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La Cecchina
''La Cecchina'' may refer to: * '' La buona figliuola'', or ''La Cecchina'', a 1760 opera buffa by Niccolò Piccinni * Francesca Caccini (1587 – c. 1641), Italian singer and composer, nicknamed ''La Cecchina'' See also * Cecchina, a hamlet in Lazio, Italy {{dab ...
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La Buona Figliuola
''La buona figliuola'' (''The Good-Natured Girl'' or ''The Accomplish'd Maid''), or ''La Cecchina'' (''The Girl from Cecchina'' or ''Fannie''), is an opera buffa in three acts by Niccolò Piccinni. The libretto, by Carlo Goldoni, is based on Samuel Richardson's novel ''Pamela; or, Virtue Rewarded''. This was Piccinni's most successful Italian opera. There was a sequel entitled ''La buona figliuola maritata'' (1761) by the same composer and librettist. ''La buona figliuola supposta vedova'' by Gaetano Latilla followed in 1766. Performance history It was first performed at the Teatro delle Dame, Rome, on 6 February 1760 with an all-male cast. It was given in London at the King's Theatre on 25 November 1766 with Gaetano Guadagni, Savi, Lovattini, Morigi, Quercioli, Piatti, and Michele; and at Covent Garden in English as ''The Accomplish'd Maid'' on 3 December 1766. It was revived as ''La Cecchina'' (with alterations) on 7 February 1928 in Bari (the composer's native city), as part o ...
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Francesca Caccini
Francesca Caccini (; 18 September 1587 – most likely between 1641 and 1645) was an Italian composer, singer, lutenist, poet, and music teacher of the early Baroque era. She was also known by the nickname La Cecchina , given to her by the Florentines and probably a diminutive of ''Francesca''. She was the daughter of Giulio Caccini. Her only surviving stage work, '' La liberazione di Ruggiero'', is widely considered the oldest opera by a woman composer. As a female composer she helped to solidify the agency and the cultural and political programs of her female patron. Personal life Early life Caccini was born in Florence, and received a humanistic education (Latin, some Greek, as well as modern languages and literature, mathematics) in addition to early musical training with her father. According to Liliana Panella, the first well-founded testimony of Francesca's singer's activity, together with her sister Settimia, at the Medici court, is 1602: in his diary Cesare Tinghi not ...
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