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Lakshmisha
Lakshmisa (or Lakshmisha) was a noted Kannada language writer who lived during the mid-16th or late 17th century. His most important writing, ''Jaimini Bharata'' is a version of the Hindu epic Mahabharata. The writing focuses on the events following the battle of Indraprastha between the Pandavas and Kauravas, using the Ashvamedha ("horse sacrifice") conducted by Yudhishthira as the topic of the epic narrative. The writing is in the ''shatpadi'' metre (hexa-metre, 6 line verse) and was inspired by the Sanskrit original written by sage Jaimini.Sastri (1955), p. 365 Life The place, time and religious sect that Lakshmisa belonged to has been a subject of controversy among historians. Some historians believe he was a native of Devanur in modern Kadur taluk, Chikkamagaluru district, Karnataka state. It is claimed that his family deity was Lakshmiramana (a form of Vishnu) to whom he dedicated his writing. Devanur was called by multiple names in his writing; Surapura and Girvanapura.Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Literature
Kannada literature is the Text corpus, corpus of written forms of the Kannada language, which is spoken mainly in the Indian state of Karnataka and written in the Kannada script. Attestations in literature span one and a half millennia, R.S. Mugali (2006), ''The Heritage of Karnataka'', pp. 173–175 with some specific literary works surviving in rich manuscript traditions, extending from the 9th century to the present. The Kannada language is usually divided into three linguistic phases: Old (450–1200 CE), Middle (1200–1700 CE) and Modern (1700–present); and its literary characteristics are categorised as Jainism, Jain, Lingayatism and Vaishnavism, Vaishnava—recognising the prominence of these three faiths in giving form to, and fostering, classical expression of the language, until the advent of the modern era. Kittel in Rice E.P. (1921), p. 14Sastri 1955, pp. 355–365Narasimhacharya (1934), pp. 17, 61 Although much of the literature prior to the 18th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Part Of Lakshmisha's Kannada Epic Jaimini Bharata (Ashvamedha Parva-Horse Sacrifice Section)
Part, parts or PART may refer to: People *Part (surname) *Parts (surname) Arts, entertainment, and media *Part (music), a single strand or melody or harmony of music within a larger ensemble or a polyphonic musical composition *Part (bibliography), a sub-division of a volume or journal *Parts (book), ''Parts'' (book), a 1997 children's book by Tedd Arnold *Character (arts), in acting, a person or other being in a performed narrative Transportation *Pottstown Area Rapid Transit (PART), Pennsylvania, U.S. *Putnam Area Rapid Transit (PART), New York, U.S. *Piedmont Authority for Regional Transportation (PART), North Carolina, U.S. Other uses *Part (mathematics) or Mereology, the study of parts and the wholes they form *Part-of, the semantic relation of a part to the whole specific to linguistics *Spare part, an interchangeable part used for repair *Part number, identifier of a particular part design in engineering *Part (haircut), a hairstyle *Parts of Lincolnshire, geographic divi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the repetition of syllable-initial consonant sounds between nearby words, or of syllable-initial vowels if the syllables in question do not start with a consonant. It is often used as a literary device. A common example is " Peter Piper picked a peck of pickled peppers". Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry. Today, alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide, or obscure, clarity or identify hidden similarities between two different ideas. Metaphors are usually meant to create a likeness or an Analogy, analogy. Analysts group metaphors with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. According to Grammarly, "Figurative language examples include similes, metaphors, personification, hyperbole, allusions, and idioms." One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from ''As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, ''As You Like It'', 2/7 This quotation expresses a metaphor because the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Similes
A simile () is a type of figure of speech that directly ''compares'' two things. Similes are often contrasted with metaphors, where similes necessarily compare two things using words such as "like", "as", while metaphors often create an implicit comparison (i.e. saying something "is" something else). However, there are two schools of thought regarding the relationship between similes and metaphors. The first defines them as opposites, such that a statement cannot be both a simile and a metaphor — if it uses a comparison word such as "like" then it is a simile; if not, it is a metaphor. The second school considers metaphor to be the broader category, in which similes are a subcategory — according to which every simile is also a metaphor (but not vice-versa). These two schools reflect differing definitions and usages of the word "metaphor" and regardless of whether it encompasses similes, but both agree that similes always involve a direct comparison word such as "like" or "as". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaimini Bharata, Wesleyan Mission Press, Bangalore, 1852
Jaimini was an ancient Indian scholar who founded the Mīmāṃsā school of Hindu philosophy. He is the son of Parāśara and is considered to be a disciple of sage Vyasa. Traditionally attributed to be the author of the '' Mimamsa Sutras''James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism, Vol. 1 & 2, Rosen Publishing, , pages 438, 437-438, 746 and the ''Jaimini Sutras'', he is estimated to have lived around 4th to 2nd century BCE. Some scholars place him between 250 BCE and 50 CE. His school is considered non-theistic,FX Clooney (1997), What’s a god? The quest for the right understanding of devatā in Brāhmaṅical ritual theory (Mīmāṃsā), International Journal of Hindu Studies, August 1997, Volume 1, Issue 2, pages 337-385 but emphasizes ritual parts of the ''Vedas'' as essential to ''dharma''.P. Bilimoria (2001), Hindu doubts about God: Towards Mimamsa Deconstruction, in Philosophy of Religion: Indian Philosophy (Editor: Roy Perrett), Volume 4, Routle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramanujacharya
Ramanuja ('; Middle Tamil: Rāmāṉujam; Classical Sanskrit: Rāmānuja; 1077 – 1157), also known as Ramanujacharya, was an Indian Hindu philosopher, guru and social reformer. He is one of the most important exponents of the Sri Vaishnavism tradition in Hinduism. His philosophical foundations for devotional practice were influential in the Bhakti movement. Ramanuja's guru was Yādava Prakāśa, a scholar who, traditionally, is said to have belonged to the Advaita Vedānta tradition, but probably was a Bhedabheda scholar. Sri Vaishnava tradition holds that Ramanuja disagreed with his guru and the non-dualistic Advaita Vedānta, and instead followed in the footsteps of Tamil Alvārs tradition, the scholars Nāthamuni and Yamunāchārya. Ramanuja is famous as the chief proponent of Vishishtadvaita school of Vedānta, and his disciples were likely authors of texts such as the Shatyayaniya Upanishad. Ramanuja himself wrote influential texts, such as Sanskrit bhāsyas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Visishtadvaita
Vishishtadvaita (IAST '; ) is a school of Hindu philosophy belonging to the Vedanta tradition. Vedanta refers to the profound interpretation of the Vedas based on Prasthanatrayi. Vishishta Advaita, meaning "non-duality with distinctions", is a non-dualistic philosophy that recognizes Brahman (ब्रह्म) as the supreme reality while also acknowledging its multiplicity. This philosophy can be characterized as a form of qualified monism, attributive monism, or qualified non-dualism. It upholds the belief that all diversity ultimately stems from a fundamental underlying unity. Ramanuja, the 11–12th century philosopher and the main proponent of Vishishtadvaita philosophy, contends that the Prasthanatrayi ("The three sources"), namely the Upanishads, the Bhagavad Gita, and the Brahma Sutras are to be interpreted in a way that shows this unity in diversity, for any other way would violate their consistency. Vedanta Desika, another major scholar who significantly helped exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesha
Ganesha or Ganesh (, , ), also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most worshipped Deva (Hinduism), deities in the Hindu deities, Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends Ganesha in world religions, to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his Asiatic Elephant, elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of The arts, arts and Science, sciences; and the Deva (Hinduism), deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning., Vigna means obstacles Nasha means destroy. These ideas ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati (, , IPA: /Sanskrit phonology, pɑɾʋət̪iː/), also known as Uma (, , IPA: Sanskrit phonology, /ʊmɑː/) and Gauri (, , IPA: /Sanskrit phonology, gə͡ʊɾiː/), is one of the principal goddesses in Hinduism, revered as the Devi, goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. Along with Lakshmi and Saraswati, Sarasvati, she forms the trinity, known as the Tridevi. From her first appearance as a goddess during the Itihasa-Purana, epic period (400 BCE – 400 CE), Parvati is primarily depicted as the consort of the god Shiva. According to various Puranas, Parvati is the reincarnation of Sati (Hindu goddess), Sati, Shiva's first wife, who relinquished her body to sever familial ties with her father, Daksha, after he had insulted Shiva. Parvati is often equated with the other goddesses such as Sati, Uma, Kali and Durga and due to this close connection, they are often treated as one and the same, with their stories frequently ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
