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La Péri (Burgmüller)
''La Péri'' is a fantastic ballet choreographed by Jean Coralli (1779-1854) to music composed by Friedrich Burgmüller. With a scenario devised by Théophile Gautier and Coralli, scenery designed by Charles Séchan, Jules Diéterle, Édouard Desplechin, Humanité Philastre, and Charles Cambon, and costumes designed by Paul Lorimer and Hippolyte d'Orshwiller, it was first presented by the Paris Opera Ballet at the Académie Royale de Musique on 17 July 1843. Scenario The ballet, in two acts, three scenes, had a typically Romantic plot dealing with a mortal's love for a supernatural being. Gautier's scenario was inspired by his attraction to the Orient and was devised for his favorite ballerina, Carlotta Grisi, in the guise of a Persian fairy. She appears to the wealthy and world-weary Sultan Achmet, danced by Lucien Petipa, in one of his opium dreams, and he falls in love with her. To test his love, she takes the form of a runaway slave, Leila. Achmet is imprisoned for refusing ...
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La Péri -Scène Tirée
LA most frequently refers to Los Angeles, the second most populous city in the United States of America. La, LA, or L.A. may also refer to: Arts and entertainment Music *La (musical note), or A, the sixth note *"L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson *''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 *The La's, an English rock band *L.A. Reid, a prominent music producer *Yung L.A., a rapper *Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 *"La", a song by Australian-Israeli singer-songwriter Old Man River *''La'', a Les Gordon album Other media * l(a, a poem by E. E. Cummings *La (Tarzan), fictional queen of the lost city of Opar (Tarzan) *''Lá'', later known as Lá Nua, an Irish language newspaper *La7, an Italian television channel *LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agenc ...
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Opium
Opium (also known as poppy tears, or Lachryma papaveris) is the dried latex obtained from the seed Capsule (fruit), capsules of the opium poppy ''Papaver somniferum''. Approximately 12 percent of opium is made up of the analgesic alkaloid morphine, which is processed chemically to produce heroin and other synthetic opioids for medicinal use and for the illegal drug trade. Opium's main psychoactive alkaloids, primarily morphine, act on μ-opioid receptors, causing analgesia and addiction with long-term use leading to tolerance, dependence, and increased cancer risk. The latex also contains the closely related opiates codeine and thebaine, and non-analgesic alkaloids such as papaverine and noscapine. The traditional, labor-intensive method of obtaining the latex is to scratch ("score") the immature seed pods (fruits) by hand; the latex leaks out and dries to a sticky yellowish residue that is later scraped off and dehydrated. The English word for opium is loan word, borrowed fro ...
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Ballets Premiered At The Paris Opera Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ...
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1843 Works
Events January–March * January 3 – The ''Illustrated Treatise on the Maritime Kingdoms'' (海國圖志, ''Hǎiguó Túzhì'') compiled by Wei Yuan and others, the first significant Chinese work on the West, is published in China. * January 6 – Antarctic explorer James Clark Ross discovers Snow Hill Island. * January 20 – Honório Hermeto Carneiro Leão, Marquis of Paraná is appointed by the Emperor, Dom Pedro, as the leader of the Brazilian Council of Ministers, although the office of Prime Minister of Brazil will not be officially created until 1847. * January ** Serial publication of Charles Dickens's novel ''Martin Chuzzlewit'' begins in London; in the July chapters, he lands his hero in the United States. ** Edgar Allan Poe's short story "The Tell-Tale Heart" is published in ''The Pioneer'', a Boston magazine. ** The Quaker magazine '' The Friend'' is first published in London. * February 3 – Uruguayan Civil War: Argentina supports Oribe of Uruguay, and begi ...
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1840s Ballets
__NOTOC__ Year 184 ( CLXXXIV) was a leap year starting on Wednesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Eggius and Aelianus (or, less frequently, year 937 ''Ab urbe condita''). The denomination 184 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place China * The Yellow Turban Rebellion and Liang Province Rebellion break out in China. * The Disasters of the Partisan Prohibitions ends. * Zhang Jue leads the peasant revolt against Emperor Ling of Han of the Eastern Han dynasty. Heading for the capital of Luoyang, his massive and undisciplined army (360,000 men), burns and destroys government offices and outposts. * June – Ling of Han places his brother-in-law, He Jin, in command of the imperial army and sends them to attack the Yellow Turban rebels. * Winter – Zhang Jue dies of illness while his broth ...
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La Péri (Dukas)
''La Péri'' ( English: ''The Peri'') is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender (the name of Alexander the Great in Persian) searching for immortality and his encounter with a mythological Peri. It was premiered on April 22, 1912. Synopsis At the end of his days of youth, the Magi having observed that his star had faded, Iskender travels throughout Iran in search of the Flower of Immortality. After three years of looking and wandering, he finally arrives at the Ends of the Earth, a place of utmost tranquility and calm. Iskender finds a temple to Ormuzd, and on its steps is a Peri. With a star flashing above her head and a lute in one hand, the Peri carries the Flower of Immortality, a lotus decorated with emeralds, in the other. Later, as the Peri is sleeping, Iskender steals the Flower, careful to avoid making noise so that she does not wake up. Immediately the Flow ...
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George Skibine
George Boris SkibineGeorge Boris Skibine in ''South Carolina, Naturalization Records, 1868-1991'' (; Yuri Borisovich Skibin; January 30, 1920 – January 14, 1981), also known as Youra Skibine, was a Russian-American ballet dancer and choreographer. Biography Skibine was born in Kharkov (now Ukraine) the son of Boris Skibine, a member of Diaghilev's Ballets Russes, and Vera Skibina. In 1937, Boris Skibine was arrested by the NKVD and executed, as part of the Great Purge. He was posthumously rehabilitated in 1989. George began to perform with the Ballets Russes company at the age of five, as an extra in '' Petrouchka''. He studied with various Russian teachers including Olga Preobrajenska, Julia Sedova, Alexandre Volinine and Lyubov Egorova before making his debut on ballet stage in 1937 in Egorova's Ballets de la Jeunesse. In 1938, at age 18, he became to dance with the René Blum's Ballet Russe de Monte Carlo. He danced with the company in 1938–1939, then performed ...
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Serge Lifar
Serge Lifar (, ''Serhіy Mуkhailovуch Lуfar'') ( 15 December 1986) was a Ukrainian dancer, choreographer, and one of the greatest male ballet dancers of the 20th century. Lifar was also a choreographer, director, writer, theoretician about dance, and collector. As ballet master of the Paris Opera from 1930 to 1944, and from 1947 to 1958, he devoted himself to the restoration of the technical level of the Paris Opera Ballet, returning it to its place as one of the best companies in the world. Biography Early life and education Lifar was born in Kyiv, Kiev (now Kyiv), Russian Empire. His year of birth is officially shown as 1904 (as on a 2004 Ukrainian stamp commemorating his centenary). He became the pupil of Bronislava Nijinska in her ballet studio «School of Movement», 1920. In 1921 he left his native city, at that time occupied by Soviet troops, and was noticed by Sergei Diaghilev, who sent him to Turin in order to improve his technique with Enrico Cecchetti. Balle ...
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Frederick Ashton
Sir Frederick William Mallandaine Ashton (17 September 190418 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue. Determined to be a dancer despite the opposition of his conventional middle-class family, Ashton was accepted as a pupil by Léonide Massine and then by Marie Rambert. In 1926 Rambert encouraged him to try his hand at choreography, and though he continued to dance professionally, with success, it was as a choreographer that he became famous. Ashton was chief choreographer to Ninette de Valois, from 1935 until his retirement in 1963, in the company known successively as the Vic-Wells Ballet, the Sadler's Wells Ballet and the The Royal Ballet, Royal Ballet. He succeeded de Valois as director of the company, serving until his own retirement in 1970. Ashton is widely credited with the creation of a specifically English genre of ballet. Among his best-known works are ''Façade (ballet), Fa ...
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Ivan Clustine
Ivan Nikolayevich Khlyustin (; 22 August 1862 – 21 November 1941), usually referred to outside Russia as Ivan Clustine, was a Russian dancer, ballet master, and choreographer. He was "offered the position of ballet master and teacher at the Paris Opera, where he served from 1909 to 1914." He was then intermittently ballet master of Anna Pavlova Anna Pavlovna Pavlova. (born Anna Matveyevna Pavlova; – 23 January 1931) was a Russian prima ballerina. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev, but is most recognized for creating ...'s company until her death. Among his choreographies were '' La Péri'' (1912), ''Philotis'', and ''Hansli le Bossu'' (1914). Notes References {{DEFAULTSORT:Clustine, Ivan 1862 births 1941 deaths Ballet masters Dancers from Moscow Choreographers from the Russian Empire Immigrants to France ...
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Paul Dukas
Paul Abraham Dukas ( 1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man of retiring personality, he was intensely self-critical, having abandoned and destroyed many of his compositions. His best-known work is the orchestral piece ''The Sorcerer's Apprentice'' (''L'apprenti sorcier''), the fame of which has eclipsed that of his other surviving works, largely due to its usage in the 1940 Disney film '' Fantasia''. Among these are the opera ''Ariane et Barbe-bleue'', his Symphony in C and Piano Sonata in E-flat minor, the '' Variations, Interlude and Finale on a Theme by Rameau'' (for solo piano), and a ballet, '' La Péri''. At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy. In tandem with his composing career, Dukas work ...
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Lucien Petipa
Lucien Petipa (22 December 1815 – 7 July 1898) was a French ballet dancer during the Romantic period, and the elder brother to Marius Petipa, the famous ballet master of the Russian Imperial Ballet. He was born in Marseille and died in Versailles. The son of Jean-Antoine Petipa, he was the original interpreter of many of the principal male roles during the Romantic era, working with choreographers such as Jean Coralli among others. Probably the most known role he created was Albert, Duke of Sliesa (later to be known as Count Albrecht) in the two-act ballet of '' Giselle'' in 1841, opposite the Italian-born ballerina Carlotta Grisi for whom the ballet was created. Between 1860 and 1868 he was '' maître de ballet'' at the Paris Opera and between 1872 and 1873 he ran the La Monnaie theater in Brussels.Ivor Guest. ''Petipa, (Joseph) Lucien'' oGrove Music Online Notable roles * Albert in '' Giselle'' (1841) * Achmed in '' La Péri'' (1843) Ballets * In 1857 Lucien Petipa stage ...
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