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Koukourgi
''Koukourgi'' is a 1792 French-language comic opera by Luigi Cherubini to a libretto by Mélesville père, which was not performed in Cherubini's lifetime. The music was laid up for nearly forty years till four numbers were re-used in '' Ali Baba; ou, les Quarante Voleurs'' of 1833, to a libretto by Mélesville fils, Eugène Scribe, and with additional new music by the then elderly Cherubini.Dictionnaire lyrique ou histoire des opéras Félix Clément, Pierre Larousse - 1869 ALI-BABA ou LEs QUARANTE voLEURs, opéra en quatre actes précédé d'un prologue, paroles de Scribe et Mélesville, musique de Cherubini, représenté à l'Académie royale de Musique, le 22 juillet 1833 The opera was reconstructed and premiered in celebration of the composer's 250th anniversary at the Stadttheater Klagenfurt in 2010. Recording *DVD sung in French, with dialogues in German : Stefan Cerny, Cigdem Soyarslan, Leonardo Galeazzi, Daniel Prohaska, Peter Edelmann Peter Edelmann (born 1962) is an Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali Baba (Cherubini)
''Ali Baba, ou Les quarante voleurs'' is a ''tragédie lyrique'' in four acts plus a prologue, with libretto by Eugène Scribe and Mélesville and music by Luigi Cherubini. The story is based on the tale ''Ali Baba and the Forty Thieves'' (''One Thousand and One Nights''). It was premiered by the Paris Opera in the Salle Le Peletier on 22 July 1833. It was Cherubini's last opera, though he lived for nearly a decade longer. It is also his longest opera, lasting for about three and a half hours at the premiere. Some of the music was adapted and rewritten from his '' Koukourgi'' (written in 1793, but unproduced; first performed in 2010). Performance history It was premiered in Paris on 22 July 1833. It was not successful, with Hector Berlioz calling it "one of the feeblest things Cherubini ever wrote". It ran for five performances. Felix Mendelssohn discussed the opera in his letter of 25 December 1834 to Ignaz Moscheles, stating, that Cherubini was so craven to serve the new style e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne), M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honoré-Nicolas-Marie Duveyrier
Honoré-Nicolas-Marie Duveyrier (6 December 1753 – 25 May 1839) was an 18th–19th-century French lawyer, politician and playwright.''Grands notables du premier empire'', éditions du CNRS, (p. 110-112) Biography The second son of Noble-Gaspard Duveyrier and Marie-Madeleine de Nivelet, Honoré Duveyrier received a military education in Perpignan before devoting himself to law in Paris. Once he became a successful lawyer, he was received in 1779 in Parlement He first married Adélaïde-Marie-Anne Lespardat with whom he had two children: Anne-Honoré-Joseph Duveyrier, called Mélesville, and Charles Duveyrier. En deuxièmes noces, he married Philippine-Marguerite Servins, with no offspring. Three days before his flight to Varennes, Louis XVI sent him in a mission to the Prince of Condé, but he was taken prisoner by the Austrians. Upon his return, he was one of five commissioners delegated August 11, 1792 by the to the General Council of the Paris Commune. He was imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mélesville Fils
Honoré-Marie-Joseph Duveyrier called Mélesville fils (1820, Paris - 6 February 1904, Cannes) was a 19th-century French playwright. Anne-Honoré-Joseph Duveyrier called Mélesville Baron Anne-Honoré-Joseph Duveyrier, pen-name Mélesville (13 December 1787 in Paris – 7 November 1865 in Marly-le-Roi) was a French dramatist. The playwright Mélesville fils was his son. Life The son of Honoré-Nicolas-Marie Duveyrier, M� ... (1787–1865) was his father * 1855 : ''Les Deux Gilles'', opérette bouffe, Théâtre des Folies-Nouvelles External links Honoré Marie Joseph Duveyrier-Mélesville (1820-18..)on 1820 births 1904 deaths French opera librettists 19th-century French dramatists and playwrights Writers from Paris {{france-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing " well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Jacobshagen
Arnold Jacobshagen (born 30 December 1965) is a German musicologist. He has been teaching at the Hochschule für Musik und Tanz Köln since 2006. Career Born in Marburg, Jacobshagen studied musicology, history and philosophy at the Free University of Berlin (with Jürgen Maehder), the University of Vienna and Paris as well as culture and media management at the Hochschule für Musik "Hanns Eisler". In 1996 he received his doctorate at the Free University. He then worked as a music dramaturg at the Staatstheater Mainz. He later held a scholarship at the German Historical Institute in Rome and at the . From 1997 to 2006 he worked as a research assistant at the Forschungsinstitut für Musiktheater of the University of Bayreuth. In 2003 he completed his habilitation there (Sieghart Döhring). Since 2006 he has held a professorship for historical musicology at the Cologne University of Music. In 2015 he was elected to the Academia Europaea. Jacobshagen is a member of the board of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Edelmann
Peter Edelmann (born 1962) is an Austrian operatic baritone. Since 1 January 2018, he has been the artistic director of the Seefestspiele Mörbisch. Life Born in Vienna, Edelmann graduated in singing from the under his father, the bass Otto Edelmann. He made his debut as an opera singer at the Theater Koblenz as Heerrufer in Richard Wagner's ''Lohengrin''. His brother is Paul Armin Edelmann, another baritone. In 1989, he won the First Prize and the Mozart Prize at the International Hans Gabor Belvedere Singing Competition in Vienna. He was then engaged by Götz Friedrich at the Deutsche Oper Berlin, where he sang the baritone roles in ''Die Zauberflöte'' (Papageno), ''Tannhäuser'' (Wolfram), ''Così fan tutte'' (Guglielmo), ''Le nozze di Figaro'' (Conte d'Almaviva), ''Faust'' (Valentin) and ''La Bohème'' (Marcello). Guest performances took him to various opera houses and concert halls. He has also appeared on television and radio, including ORF, ZDF, ARD, 3sat and Belgian t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1792 Operas
Year 179 ( CLXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Veru (or, less frequently, year 932 ''Ab urbe condita''). The denomination 179 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman empire * The Roman fort Castra Regina ("fortress by the Regen river") is built at Regensburg, on the right bank of the Danube in Germany. * Roman legionaries of Legio II ''Adiutrix'' engrave on the rock of the Trenčín Castle (Slovakia) the name of the town ''Laugaritio'', marking the northernmost point of Roman presence in that part of Europe. * Marcus Aurelius drives the Marcomanni over the Danube and reinforces the border. To repopulate and rebuild a devastated Pannonia, Rome allows the first German colonists to enter territory c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
