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Köthener Trauermusik
' (Cry, children, cry to all the world), also known as ' (Köthen funeral music), BWV 1143, BWV244a, is a cantata by Johann Sebastian Bach. He composed it in 1729 for the funeral of Leopold, Prince of Anhalt-Köthen. The music is lost, but the libretto survives. As Bach is known to have used musical material which also appeared in two surviving works, one being the ''St Matthew Passion'', it has been possible to make reconstructions. The cantata is in 24 movements ( choruses, arias and recitatives) divided into four parts. The first deals with the principality in mourning, the second the prince's departing and the salvation of his soul. The third part, followed by a homily, details Leopold's commemoration. The final section is about the farewell and about eternal rest. History and words The choice of Bach for the funeral music was not surprising. He had worked full-time at Leopold's court between 1717 and 1723. When he moved to Leipzig, he retained his role as Köthen cour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the ''St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Bach-Ausgabe
The New Bach Edition (NBE) (german: Neue Bach-Ausgabe; NBA), is the second complete edition of the music of Johann Sebastian Bach, published by Bärenreiter. The name is short for Johann Sebastian Bach (1685–1750): New Edition of the Complete Works (''Johann Sebastian Bach (1685–1750): Neue Ausgabe sämtlicher Werke''). It is a historical-critical edition (German: ''historisch-kritische Ausgabe'') of Bach's complete works by the Johann Sebastian Bach Institute (Johann-Sebastian-Bach-Institut) in Göttingen and the Bach Archive (Bach-Archiv) in Leipzig, When Bach died most of his work was unpublished. The first complete edition of Bach's music was published in the second half of the nineteenth century by the Bach Gesellschaft ( Bach-Gesellschaft Ausgabe, BGA). The second complete edition includes some discoveries made since 1900, but there are relatively few such scores. The significance of the NBE lies more in its incorporation of the latest scholarship. Although the NBE is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Zeit, Die Tag Und Jahre Macht, BWV 134a
Johann Sebastian Bach composed the secular cantata (Time, which day and year doth make), BWV134.1, BWV134a, while he was in the service of the court of Leopold, Prince of Anhalt-Köthen. Bach wrote the work as a ''serenata'' for the celebration of New Year's Day 1719. The libretto by Christian Friedrich Hunold, an academic at the University of Halle, takes the form of a dialogue between two allegorical figures, ''Time'' and ''Divine Providence'', representing the past and future, respectively. Bach set the words in eight movements consisting of alternating recitatives and arias, culminating in a choral finale. Most movements are duets of solo voices, an alto as ''Divine Providence'' and a tenor as ''Time''. Even the closing movement features long duet passages, leading to parts for four voices. The singers are supported by a baroque instrumental ensemble of two oboes, two violins, viola and continuo. The character of the music is close to baroque opera, including French da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parody
A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its subject is an original work or some aspect of it (theme/content, author, style, etc), but a parody can also be about a real-life person (e.g. a politician), event, or movement (e.g. the French Revolution or 1960s counterculture). Literary scholar Professor Simon Dentith defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice". The literary theorist Linda Hutcheon said "parody ... is imitation, not always at the expense of the parodied text." Parody may be found in art or culture, including literature, music, theater, television and film, animation, and gaming. Some parody is practiced in theater. The writer and critic John Gross observes in his ''Oxf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiane Eberhardine Of Brandenburg-Bayreuth
Christiane Eberhardine of Brandenburg-Bayreuth (19 December 1671 – 4 September 1727) was Electress of Saxony from 1694 to 1727 (her death) and Queen Consort of the Polish–Lithuanian Commonwealth from 1697 to 1727 by marriage to Augustus II the Strong. Not once throughout the whole of her thirty-year queenship did she set foot in Poland, instead living in Saxony in self-imposed exile. Born a German margravine, she was called ''Sachsens Betsäule'', "Saxony's pillar of prayer", by her Protestant subjects for her refusal to convert to Catholicism. Despite the allegiance of Christiane Eberhardine and her mother-in-law, Anna Sophie of Denmark, to Lutheranism, her husband and son, later Augustus III, both became Catholics, ensuring Catholic succession in the Albertine lands after a century-and-a-half. Biography Early life She was the firstborn child of Christian Ernst, Margrave of Brandenburg-Bayreuth, and his second wife, Princess Sophie Luise of Württemberg, daughter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
