Köçek
The ''köçek'' (plural in Turkish) was typically a young, male, and physically attractive enslaved dancer (''rakkas''), who usually cross-dressed in feminine attire, and was employed as an entertainer. Roots Turkish ''köçek'' derives from Ottoman Turkish كوچوك (küçük, “small, little”), from Old Anatolian Turkish (kiçük, “small, little”), from Proto-Turkic *kičük, *kičüg (“small, little”). Cognate with Old Turkic 𐰚𐰃𐰲𐰏 (kičig), Karakhanid (kičüg), Kazakh кіші (kışı), кішкене (kışkene), Uyghur كىچىك (kichik), Kyrgyz кичинекей (kicinekey), Shor кичиг, Yakut куччугуй (kuccuguy), etc In the [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Slavery In The Ottoman Empire
Chattel slavery was a major institution and a significant part of the Ottoman Empire's economy and traditional society. The main sources of slaves were wars and politically organized enslavement expeditions in the Caucasus, Eastern Europe, Southern Europe, Central Europe, Southeast Europe, the Western Mediterranean and Africa. It has been reported that the selling price of slaves decreased after large military operations.Spyropoulos Yannis, Slaves and freedmen in 17th- and early 18th-century Ottoman Crete, ''Turcica'', 46, 2015, p. 181, 182. In Constantinople (present-day Istanbul), the administrative and political center of the Ottoman Empire, about a fifth of the 16th- and 17th-century population consisted of slaves. The number of slaves imported to the Ottoman Empire from various geographic sources in the early modern period remains inadequately quantified. The Ottoman historians Halil İnalcık and Dariusz Kołodziejczyk have tentatively estimated that 2 million enslave ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Karsilamas
Karsilamas (; ) is a folk dance spread all over Northwest Turkey and carried to Greece by Anatolian Greek immigrants. The term "karşılama" means "encounter, welcoming, greeting" in Turkish. The dance is popular in Northwestern areas of Turkey, especially on wedding parties and festivals. This dance is also found in many areas of Greece, such as the Aegean islands (Syros, Kythnos, Lesvos, etc.) as well as in Thrace and Macedonia. Apart from Karsilamas, in Greece and Cyprus there is a similar dance named Antikrystos. Antikrystos, translates also, as "anti-face", i.e., face-to-face. Karsilamas is a couple dance that is still danced in what was the Ottoman Empire, from Persia to Serbia, and in the Macedonia and Thrace regions of Northern Greece. Figures of the dance may vary from region to region, but the main theme is two people face each other, and music rhythmically controls their next moves. Traditionally, people dance without any figure on their minds, just figures they hav ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Castanets
Castanets, also known as ''clackers'' or ''palillos'', are a percussion instrument ( idiophonic), used in Spanish, Calé, Moorish, Ottoman, Greek, Italian, Mexican, Sephardic, Portuguese, Filipino, Brazilian, and Swiss music. In ancient Greece and ancient Rome there was a similar instrument called the '' crotalum''. The instrument consists of a pair of concave shells joined on one edge by a string. They are held in the hand and used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks. They are traditionally made of hardwood (chestnut; Spanish: ''castaño''), although fibreglass has become increasingly popular. In practice, a player usually uses two pairs of castanets. One pair is held in each hand, with the string hooked over the thumb and the castanets resting on the palm with the fingers bent over to support the other side. Each pair will make a sound of a slightly different pitch. The slightly lower one usuall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kaşık Havası
Kaşık Havası (, spoon tune) or Kaşık Oyunları (, spoon dances; ) are folk dances mostly spread over the Mediterranean region and have a varying structure of their arrangement, performance, rhythmic, and melodic characteristics. They are always rendered with wooden spoons and the characteristic measure is or . The instruments used are beast bow (later violin), baglama and clarinet, in general, they are accompanied by folk songs. References {{DEFAULTSORT:Kasik Havasi Turkish folk music Turkish folk dances ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musicians And Dancers From Ottoman Empire
A musician is someone who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate a person who follows music as a profession. Musicians include songwriters, who write both music and lyrics for songs; conductors, who direct a musical performance; and performers, who perform for an audience. A music performer is generally either a singer (also known as a vocalist), who provides vocals, or an instrumentalist, who plays a musical instrument. Musicians may perform on their own or as part of a group, band or orchestra. Musicians can specialize in a musical genre, though many play a variety of different styles and blend or cross said genres, a musician's musical output depending on a variety of technical and other background influences including their culture, skillset, life experience, education, and creative preferences. A musician who records and releases music is often referred to as a recordin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Seraglio
A seraglio, serail, seray or saray (from , via Turkish, Italian and French) is a castle, palace or government building which was considered to have particular administrative importance in various parts of the former Ottoman Empire. "The Seraglio" may refer specifically to the Topkapı Palace, the residence of the former Ottoman sultans in Istanbul (known as Constantinople in English at the time of Ottoman rule). The term can also refer to other traditional Turkish palaces (every imperial prince had his own) and other grand houses built around courtyards. Etymology The term ''seraglio'', from Italian, has been used in English since 1581. The Italian Treccani dictionary gives two derivations: # one via or (with the variants ''seraya'' or ''saraya''), which comes from or, per derivation, the enclosed court for the wives and concubines of the harem of a house or palace (see ); # the other — in the sense of enclosure — from Late/, derived from Classical Latin , , whic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kemenche
Kemenche (, Persian language, Persian : کمانچه) or Lyra is a name used for various types of Bowed string instrument, stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Greece, Armenia, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian language, Persian Kamancheh, meaning a "small bow". Variations The Kemençe of the Black Sea (), also known as ''Pontic kemenche'' or ''Pontic lyra'' (), is a Hornbostel–Sachs#Lutes .28321.29, box-shaped lute (Hornbostel-Sachs, in the Hornbostel-Sachs system), while the classical kemençe ( or ''Armudî kemençe'', ) is a Hornbostel–Sachs#Lutes .28321.29, bowl-shaped lute (Hornbostel-Sachs, ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Laouto
The laouto (, pl. laouta ) is a long-neck fretted instrument of the lute family, found in Greece and Cyprus, and similar in appearance to the oud. It has four double-strings. It is played in most respects like the oud (plucked with a long plectrum); in Cyprus the laouto is plucked with a feather. This instrument is known in Albania as "llautë" (indefinite form) or "llauta" (definite form), and in Romania as "lăuta". Construction Unlike the oud and other short-necked lutes, the laouto has a higher string tension due to its steel strings and longer neck, and hence it is brighter in tone than the oud. It also has movable frets to permit the playing of the dromoi, or modes of Greek traditional music. The laouto also tends to have only one sound hole (sometimes two) whereas the oud family tend to have three. Despite this, there are many similarities between the laouto and the oud. The soundboard is often made of spruce or cedar wood, while the body is usually made of a harder ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Enderûnlu Fâzıl
Enderûnlu Fâzıl (1757–1810) was an Ottoman poet. He is the author of the Zenanname ("The Book of Women") and the Hubanname ("The book of Beautiful Young Men"), the former of which was banned in the Ottoman Empire. He achieved fame through his erotic works. Life Fâzıl was born in Acre, Israel, Acre into an Arab family originally of Medina. He spent his early years in Safed in Ottoman Palestine. His grandfather Zahir al-Umar and father Ali Tâhir were both Capital punishment, executed (in 1775 and 1776, respectively) for participating in a rebellion. After his father's death, Fâzıl moved to Istanbul. There, he was admitted to the Enderun palace school (taking the name ''Enderuni'' or ''Enderûnlu''), but was expelled in 1783 as a result of his love affairs with other men there. In 1799 he was exiled to Rhodes because of his satire, satirical writings and was only allowed to return to Istanbul after becoming blind. He spent the rest of his life there, ill and bedridden. He i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Wrestling
Wrestling is a martial art, combat sport, and form of entertainment that involves grappling with an opponent and striving to obtain a position of advantage through different throws or techniques, within a given ruleset. Wrestling involves different grappling-type techniques, such as clinch fighting, throws and takedowns, joint locks, pins, and other grappling holds. Many different wrestling techniques have been incorporated into martial arts, combat sports, and military systems. Wrestling comes in different forms, the most popular being professional wrestling, which is a form of athletic theatre. Other legitimateThe term "wrestling" is most often widely used to specifically refer to predetermined professional wrestling, which is very different from the legitimate (or real-life) wrestling combat predominantly detailed in this article. competitive forms include Greco-Roman, freestyle, judo, sambo, folkstyle, catch, shoot, luta livre, submission, sumo, pehl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Music Of Turkey
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization. Ashik, Âşık, Aytysh, atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Music of Greece, Greek, Music of Armenia, Armenian, Music of Albania, Albanian, Music of Poland, Polish, Music of Azerbaijan, Azeri and Jewish communities, among ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dede Efendi
DeDe, De De, Dedé or Dédé may refer to: People Nickname or stage name * Dedé (Angolan footballer), born Adérito Waldemar Alves Carvalho * Dedé (footballer, born 1978), Brazilian footballer born Leonardo de Deus Santos * Dedé (footballer, born 1987), Brazilian footballer born Derivaldo Beserra Cavalcante * Dedé (footballer, born 1988), Brazilian footballer born Anderson Vital da Silva * Dedé (footballer, born 2002), Brazilian footballer born Vitor Hugo Oliveira Corrêa da Silva * Dede Allen (1923–2010), American film editor * Dede Barry (born 1972), American cycle racer * Dédé Fortin (1962–2000), Canadian musician * DeDe Lattimore (born 1991), American football player * DeDe Lind (born 1947), American model and ''Playboy'' Playmate of the Month * Denise Lopez (Swedish singer), Mexican-born Swedish singer * De De Pierce (1904–1973), American jazz trumpeter and cornetist * Dede Robertson (1927–2022), Evangelical Christian activist * Dedé Santana (born ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |