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Konstantin Sellheim
Konstantin Sellheim (born 1978) is a German classical violist, who has appeared internationally with a focus on chamber music. He is a violist of the Münchner Philharmoniker, and lecturer of viola at the Universität der Künste Berlin. Career Sellheim began to play violin at age six. He studied violin at the Hochschule für Musik und Theater Hannover. He then studied viola, from 1996 with of the NDR Radiophilharmonie, from 1999 with Hartmut Rohde at the Universität der Künste Berlin, from 2004 with Nobuko Imai in Amsterdam, and with Wilfried Strehle of the Berliner Philharmoniker. He was from 2004 violist with the Staatskapelle Berlin conducted by Daniel Barenboim, and from 2006 violist of the Münchner Philharmoniker. He has played with his sister, the pianist Katharina Sellheim, as the Duo Sellheim. They recorded a CD, ''Fantasy'', of works by Robert Schumann, Paul Hindemith and Rebecca Clarke. With the clarinetist László Kuti, they have performed as the Sellheim-Ku ...
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Skylla And Charybdis (Waterhouse)
''Skylla and Charybdis'' is a 2014 composition for piano quartet by Graham Waterhouse, played in four movements without a break. The title refers to Scylla and Charybdis, two sea monsters from Greek mythology. In performances in German-speaking countries, it has also appeared in English surroundings as ''Between Scylla and Charybdis''. ''Skylla und Charybdis'' is the title of an album of music for piano and strings by Waterhouse including this piece, released by Farao Classics in 2020. History The work, composed in 2011, was premiered at the Gasteig in Munich on 2 November 2014, by pianist Katharina Sellheim, violinist David Frühwirth, violist Konstantin Sellheim and the composer as the cellist. It was used for the title of a concert at the same location on 11 March 2018, played by the same performers, and for a concert in Gilching in preparation of an album of the same name. It was played in England in 2020, again providing the concert title, in 2020, combined with quartet ...
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Wilfried Strehle
Wilfried is a masculine German given name derived from Germanic roots meaning "will" and "peace" (''Wille'' and ''Frieden'' in German). The English spelling is Wilfrid. Wilfred and Wifred (also Wifredo) are closely related to Wilfried with the same roots (Old English ''wil'' and ''frið''). * Murad Wilfried Hofmann (1931–2020), German diplomat * Wilfried Behre (born 1956), German artist * Wilfried Benjamin Balima (born 1985), Burkinabé footballer * Wilfried Bingangoye (born 1985), Gabonese sprinter * Wilfried Bock (21st century), German biathlete * Wilfried Bony (born 1989), Ivorian football player * Wilfried Böse (1949–1976), German terrorist * Wilfried Brauer (1937–2014), German computer scientist * Wilfried Brookhuis (born 1961), Dutch footballer * Wilfried Cretskens (born 1976), Belgian cyclist * Wilfried Daim (1923–2016), Austrian psychologist * Wilfried Dalmat (born 1982), French footballer * Wilfried David (1946–2015), Belgian cyclist * Wilfried Dietrich (1 ...
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Igor Levit
Igor Levit (; born 10 March 1987) is a Russian-German pianist who focuses on the works of Bach, Beethoven, and Liszt. He is also a professor at the Musikhochschule Hannover. He lives in Berlin. Biography Born in Gorky (now Nizhny Novgorod) to a Jewish family, Levit began playing piano at the age of three. He received piano lessons from his mother Elena Levit, a piano teacher, répétiteur and grand-disciple of Heinrich Neuhaus. As a child, he had his first successes on the concert stage in his hometown. His family moved to Hannover in 1995. From 1999 to 2000, he studied at the Mozarteum in Salzburg with Hans Leygraf and, from 2000 to 2010, at the Hochschule für Musik, Theater und Medien Hannover with Karl-Heinz Kämmerling, Matti Raekallio and . Levit has appeared in major concert halls and music festivals around the world. During his studies, he won prizes in several international competitions including second prize at the International Maria Callas Grand Prix in Athens ...
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Giora Feidman
Giora Feidman (; born 25 March 1936) is an Argentine-born Israeli clarinetist who specializes in klezmer music. Biography Giora Feidman was born in Buenos Aires, Argentina, where his Bessarabian Jewish parents immigrated to escape persecution. Feidman comes from a family of klezmer musicians. His father, grandfather and great-grandfather made music for weddings, bar mitzvahs, and holiday celebrations in the shtetls of Eastern Europe. Feidman married Ora Bat-Chaim, his personal manager, in 1975. Music career Feidman began his career in Buenos Aires as a member of the Teatro Colón Symphony Orchestra. Two years later he immigrated to Israel to become the youngest clarinetist ever to play with the Israel Philharmonic Orchestra. He was a member of the orchestra for over 20 years. In the early 1970s he began his solo career. He has performed with the Berliner Symphoniker, the Kronos Quartet, the Polish Chamber Philharmonic, the Munich Chamber Philharmonic Orchestra, and the Munich ...
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Béla Kovács (clarinetist)
Béla Kovács (1 May 1937 – 7 November 2021) was a Hungarian clarinetist. Education Kovács was born in Tatabánya, Hungary. He graduated from the Franz Liszt Academy of Music in Budapest, Hungary. Performance career Kovács was principal clarinetist with the Hungarian State Opera Orchestra and the Budapest Philharmonic Orchestra from 1956, until he retired in 1981. Teaching career Kovács was a Professor of Clarinet at the Franz Liszt Academy of Music in Budapest and at the University of Music and Dramatic Arts in Graz Graz () is the capital of the Austrian Federal states of Austria, federal state of Styria and the List of cities and towns in Austria, second-largest city in Austria, after Vienna. On 1 January 2025, Graz had a population of 306,068 (343,461 inc ..., Austria. He composed a set of concert etudes for clarinet called "Hommages" that are written in the style of a number of different composers and are studied and performed widely today. Compositions ''Hommages ...
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Overture On Hebrew Themes
Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” or Op. 34a, retaining a separate part for piano but featuring solo cello as much as solo clarinet. Until recently the chamber orchestra version had been the better known, being easily programmable by orchestras, while the original version (for six instruments) requires out-of-the-way planning on the part of a string quartet. But two recordings have drawn attention to the original: Michel Portal clarinet, Parrenin Quartet, Michel Béroff piano (1974); and Giora Feidman clarinet, Juilliard String Quartet, Yefim Bronfman piano (1994). Background Prokofiev arrived in New York in September 1918. Early in 1919, he was commissioned by a Russian sextet called the Zimro Ensemble, which had just arrived in America fr ...
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György Kurtág
György Kurtág (; born 19 February 1926) is a Hungarian composer of contemporary classical music and pianist. According to ''Grove Music Online'', with a style that draws on " Bartók, Webern and, to a lesser extent, Stravinsky, his work is characterized by compression in scale and forces, and by a particular immediacy of expression". In 2023 he was described as "one of the last living links to the defining postwar composers of the European avant-garde". He was an academic teacher of piano at the Franz Liszt Academy of Music from 1967, later also of chamber music, and taught until 1993. Life and career György Kurtág was born on 19 February 1926 in Lugoj, Romania, to Jewish Hungarian parents. From the age of 14, he took piano lessons from Magda Kardos and studied composition with Max Eisikovits in Timișoara. He moved to Budapest in 1946 and became a Hungarian citizen in 1948. There, he began his studies at the Franz Liszt Academy of Music, where he met his wife, Márta Ki ...
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Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ...
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Märchenerzählungen (Schumann)
''Märchenerzählungen'' (Fairy tale narrations), Op. 132, is a trio composition by Robert Schumann in four movements for clarinet (violin ad libitum), viola and piano. He composed the clarinet-viola-piano trio in B-flat major, between 9 and 11 October 1853. The movements are connected by a motif (''Kernmotiv''). The work is dedicated to Schumann's pupil Albert Dietrich, and was published in 1854 by Breitkopf & Härtel. History The composition, one of Schumann's last works, uses the same combination of instruments as Mozart's ''Kegelstatt Trio''. The composer was interested in the "picturesque and the fanciful", but left no link to specific fairy tales, as for his earlier '' Märchenbilder'', Op. 113. The composition was completed in a few days. Clara Schumann noted in her diary: "Heute vollendete Robert 4 Stücke für Klavier, Klarinette und Viola und war selbst sehr beglückt darüber. Er meint, diese Zusammenstellung werde sich höchst romantisch ausnehmen." (Today Robert ...
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Kegelstatt Trio
The ''Kegelstatt Trio'', K. 498, is a piano trio for clarinet, viola and piano in E-flat major by Wolfgang Amadeus Mozart. History Mozart wrote the piano trio on 10 sheets (19 pages) in Vienna and dated the manuscript on 5 August 1786. According to Mozart's 17-year-old student Karoline Pichler, the work was dedicated to another student of Mozart's, Franziska von Jacquin; Mozart and the von Jacquin family – father Nikolaus Joseph von Jacquin and his youngest son Gottfried – were quite close friends. They performed house concerts together, where Nikolaus played the flute and Franziska the piano. In a letter to Gottfried from 15 January 1787, Mozart praises Franziska's studiousness and diligence. Mozart dedicated a number of works to the von Jacquin family. One year later, Mozart wrote two Lieder, "" (K. 520) and "" (K. 530) explicitly for Gottfried von Jacquin to use under his own name. The German word ' means "a place where skittles are played", akin to a duckpin b ...
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Rebecca Clarke (composer)
Rebecca Helferich Clarke (27 August 1886 – 13 October 1979) was a British classical composer and violist. Internationally renowned as a viola virtuoso, she also became one of the first female professional orchestral players in London. Rebecca Clarke had a German mother and an American father, and spent substantial periods of her life in the United States, where she permanently settled after World War II. She was born in Harrow, London, Harrow and studied at the Royal Academy of Music and Royal College of Music in London. Stranded in the United States at the outbreak of World War II, she married composer and pianist James Friskin in 1944. Clarke died at her home in New York at the age of 93. Although Clarke's output was not large, her work was recognised for its compositional skill and artistic power. Some of her works have yet to be published; those that were published in her lifetime were largely forgotten after she stopped composing. Scholarship and interest in her compos ...
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Paul Hindemith
Paul Hindemith ( ; ; 16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (New Objectivity) style of music in the 1920s, with compositions such as ''Kammermusik (Hindemith), Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), Das Unaufhörliche (1931), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler (opera), Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd (Hindemith), When Lilacs Last in the Dooryard Bloom'd'' (1946), a requiem based on When Lilacs Last in the Dooryard Bloom'd, Walt Whitman's poem. Hindem ...
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