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L.H.O.O.Q
''L.H.O.O.Q.'' () is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made.Marcel Duchamp, ''L.H.O.O.Q. or La Joconde'', 1964 (replica of 1919 original) , Pasadena. The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or (as in the case of his work ''Fountain'' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mona Lisa Replicas And Reinterpretations
Leonardo da Vinci's ''Mona Lisa'' is one of the most recognizable and famous works of art in the world, and one of the most replicated and reinterpreted. ''Mona Lisa'' studio versions, copies or replicas were already being painted during Leonardo's lifetime by his own students and contemporaries. Some are claimed to be the work of Leonardo himself, and remain disputed by scholars. Prominent 20th-century artists such as Marcel Duchamp and Salvador Dalí have also produced derivative works, manipulating ''Mona Lisa'' image to suit their own aesthetic. Replicating Renaissance masterpieces continues to be a way for aspiring artists to perfect their painting techniques and prove their skills. Contemporary ''Mona Lisa'' replicas are often created in conjunction with events or exhibitions related to Leonardo da Vinci, for publicity. Her portrait, public domain and outside of copyright protection, has also been used to make political statements. Aside from countless print-reproductions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Readymades Of Marcel Duchamp
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art".Tomkins: ''Duchamp: A Biography'', page 158. By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art. Duchamp was not interested in what he called "retinal art"—art that was only visual—and sought other methods of expression. As an antidote to retinal art he began creating readymades in 1914, when the term was commonly used in the United States to describe manufactured items to distinguish them from handmade goods. He selected the pieces on the basis of "visual indifference",Cabanne: ''Dialogs with Marcel Duchamp'', Thames and Hudson (1971), page 48. ''Cabanne: What determined your choice of readymades? Duchamp: That depended on the object. In general, I had to beware, at the end of fifteen days, you begin to like it or hate it. You have to approach somethin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
