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Labradford (album)
''Labradford'' is the third studio album by American post-rock band Labradford. It was released on November 12, 1996 by Blast First and Kranky. Track listing Personnel Adapted from the ''Labradford'' liner notes. ;Labradford * Carter Brown – keyboards * Robert Donne – bass guitar * Mark Nelson – vocals, guitar ;Additional musicians * Chris Johnston – violin ;Production and additional personnel * Mike Carosi – cover art * Labradford – recording A record, recording or records may refer to: An item or collection of data Computing * Record (computer science), a data structure ** Record, or row (database), a set of fields in a database related to one entity ** Boot sector or boot record, r ..., mixing * John Morand – recording, mixing Release history References External links * 1996 albums Labradford albums Blast First albums Kranky albums {{1990s-rock-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labradford
Labradford is a U.S. post-rock musical group from Richmond, Virginia, founded in 1992.Strong, Martin C. (2003) "Labradford" in ''The Great Indie Discography'', Canongate, , p. 827 They have released six full albums from 1993 to 2001. Though not disbanded, its members have since been active with separate projects. Biography Founded in 1991, Labradford consists of bassist Robert Donne, guitarist/vocalist Mark Nelson, and keyboardist Carter Brown. Their music style is experimental ambient and post-rock,Cooper, Sean " Labradford Biography, AllMusic, retrieved 2010-10-23 although their first releases were much more related to dark drone rock.Raggett, Ned " ''Prazision'' Review, AllMusic, retrieved 2010-10-23 After a début single in 1992, they were signed by Kranky (which has remained their home since) who issued their début album ''Prazision LP'' in 1993. The group's music mostly drifts on the guitar effects and the keyboard passages, with the vocals, when present, in the backgroun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album ''Hex''. It later solidified into a recognizable trend with the release of Tortoise's 1996 album '' Millions Now Living Will Never Die''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |