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doccia Porcelain
The Doccia porcelain manufactory, at Doccia, a ''frazione'' of Sesto Fiorentino, near Florence, was in theory founded in 1735 by marchese Carlo Ginori near his villa, though it does not appear to have produced wares for sale until 1746. It has remained the most important Italian porcelain factory ever since. In its first decades it was unusual in producing, alongside the usual tablewares and vases, etc, porcelain versions of statuettes and small sculptures, intended as bronzes, by Florentine sculptors of several decades earlier. After the death of its founder in 1757 the factory concentrated on producing more conventional wares, often borrowing styles from larger factories in Germany and France. Now known as Richard-Ginori, following its merger with Società Richard of Milan, by 2013 it was in bankruptcy and was acquired by Gucci. The ''Museo Richard Ginori della Manifattura di Doccia'', a museum nearby dedicated to the factory and its history, is closed to visitors as of 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1740s Sculptures
Year 174 ( CLXXIV) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Gallus and Flaccus (or, less frequently, year 927 ''Ab urbe condita''). The denomination 174 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Empress Faustina the Younger accompanies her husband, Marcus Aurelius, on various military campaigns and enjoys the love of the Roman soldiers. Aurelius gives her the title of ''Mater Castrorum'' ("Mother of the Camp"). * Marcus Aurelius officially confers the title ''Fulminata'' ("Thundering") to the Legio XII Fulminata. Asia * Reign in India of Yajnashri Satakarni, Satavahana king of the Andhra. He extends his empire from the center to the north of India. By topic Art and Science * ''Meditations'' by Marcus Aurelius ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble Sculptures
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite. Marble is typically not foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This stem is also the ancestor of the English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French , most other European languages (with words like "marmoreal") more closely resemble the original Ancient Greek. Physical origins Marble is a rock resulting from metamorphism of sedimentary carbonate rocks, most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures In The Museum Of Fine Arts Of Lyon
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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