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Koodiyattom
Koodiyattam (; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentioned several times in Sangam literature, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koodiyattam Framed 001
Koodiyattam (; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpieces of the Oral and Intangible Heritage of Humanity, Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of ''Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa (aesthetics), Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Ker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chola
The Chola Empire, which is often referred to as the Imperial Cholas, was a medieval thalassocratic empire based in southern India that was ruled by the Chola dynasty, and comprised overseas dominions, protectorates and spheres of influence in southeast Asia. The power and the prestige the Cholas had among political powers in South, Southeast, and East Asia at its peak is evident in their expeditions to the Ganges, naval raids on cities of the Srivijaya Empire on the island of Sumatra, and their repeated embassies to China. K. A. Nilakanta Sastri, ''A History of South India'', p. 158 The Chola fleet represented the peak of ancient Indian maritime capacity. Around 1070, the Cholas began to lose almost all of their overseas territories but the later Cholas (1070–1279) continued to rule portions of southern India. The Chola empire went into decline at the beginning of the 13th century with the rise of the Pandyan dynasty, which ultimately caused the Chola's downfall. K. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nambiar (Ambalavasi)
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala, India. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a different caste to Nairs including same name bearing Nair-Nambiar caste. Ambalavasi Nambiar ladies known as Nangyar. A section of Nambiars play Mizhavu in temples. Mizhavu is treated as a "Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Indian castes Kerala socie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conch (instrument)
A conch ( , , ) or conque, also called a "seashell horn" or "shell trumpet", is a wind instrument that is made from a conch, the shell of several different kinds of sea snails. Their natural conical bore is used to produce a musical tone. Conch shell trumpets have been played in many Pacific island countries, as well as South America and South Asia. The shells of large marine gastropods are blown into as if it were a trumpet, as in blowing horn. A completely unmodified conch may be used, or a mouth hole may be created. Wooden, bamboo, or metal mouthpieces may be inserted into the end of the shell.Herbert, Trevor and Wallace, John; eds. (1997). ''The Cambridge Companion to Brass Instruments'', p.11-3. Cambridge University. . Embouchure is used to produce notes from the harmonic series. A tone hole may be added to change the fundamental frequency but globally this is extremely rare.Braun, Joachim (2002). ''Music in Ancient Israel/Palestine: Archaeological, Written, and C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurumkuzhal
The kuzhal is a traditional double reed wind instrument used in the south Indian state of Kerala. It is similar in construction to a ''nagaswaram'' or a large ''shehnai'', and has a very shrill and penetrating tone. Kuzhal is primarily used as an accompaniment for chenda-led ensembles Panchari Melam and Pandi Melam, where the piper plays the anchor role. However, as prelude to melams, it is also used to present solo concert (with a couple of accompanying instruments), in which case it is called Kuzhal Pattu. The instrument has a wooden body with a conical bore, at the end of which is affixed a brass bell. The player, who is almost always male, blows through a double reed and closes small holes with both hands. See also * Nadaswaram * Shehnai The ''shehnai'' is a type of oboe from the Indian subcontinent. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end. It was one of the nine instruments found in the royal court. The shehn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edakka
The idakka (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India, very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name ''idaykka'' or ''idakka'' derives from the Sanskrit word श्रीढक्का (''Śrīḍhakkā''). In Sanskrit, a ''ḍhakkā'' is described as a double drum that makes a ''ḍhak'' sound. ढक् इति गम्भीरशब्देन कायतीति (ḍhak iti gambhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousness of the instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuzhitalam
Elathalam (or Ilathalam) is a musical instrument from Kerala in southern India. It is made completely of bronze and resembles a miniature pair of cymbals, played by holding one part in the left hand and banging the other cymbal against it. Although small in size, it is thicker than common cymbals, with a distinct chime. Elathalam is never a lead instrument, but is used in a number of ethnic Kerala percussion ensembles including Panchavadyam, Chenda melam, Thayambaka and Kailaya vathiyam, as well as by a second singer on a Kathakali stage and providing the beat in Kuzhal Pattu and Kombu Pattu. See also * Pandi Melam * Panchari melam * Thayambaka * Panchavadyam Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idak ... Arts of Kerala Percussion instruments {{Cymbal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the caste barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a "Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhayana
The (Sanskrit: बौधायन सूत्रस् ) are a group of Vedic Sanskrit texts which cover dharma, daily ritual, mathematics and is one of the oldest Dharma-related texts of Hinduism that have survived into the modern age from the 1st-millennium BCE. They belong to the '' Taittiriya'' branch of the Krishna Yajurveda school and are among the earliest texts of the genre.. In relative chronology, they predate Āpastamba, which is dated by Robert Lingat to the ''sutra'' period proper, between c. 500 to 200 BCE. Robert Lingat, The Classical Law of India, (Munshiram Manoharlal Publishers Pvt Ltd, 1993), p. 20 The Baudhayana sūtras consist of six texts: # the , probably in 19 (questions), # the in 20 (chapters), # the in 4 , # the Grihyasutra in 4 , # the in 4 and # the in 3 . The ' is noted for containing several early mathematical results, including an approximation of the square root of 2 and the statement of the Pythagorean theorem. Baudhā ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
