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Kujawiak
The kujawiak is a Polish folk dance from the region of Kuyavia (Kujawy) in central Poland.Don Michael Randel. ''The Harvard Dictionary of Music''. Harvard University Press. 2003. p. 449. It is one of the five national dances of Poland, the others being the krakowiak, Mazur (dance), mazur, oberek, and polonaise (dance), polonaise. The music is in triple meter, and is characterized by its Tempo rubato, rubato tempo and calm, lyrical nature. The dance typically involves couples walking gracefully in a quarter-note rhythm, on slightly bended knees, with relaxed turns, around a circle. History The name "kujawiak", as a reference to the dance, first appeared in 1827, in T.F. Jaskólski's composition ''Pasterze na Bachorzy. Sielanki Kujawskie''. It is argued that the dance was developed from the mazur between 1750 and 1830. In 1841, Leon Zienkowicz described the kujawiak as a "regional variety of the mazurka relying on the domination of the minor key". The majority of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mazurka Dance Pattern
The Mazurka ( Polish: ''mazurek'') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The Mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''Mazurk'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic '' kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill, dotted eighth note (quaver) pair, or an ordinary eighth note pair before two quarter notes (c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dona, Dona
"Dona Dona", popularly known as "Donna, Donna", is a song about a calf being led to slaughter, written by Sholom Secunda and Aaron Zeitlin. Originally a Yiddish language song "Dana Dana" (in Yiddish דאַנאַ דאַנאַ), also known as "Dos Kelbl" (in Yiddish דאָס קעלבל, meaning ''The Calf''), it was a song used in a Yiddish play produced by Zeitlin. History "Dana Dana" was written for the Aaron Zeitlin stage production ''Esterke'' (1940–41) with music composed by Sholom Secunda. The lyrics, score, parts, and associated material are available online in the ''Yiddish Theater Digital Archives''. The lyric sheet is in typewritten Yiddish and handwritten Yiddish lyrics also appear in the piano score. The text underlay in the score and parts is otherwise romanized in a phonetic transcription that appears oriented toward stage German. The YIVO standardized transliteration system was not then in widespread use, and many Yiddish transliterations looked like German, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberek
The oberek, also known as obertas or ober, is a lively Polish dance in triple metre. Its name is derived from the Polish ''obracać się'', meaning "to spin". It consists of many dance lifts and jumps. It is performed at a much quicker pace than the Polish waltz and is one of the national dances of Poland. Polish oberek (folk) The oberek, in its original form, is a Polish folk dance and is the fastest of the Five National Dances of Poland. The Five National Dances are: polonez (polonaise), mazur (mazurka), kujawiak, krakowiak (cracovienne) and oberek. The oberek consists of quick steps and constant turns. The beauty of the oberek depends on each individual dancer's talent of spinning at the fast tempo of the oberek, which shares some steps with the mazur. The music for the oberek was typically performed by a small village band, kapela, dominated by the violin in central Polan Polish-American oberek (social) The Polish-American oberek is a social dance, originally brought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaise
The polonaise (, ; , ) is a dance originating in Poland, and one of the five Polish folk dances#National Dances, Polish national dances in Triple metre, time. The original Polish-language name of the dance is ''chodzony'' (), denoting a walking dance. The polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska (dance), polska, and the two dances share a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty and the Polish–Swedish union. The polonaise is popular in Poland today. It is the opening dance in major events, at New Year's balls, on national days as well as other parties. The polonaise is always the first dance at a ''studniówka'' ("student ball"), the Polish equivalent of the senior prom that occurs approximately 100 days before exams, hence its name "studniówka" or literally in Polish "the ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polish Dances
Polish may refer to: * Anything from or related to Poland, a country in Europe * Polish language * Polish people, people from Poland or of Polish descent * Polish chicken * Polish brothers (Mark Polish and Michael Polish, born 1970), American twin screenwriters * Kevin Polish, an American Paralympian archer Polish may refer to: * Polishing, the process of creating a smooth and shiny surface by rubbing or chemical action ** French polishing, polishing wood to a high gloss finish * Nail polish * Shoe polish * Polish (screenwriting), improving a script in smaller ways than in a rewrite See also * * * Polishchuk (surname) * Polonaise (other) A polonaise ()) is a stately dance of Polish origin or a piece of music for this dance. Polonaise may also refer to: * Polonaises (Chopin), compositions by Frédéric Chopin ** Polonaise in A-flat major, Op. 53 (, ''Heroic Polonaise''; ) * Polon ... {{Disambiguation, surname Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Redowa
A redowa () is a dance of Czech origin with turning, leaping waltz steps that was popular in European ballrooms. History The name comes from the Czech name rejdovák, derived from ''rej'' ("whirl"). Originally a folk dance, it first appeared into the salons in Prague in 1829 and fell out of fashion by 1840, though in the meantime it had spread beyond Bohemia. Thomas Hillgrove states that the redowa was introduced to London ballrooms in 1846. Like other popular ballroom dances of the mid-nineteenth century, including the polka, it was danced in Paris prior to its appearance in London. Meter Like most dances currently described as waltzes, the redowa is danced in time, with the couple performing a full rotation every six beats. Description A basic redowa step contains one long reaching step and two small leap-steps. The long reaching step can be danced on either the 1 or the 2 of each bar of music, depending on what feels best with the tune that is playing. Cellarius (1849) des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varsovienne
The Varsoviana is both a couple dance and a melody. Whilst originally conceived as a mazurka (with it’s characteristic time and accent on the 2nd or 3rd bar) it is now regularly mislabeled as a waltz (even being known as The Waltz of Vienna). The Varsoviana is known by a variety of variations of its name (such as the Varsouvienne, Varsovienne or La Va), but it also has names which reference the distinctive ‘pause’ motif in the dance (such as Shoe the Donkey, Put your Little Foot, Cock your Leg Up) as well as titles that refer to songs which have come to be associated with the tune (e.g. Jan Pierewiet, Mascando Chicote, Turkey Rhubarb). The dance and melody is known across Europe, North America, South America and Australasia. It is one of the most well known and long lived of all the 19th century 'round' couple dances, it was one of the earliest ever "sequence" dances. It's longevity is possibly due to its distinctive choreography, in particular the novelty (for that tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of National Dances ...
This is a list of national dances. This may be a formal or informal designation. Not all nations officially recognize a national dance or dances. By country References {{DEFAULTSORT:National Dances Dance-related lists Dance Dance is an The arts, art form, consisting of sequences of body movements with aesthetic and often Symbol, symbolic value, either improvised or purposefully selected. Dance can be categorized and described by its choreography, by its repertoir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witold Maliszewski
Witold Maliszewski (, ; 20 July 1873 – 18 July 1939) was a Polish composer, founder of Odessa Conservatory, and a professor of Warsaw Conservatory. Biography Maliszewski was born in Mohyliv-Podilskyi, Russian Empire (now Ukraine). He graduated from Saint Petersburg Conservatory, in the class of Nikolai Rimsky-Korsakov. He was a member of Belyayev circle. In 1913 he became a founder and the first director of the Odessa Conservatory, which gave the world a number of outstanding musicians, such as David Oistrakh, Emil Gilels and Yakov Zak. After the Russian revolution, because of the imminent threat of Bolshevik persecution, Maliszewski immigrated to Poland in 1921. In 1925–1927 he was teaching at the Chopin Music School and was the Director of the Warsaw Music Society. In 1927 he served as Chairman of the First International Frederic Chopin Piano Competition. From 1931 to 1934 Maliszewski was the Director of the Music Department at the Polish Ministry of Education. From 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rogatywka
''Rogatywka'' (; sometimes translated as '' peaked cap'') is the Polish generic name for a peaked, four-pointed cap used by various Polish military formations throughout the ages. It is a distant relative of its 18th-century predecessor, the ''konfederatka'' (so-named because of use by members of the Bar Confederation), although similar caps have been used by light cavalry since the 14th century. It consists of a four-pointed top and a short peak, usually made of black or brown leather. Although rogatywka (derived from ''róg'' which means "horn" or "corner") in English seems to mean the same as czapka, the word ''czapka'' in Polish designates not only rogatywka, but all caps (not hats). Konfederatka The konfederatka was based on the hats of the 18th-century Lithuanian Tatar National costumes, as the Grand Ducal Lithuanian Army's Vanguard regiments were heavily influenced by the Lithuanian Tatar dress, among other elements. Usage The rogatywka usually comes in two vari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
