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La Cambiale Di Matrimonio
''La cambiale di matrimonio'' (; English language, English: ''The Bill of Marriage'' or ''The Marriage Contract'') is a one-act operatic farsa, farsa comica by Gioachino Rossini to a libretto by Gaetano Rossi. The libretto was based on the play by Camillo Federici (1791) and a previous libretto by Giuseppe Checcherini for Carlo Coccia's 1807 opera, ''Il matrimonio per lettera di cambio''. The opera debuted on 3 November 1810 at the Teatro San Moisè in Venice.Osborne, Richard in Grove It had a run of thirteen performances at Teatro San Moisè. Composed in a few days when he was 18 years old, ''La cambiale di matrimonio'' was Rossini's first professional opera. The overture, written when he was a student at the Philharmonic Academy of Bologna, Liceo Musicale in Bologna, is an important part of the modern concert repertoire. As was to become typical of his later career, the duet "Dunque io son" was later reused, to greater effect, in act 1 of ''The Barber of Seville''. Roles Syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farsa
Farsa (Italian language, Italian, literally: ''farce'', plural: ''farse'') is a genre of opera, associated with Venice in the late 18th and early 19th centuries. It is also sometimes called ''farsetta''. Farse were normally one-act operas, sometimes performed together with short ballets. Many of the recorded productions were at the Teatro San Moisè in Venice, often during Carnival. Musically they may have derived from the two-act dramma giocoso, although there were other influences, including the France, French ''comédie mêlée d'ariettes''. Few of the original 18th-century farse are now performed. The Germany, German composer Johann Simon Mayr, who lived in Northern Italy, wrote about 30 farse. Rossini wrote five examples: ''La cambiale di matrimonio'' (1810), ''L'inganno felice'' (1812), ''La scala di seta'' (1812), ''Il Signor Bruschino'' (1813), and ''Adina (opera), Adina'' (1818). In addition, his ''L'occasione fa il ladro'' (1812), though called a ''Burletta per music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna Chamber Orchestra
The Vienna Chamber Orchestra (Wiener Kammer Orchester, or WKO) is an Austrian chamber orchestra based at the Vienna Konzerthaus. History The WKO was founded in 1946, and its first artistic directors were Franz Litschauer, Heinrich Hollreiser, Paul Angerer, and Carlo Zecchi. When he took over the position from 1976 to 1991, Philippe Entremont started a tradition of conductors playing a dual rôle, appearing as both conductor and soloist. Entremont has continued as the Orchestra's lifetime honorary conductor, leading it on tour and in its matinée subscription series at the Konzerthaus. In addition, the WKO has continued to invite dual-role artists, including Yehudi Menuhin, Heinz Holliger, Heinrich Schiff, and Ola Rudner. Heinrich Schiff was chief conductor of the WKO from 2005 to 2008, when he stepped down from the post for health reasons. Stefan Vladar was the most recent chief conductor of the WKO, from 2008 to 2018. Since 2018, the WKO's principal guest conductor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scottish Opera
Scottish Opera is the national opera company of Scotland, and one of the five national performing arts companies of Scotland. Founded in 1962 and based in Glasgow, it is the largest performing arts organisation in Scotland. History Scottish Opera was founded by conductor Alexander Gibson (conductor), Alexander Gibson in 1962. In 1975 it purchased the Theatre Royal, Glasgow, Theatre Royal in Glasgow from Scottish Television re-opening it as the first national opera house for Scotland in October 1975 with ''Die Fledermaus''. In March 2005, the management of the Theatre Royal was transferred to the Ambassador Theatre Group, but remains the home of Scottish Opera and of Scottish Ballet. Scottish Opera dealt with various financial troubles, related to lack of funding and accusations of fiscal profligacy, during the first part of the 2000s. Its cycle of Richard Wagner's ''Ring'' was critically acclaimed, but also was highly draining of the company's financial resources. In 2004, a fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rossini In Wildbad
Rossini in Wildbad is a bel canto opera festival in Bad Wildbad, Baden-Württemberg, specialising in the lesser-known operas of Gioachino Rossini and his contemporaries. The festival commemorates a stay by Rossini at the town's spa in 1856, which apparently invigorated him enough to start composing again. George Loomis, '' New York Times
''The New York Times'' (''NYT'') is an American daily newspaper based in New York City. ''The New York Times'' covers domestic, national, and international news, and publishes opinion pieces, investigative reports, and reviews. As one o ...
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Rossini Opera Festival
The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, Italy, the birthplace of the opera composer Gioachino Rossini. Its aim, in addition to studying the musical heritage of the composer, is to revive and perform his works in a unique setting that allows collaboration of scholars, artists, and audience. It is often simply referred to as the Pesaro Festival. Performances are given in the 850-seat theatre built in 1818, the Teatro Rossini and, since 1988, the modified sports arena (Palasport) which holds 1,500, as well as, since 2006, Vitrifrigo Arena, with over 10,000. Since 2000 another venue, the Teatro Sperimentale (Experimental Theatre), has offered the opportunity to present smaller-scale or minor works by contemporaries of Rossini such as Mosca, Generali, and Coccia. The main square of Pesaro, the Piazza del Popolo, also hosts outdoor performances. It will be extensively used during the Festival's 2020 season, which was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desirée Rancatore
Desirée Rancatore (born 29 January 1977) is an Italian dramatic coloratura soprano with an active career on the opera and concert stages of Europe. Biography Rancatore was born in Palermo. She studied violin and piano before studying singing with her mother Maria Argento at the age of 16 and later in Rome, with Margaret Baker Genovesi. She won first prizes at several competitions: Ibla International Competition in Ragusa (1995), V. Bellini International Competition in Caltanissetta (1995), Maria Caniglia International Competition in Sulmona (1996). In 1996, at the age of 19 she debuted at the Salzburg Festival as Barbarina in Mozart's ''The Marriage of Figaro''. She returned to the Festival in the following seasons for ''Die Entführung aus dem Serail'' (Blonde; 1997, 1998), Verdi's '' Don Carlo'' conducted by Lorin Maazel (Voice from Heaven; 1998, 1999), '' Great Mass in C minor'' (2000), Honegger's '' Jeanne d'Arc au bûcher'' (2001), Hasse's '' Piramo e Tisbe'' (2010; con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Bordogna
Paolo Bordogna (born January 2, 1972) is an Italian operatic baritone and bass. He is particularly associated with ''buffo'' (comic) roles. Biography Bordogna studied singing with baritone Roberto Coviello. Since 2005, he has appeared often at the Rossini Opera Festival, Pesaro in such roles as Don Magnifico in '' La Cenerentola'', Bartolo in ''The Barber of Seville'' and numerous others. His career has taken him to the Teatro Real, La Scala, Bayerische Staatsoper, the Paris Opera, The Royal Opera, and many others of the world's leading opera houses. He has also performed the roles of Dandini in ''La cenerentola'' and Figaro in ''The Barber of Seville''. Over 50 roles in his wide repertory include the title roles of Donizetti's ''Don Pasquale'' and Dr. Dulcamara in that composer's ''L'elisir d'amore''. In Mozart operas, he has performed as Figaro in ''Le nozze di Figaro'' at Opera Australia, Don Alfonso in '' Cosi fan Tutte'' at Teatro dell'Opera di Roma and Leporello in ''Don ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Chamber Orchestra
The English Chamber Orchestra (ECO) is a British chamber orchestra based in London. The full orchestra regularly plays concerts at Cadogan Hall, and their ensemble performs at Wigmore Hall. With a limited performance size, the orchestra specializes in 18th-century music and was created to perform Baroque Music. The orchestra regularly tours in the UK and internationally, and holds the distinction of having the most extensive discography of any chamber orchestra and being the most well-traveled orchestra in the world; no other orchestra has played concerts (as of 2013, according to its own publicity) in as many countries as the English Chamber Orchestra. History The English Chamber Orchestra has its origins in the Goldsbrough Orchestra, founded in 1948 by Lawrence Leonard and Arnold Goldsbrough. The name was considered to prevent success outside of the UK and in 1960 it was changed to the English Chamber Orchestra, when Quintin Ballardie (a principal violinist with the ori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcello Viotti
Marcello Viotti (29 June 195416 February 2005) was a Swiss classical music conductor, best known for opera. Viotti was born in Vallorbe, in the French-speaking region of Switzerland, to Italian parents. He studied cello, piano and singing at the Conservatory of Lausanne. Wolfgang Sawallisch was a mentor to Viotti and encouraged him to begin his career in the theatre. As a young conductor, Viotti honed his craft with the International Orchestra of the Jeunesses Musicales in the Italian town of Fermo, and also with a wind ensemble. His interpretation of Robert Schumann's 4th Symphony helped him win the 1982 Gino Marinuzzi Competition. During the 1980s and 1990s Viotti was a director at several opera houses in Europe. These included three years as artistic director of the Stadttheater in Lucerne, a post as music director of the Turin opera, and three years as Generalmusikdirektor of Bremen (1990–1993). He held guest conducting posts at the Vienna State Opera, the Deutsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renato Capecchi
Renato Capecchi (born Cairo, November 6, 1923; died Milan, June 30, 1998) was an Italian baritone, actor, and opera director. He sang in the Italian premiere of Shostakovich's ''The Nose (opera), The Nose'' and Prokofiev's ''War and Peace (Prokofiev), War and Peace'', and in the world premieres of Gian Francesco Malipiero's ''La donna è mobile'', Giorgio Federico Ghedini's ''Billy Budd'' and ''Lord Inferno'', and Sylvano Bussotti's ''L'ispirazione.'' In 1951, Capecchi made his New York City, New York Metropolitan Opera debut as Germont in ''La traviata'' and sang regularly in leading roles there until 1954. After a period of singing primarily in European opera houses, he returned to the Metropolitan Opera in 1975 where he specialized in smaller comic roles in otherwise tragic operas such as the Sacristan in ''Tosca'' and Benoit and Alcindoro in ''La bohème''. Amongst the productions Capecchi directed were ''La fille du régiment, The Daughter of the Regiment'' at New York Cit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renata Scotto
Renata Scotto (24 February 1934 – 16 August 2023) was an Italian soprano, opera director, and voice teacher. Recognised for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered to have been one of the preeminent opera singers of her generation. For more than 40 years, she performed in some 45 roles, first in Italy, then as a leading soprano of the Metropolitan Opera (Met). She is remembered especially for the title roles of Verdi's ''La traviata'', performed for her stage debut in Milan in 1952, and Puccini's ''Madama Butterfly'', which was her first role at the Met and her last there in 1987, but also for belcanto works such as Donizetti's ''Lucia di Lammermoor''. She appeared in the first telecast from the Met in 1977, as Mimi in Puccini's ''La bohème'', alongside Luciano Pavarotti and conducted by James Levine. She later expanded her repertoire by roles such as the Marschallin in ''Der Rosenkavalier'' by Richard Strauss, Elle in Poule ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
