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Kogo Noda
was a Japanese screenwriter most famous for collaborating with Yasujirō Ozu on many of the director's films. Born in Hakodate, Noda was the son of the head of the local tax bureau and younger brother to Kyūho, a Nihonga painter. He moved to Nagoya after completing elementary school and later went to Waseda University. After graduating, he worked for the city of Tokyo while also serving as a reporter for '' Katsudō kurabu'', one of the major film magazines, using the pen name Harunosuke Midorikawa. On the recommendation of a scriptwriter friend from junior high, Takashi Oda, he joined the script department at Shōchiku after the Great Kantō earthquake. He soon became one of the studio's central screenwriters, penning for instance '' Aizen katsura'' (1938), one of its biggest pre-war hits. He is most known for his collaborations with Ozu, which began with Noda supplying the script for the director's first feature '' Sword of Penitence'' (1927), and led to such postwar works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hakodate, Hokkaidō
is a Cities of Japan, city and seaports of Japan, port located in Oshima Subprefecture, Hokkaido, Japan. It is the capital city of Oshima Subprefecture. As of January 31, 2024, the city had an estimated population of 239,813 with 138,807 households, and a population density of . The total area is . The city is the third largest in Hokkaido after Sapporo and Asahikawa, Hokkaido, Asahikawa. History Hakodate was Japan's first city whose port was opened to foreign trade in 1854, as a result of Convention of Kanagawa, and used to be the most important port in northern Japan. The city was the biggest city in Hokkaido before the Great Fire of Hakodate in 1934. Pre–Meiji Restoration Hakodate (like other parts of around Hokkaido) was originally populated by the Ainu people, Ainu. The name "Hakodate" may have originated from an Ainu word, "hak-casi" ("shallow fort"). Another possibility is that it means "box" or "building" in Japanese which refers to the castle built by the Kono (Kan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fighting Friends Japanese Style
Combat (French for ''fight'') is a purposeful violent conflict between multiple combatants with the intent to harm the opposition. Combat may be armed (using weapons) or unarmed ( not using weapons). Combat is resorted to either as a method of self-defense or to impose one's will upon others. An instance of combat can be a standalone confrontation or part of a wider conflict, and its scale can range from a fight between individuals to a war between organized groups. Combat may also be benign and recreational, as in the cases of combat sports and mock combat. Combat may comply with, or be in violation of, local or international laws regarding conflict. Examples of rules include the Geneva Conventions (covering the treatment of people in war), medieval chivalry, the Marquess of Queensberry Rules (covering boxing), and the individual rulesets of various combat sports. Hand-to-hand combat Hand-to-hand combat (melee) is combat at very close range, attacking the opponent with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tree Of Love
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman Of Tokyo
is a 1933 Japanese film directed by Yasujirō Ozu. The film's working title was ''Her Case, For Example'' (例えば彼女の場合 ''Tatoeba kanojo no baai'') The film tells of a student whose sister supports his studies by moonlighting as a translator. When he hears that, in reality, she is working as a hostess in a seedy dance-hall, he is devastated. Plot Ryoichi ( Ureo Egawa), a student, and Chikako ( Yoshiko Okada), his older sister, go through their morning routine. Chikako gives Ryoichi his pocket money and he leaves for university. At Chikako's office, a police officer asks Chikako's boss for her employment records. The boss tells him that Chikako also works evenings for a professor. Chikako remains unaware that she is under investigation. Ryoichi and his girlfriend, Harue (Kinuyo Tanaka), are at the cinema watching ''If I Had a Million''. Afterwards, Harue returns home and talks with her brother, Kinoshita ( Shinyo Nara). Kinoshita reveals that he has heard a rumour t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Until The Day We Meet Again
is a lost 1932 Japanese film. It was the first sound film directed by Yasujirō Ozu was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most pr .... Plot A romance between a young soldier and a prostitute unfolds over the course of one night. Production According to Ozu's recollections, ''Until the Day We Meet Again'' was made a year after the release of the first Japanese talkie, ''Madamu to nubo'' (''The Neighbour's Wife and Mine''). The director, who had initially resisted the trend towards talking pictures, agreed to use an experimental sound process developed by Hideo Mohara, rather than the more popular Dobashi sound system. The film apparently contained a musical track and sound effects but no audible dialog scenes.Richie, Donald. Ozu. University of California Press. p 216. Web 15 Ju ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Now Are The Dreams Of Youth?
{{disambiguation ...
Where may refer to: * Where?, one of the Five Ws in journalism * where (command), a shell command * Where.com, a provider of location-based applications via mobile phones * ''Where'' (magazine), a series of magazines for tourists * "Where?", a song by Nickelback from the album ''Curb'', 1996 * ''Where'', a 2022 documentary film directed by Tsai Ming-liang See also *Ware (other) *Wear (other) *Were (other) ''Were'' is an archaic term for an adult male human, now used as a prefix to indicate a type of shapeshifter. Were may also refer to: * ''were'', a preterite and irrealis form of the English copular verb copula (linguistics)#English, ''to be'' * W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo Chorus
is a 1931 Japanese silent film directed by Yasujirō Ozu and starring Tokihiko Okada and Emiko Yagumo. It was based on various stories in the Shoshimin-gai (Middle Class Avenue) series and shares influences with King Vidor's ''The Crowd (1928 film), The Crowd''. Most of the film takes place in Tokyo during a depression-like time in the beginning of the Shōwa period. Plot The story starts with a group of young men attending school drills under the direction of Mr. Omura (Tatsuo Saitō). Shinji Okajima (Tokihiko Okada) is seen goofing off, misbehaving, and upsetting his teacher. Okajima is disciplined, the drills resume. and the boys eventually graduate and go into the working world. Okajima has grown up, has a family, and works as an insurance salesman. On the day of their annual bonuses, the men are all anxious. Okajima's son (Hideo Sugawara) has his heart set on a bicycle. After receiving his bonus, Okajima writes the list of presents he will buy for his family. A co-worker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Luck Which Touched The Leg
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That Night's Wife
is a 1930 Japanese crime and drama film directed by Yasujirō Ozu. The film stars Tokihiko Okada, Tatsuo Saitō, Chishū Ryū, Emiko Yagumo and Tōgō Yamamoto in the lead roles. Plot A man, Shuji Hashizume, robs a bank at gunpoint, leaving a bloody handprint behind as he flees from the police. Elsewhere, a doctor tends to a young girl named Michiko. The doctor tells the girl's mother, Mayumi, that Michiko might not make it through the night; if she does, however, she will be past the worst of her illness. The child awakens and asks for her father, but Mayumi tells her that he has gone out to find money for medicine. Shuji narrowly escapes capture from the police and calls a doctor from a phone booth. It emerges that Shuji is Michiko's father, with the doctor informing him that Michiko is in critical condition and he should return home immediately. Shuji takes a taxi home and reunites with his wife and daughter, handing over the money he stole. When Mayumi deduces that he stol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiyohiko Ushihara
was a Japanese film director most famous for his gendaigeki of the silent era. Career Born in Kumamoto Prefecture and graduating from Tokyo University, Ushihara joined the Shochiku studio in 1920 on the invitation of Kaoru Osanai. Starting out by helping on the script to Minoru Murata's Gorky-influenced '' Souls on the Road'', he made his directorial debut in 1921 and later directed adaptations of such works as Victor Hugo's ''Les Misérables'' under the title ''Aa mujō''. In the mid-1920s he went to America to study Hollywood filmmaking, working under Charlie Chaplin. He returned to film romantic comedies and action films starring Denmei Suzuki and Kinuyo Tanaka such as '' Shingun''. Between 1928 and 1932 he co-edited the journal ''Eiga kagaku kenkyū'' (Scientific Studies of Cinema) with Murata. He left Shōchiku in the early 1930s and worked at studios such as Nikkatsu, Shinkō Kinema and Daiei. Quitting directing following the Second World War, he starting to teach fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
