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Kitsunebi
Kitsunebi (狐火) is an atmospheric ghost lights, atmospheric ghost light told about in legends all across Japan outside Okinawa Prefecture.村上健司編著 『妖怪事典』 毎日新聞社、2000年、134頁。。 They are also called "hitobosu", "hitomoshi" (火点し), and "rinka" (燐火). Overview Kimimori Sarashina, a researcher of local stories, summarizes the features of the kitsunebi as follows: in places where there was no presence of fire, mysterious flames like those of a paper lantern or a torch would appear in a line and flicker in and out, with fires that had gone out sometimes appearing in yet another place, so that if one attempted to chase after what was behind all this, it would disappear in the middle. When they appear between spring and autumn, they show up especially in hot summers and appear easily when it is cloudy when the weather is changing. They are said to appear from ten to several hundred in a line, and just when one thinks that they have incre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onibi
is a type of atmospheric ghost lights, atmospheric ghost light in legends of Japan. According to folklore, they are the spirits born from the corpses of humans and animals. They are also said to be resentful people that have become fire and appeared. Also, sometimes the words "will-o'-the-wisp" or "jack-o'-lantern" are translated into Japanese as "onibi". Outline According to the Wakan Sansai Zue written in the Edo period, it was a blue light like a pine torchlight, and several onibi would gather together, and humans who come close would have their spirit sucked out. Also, from the illustration in the same Zue, it has been guessed to have a size from about two or three centimeters in diameter to about 20 or 30 centimeters, and to float in the air about one or two meters from the ground. According to Yasumori Negishi, in the essay "Mimibukuro" from the Edo period, in chapter 10 "Onibi no Koto", there was an anecdote about an onibi that appeared above Hakone mountain that split in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atmospheric Ghost Lights
Atmospheric ghost lights are lights (or fires) that appear in the atmosphere without an obvious cause. Examples include the onibi, hitodama and will-o'-wisp. They are often seen in humid climates.#角田1979, Tsunoda 1979, pages 11-53 According to legend, some lights are wandering spirits of the dead, the work of devils or yokai, yōkai, or the pranks of fairy, fairies. They are feared by some people as a portent of death. In other parts of the world, there are folk beliefs that supernatural fires appear where treasure is buried; these fires are said to be the spirits of the treasure or the spirits of humans buried with grave goods. Atmospheric ghost lights are also sometimes thought to be related to UFOs.Kanda 1992, pages 275-278. Some ghost lights such as St. Elmo's fire or the shiranui have been explained as optical phenomena of light emitted through electrical activity. Other types may be due to combustion of flammable gases, ball lightning, meteors, torches and other human-mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Hundred Famous Views Of Edo
''One Hundred Famous Views of Edo'' (in ) is a series of 119 ukiyo-e prints begun and largely completed by the Japanese artist Hiroshige (1797–1858). The prints were first published in serialized form in 1856–59, with Hiroshige II completing the series after Hiroshige's death. It was tremendously popular and much reprinted. History Hiroshige produced designs in the style of the Utagawa school, a 19th-century popular style in woodblock prints, much favoured during his lifetime. Increasingly large series of prints were produced. This trend can be seen in Hiroshige’s work, such as ''The Fifty-three Stations of the Tōkaidō'' and ''The Sixty-nine Stations of the Kisokaidō''. Many publishing houses arose and grew, publishing both books and individual prints. A publisher's ownership of the physical woodblocks used to print a given text or image constituted the closest equivalent to a concept of "copyright" that existed at this time. Woodblock prints such as these were produce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masaoka Shiki
, pen-name of Masaoka Noboru (正岡 升), was a Japanese poet, author, and literary critic in Meiji period Japan. Shiki is regarded as a major figure in the development of modern haiku poetry, credited with writing nearly 20,000 stanzas during his short life. He also wrote on reform of '' tanka'' poetry. Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. Early life Shiki, or rather Tsunenori (常規) as he was originally named, was born in Matsuyama City in Iyo Province (present day Ehime Prefecture) to a samurai class family of modest means. As a child, he was called Tokoronosuke (處之助); in adolescence, his name was changed to Noboru (升). His father, Tsunenao (正岡常尚), was an alcoholic who died when Shiki was five years of age. His mother, Yae, Beichman, p. 27 was a daughter of Ōhara Kanzan, a Confucian scholar. Kanzan was the first of Shiki's extra-school tutors; at the age of 7 the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige
or , born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series '' The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series '' One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), both of which were rather labor-intensive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōmisoka
or is a Japanese traditional celebration on the last day of the year. Traditionally, it was held on the final day of the 12th lunar month. With Japan's switch to using the Gregorian calendar at the beginning of the Meiji era, it is now used on New Year's Eve to celebrate the new year. Origins Etymology The last day of each month of the Japanese lunisolar calendar was historically named . Originally, "miso" was written as 三十, indicating the 30th day, though ''misoka'' sometimes fell on the 29th due to the varying lengths of the lunar month. The last day in the 12th lunar month is called —with the 大 indicating it is the final last day of the month for that year—or the "great thirtieth day". As part of the Meiji Restoration, Japan switched to the Gregorian calendar in 1873, and ''ōmisoka'' was set as December 31, or New Year's Eve. The day is also known by the archaic pronunciation of . This is a shortened version of , meaning "last day of the month". Activities Tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtis Sinensis
''Celtis sinensis'' (English language, English: Japanese hackberry, Chinese hackberry; Chinese language, Chinese: ; Japanese language, Japanese: ) is a species of flowering plant in the Cannabis, hemp family, Cannabaceae, that is native to slopes in East Asia. Description It is a tree that grows to 20 m tall, with deciduous leaves and gray bark. The fruit is a globose drupe, 5–7(–8) mm in diameter. Flowering occurs in March–April, and fruiting in September–October, in the Northern hemisphere. Distribution, habitat and uses Native to slopes at altitudes of 100–1500 m in Anhui, Fujian, Gansu, Guangdong, Guizhou, Henan, Jiangsu, Jiangxi, Shandong, Zhejiang, Sichuan, as well as Korea (팽나무), Japan and Taiwan. Leaves and bark are used in Korean medicine to treat menstruation and lung abscess.Park, Kwang woo. 《반응표면분석법을 이용한 팽나무 (Celtis sinensis Persoon) 의 최적 변색제거조건 결정》한국인간ㆍ식물ㆍ환경학회지, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inari Ōkami
, also called , is the Japanese ''kami'' of Red fox, foxes, Fertility (soil), fertility, rice, tea, sake, agriculture and Industrial sector, industry, and general prosperity and worldly success, and is one of the principal kami of Shinto. The name Inari can be literally translated into "rice-bearer". In earlier Japan, Inari was also the patron of swordsmiths and merchants. Genderfluid, Alternatingly-represented as male and/or female, Inari is sometimes seen as a collective of three or five individual ''kami''. Inari appears to have been worshipped since the founding of a shrine at Inari Mountain in 711 CE, although some scholars believe that worship started in the late 5th century. By the 16th century, Inari had become the patron of blacksmiths and the protector of warriors, and worship of Inari spread across Japan in the Edo period. Inari is a popular figure in both Shinto and Buddhism, Buddhist beliefs in Japan. More than one-third (40,000) of the Shinto shrines in Japan are ded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kita, Tokyo
is a Special wards of Tokyo, special ward in the Tokyo, Tokyo Metropolis in Japan. The English translation of its Japanese self-designation is City of Kita. The ward was founded on March 15, 1947. As of May 1, 2015, the ward has an estimated population of 340,287, and a population density of 16,510 persons per km2. The total area is 20.61 km2. Districts and neighborhoods ;Akabane-Iwabuchi Area * Akabane, Tokyo, Akabane * * * * * * * * * * ;Ōji Area * * * * * * * * * * ;Takinogawa Area * * * * * * * * * ;Notes: History The area was a collection of rural villages and towns until the 1880s, when it was connected by rail to central Tokyo (Ōji Station (Tokyo), Oji Station opening in 1883). Parts of the area joined Tokyo City in 1932 as the Ōji (former Ōji and Iwabuchi towns) and Takinogawa (former Takinogawa town) Wards. Kita was officially formed in 1947 by the merger of these wards. Geography The name ''Kita,'' meaning "north," reflect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōji (Kita, Tokyo)
Oji, Ōji or OJI may refer to: People * Chibuzor Oji (born 1977), stage name Faze, Nigerian musician and actor * Geoffrey Oji, Nigerian singer and songwriter, winner of the seventh season of ''Project Fame West Africa'' * Megumi Ōji (born 1975), Japanese actress * Sam Oji (1985–2021), English footballer * Oji Umozurike, Nigerian law professor, activist and former chairman of the African Commission on Human and Peoples' Rights * Tshi, also called Oji, a group of tribes in Ghana Places * Ōji, Nara, a town in Nara Prefecture, Japan ** Ōji Station (Nara), a railway station * Ōji Station (Tokyo), a railway station * O-J-I, also called Oji, a mountain in Baxter State Park, Maine, United States Other uses * Oji Paper Company, a Japanese paper manufacturer * Open Java Interface * Ọjị (Igbo for the kola nut), an important component of Igbo culture * Mochizō Ōji, a main character in ''Tamako Market ''Tamako Market'' is a Japanese anime television series produced by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
