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Kite (Kate Bush Song)
"Kite" is the fourth track from Kate Bush's 1978 album, ''The Kick Inside''. It was also the B-side to her first single, "Wuthering Heights", released on 20 January 1978. The verses feature a reggae style. Composition "Kite" features two modulations created through using the VII or subtonic as a pivot Pivot may refer to: *Pivot, the point of rotation in a lever system *More generally, the center point of any rotational system *Pivot joint, a kind of joint between bones in the body *Pivot turn, a dance move Companies *Incitec Pivot, an Austra ....Moore, Allan. "The So-Called 'Flattened Seventh' in Rock", p.196, ''Popular Music'', Vol. 14, No. 2. (May, 1995), pp. 185-201. Sources {{DEFAULTSORT:Kite (Kate Bush Song) Kate Bush songs 1978 songs Songs written by Kate Bush ...
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Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compo ...
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Kate Bush
Catherine Bush (born 30 July 1958) is an English singer, songwriter, record producer and dancer. In 1978, at the age of 19, she topped the UK Singles Chart for four weeks with her debut single " Wuthering Heights", becoming the first female artist to achieve a UK number one with a self-written song. Bush has since released 25 UK Top 40 singles, including the Top 10 hits " The Man with the Child in His Eyes", " Babooshka", " Running Up That Hill", "Don't Give Up" (a duet with Peter Gabriel) and " King of the Mountain". All ten of her studio albums reached the UK Top 10, with all bar one reaching the top five, including the UK number one albums '' Never for Ever'' (1980), '' Hounds of Love'' (1985) and the greatest hits compilation '' The Whole Story'' (1986). She was the first British solo female artist to top the UK album charts and the first female artist to enter the album chart at number one. Bush began writing songs at 11. She was signed to EMI Records after Pink Floyd ...
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The Kick Inside
''The Kick Inside'' is the debut studio album by English art rock singer Kate Bush. Released on 17 February 1978 by EMI Records, it includes her UK No. 1 hit, " Wuthering Heights". The album peaked at No. 3 on the UK Albums Chart and has been certified Platinum by the British Phonographic Industry (BPI). The production included efforts by several progressive rock veterans, including Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, and Stuart Elliott of the Alan Parsons Project, and David Gilmour of Pink Floyd. Background and recording Having written songs since the age of 11, Kate Bush recorded demos with the assistance of her brothers, who were also musicians. A friend of theirs, Ricky Hopper, brought some of these tapes to various record companies in 1972, when Bush was 13. The tapes were passed over, but Hopper played them for his friend David Gilmour of Pink Floyd. Gilmour was immediately intrigued and went to meet with the Bush family and was impressed with Kate' ...
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Wuthering Heights (song)
"Wuthering Heights" is a song by English singer Kate Bush, released as her debut single on 20 January 1978 through EMI Records. Inspired by the 1847 Emily Brontë novel of the same name, the song was released as the lead single from Bush's debut studio album, ''The Kick Inside'' (1978). It peaked at number one on the UK Singles Chart for four weeks. It also reached the top of the charts in Australia, Ireland, Italy, New Zealand and Portugal. With this song, Bush became the first female artist in the United Kingdom to achieve a number-one single with a self-penned song. "Wuthering Heights" received widespread critical acclaim and continues to be highly regarded; in 2016, '' Pitchfork'' named it the fifth-greatest song of the 1970s, and in 2020, ''The Guardian'' ranked it as the 14th-best UK number-one single. The song has been certified Platinum by the British Phonographic Industry (BPI), for sales and streams of over 600,000 units in the United Kingdom. A remixed version of th ...
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progre ...
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ...
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Reggae Rock
Reggae rock is a subgenre of reggae fusion and rock music that primarily uses the genres reggae, rock, and ska. Typical lyrics of reggae rock songs incorporate love, personal awareness, and life challenges while incorporating music and beat elements of rock, punk, and hip-hop. The term "reggae rock" has been used to categorize bands like the Police, Men at Work, Sublime, Sublime with Rome, Pepper, Slightly Stoopid, the Expendables, Iration, the Dirty Heads, Rebelution, 311 and, to some extent, heavier bands such as Fishbone and Bad Brains. Among the earliest examples of the genre are the 1972 songs " D'yer Mak'er" by English rock band Led Zeppelin and " C Moon" by Paul McCartney and Wings. The term "reggae metal" has been used to describe bands that combine reggae rock with heavy metal, such as Dub War, Shinobi Ninja, Skindred, Twelve Foot Ninja, and Zeroscape. Reggae rock found its rise in popularity in the 1990s in Long Beach, California, with the band Sublime. T ...
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EMI Records
EMI Records (formerly EMI Records Ltd.) is a multinational record label owned by Universal Music Group. It originally founded as a British flagship label by the music company of the same name in 1972, and launched in January 1973 as the successor to its Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called "EMI Records India", run by director Mohit Suri. In 2014, Universal Music Japan revived the label in Japan as the successor to EMI Records Japan. In June 2020, Universal revived the label as the successor to Virgin EMI, with Virgin Records now operating as an imprint of EMI Records. History An EMI Records Ltd. legal entity was created in 1956 as the record manufacturing and distribution arm of EMI in the UK. It oversaw EMI's various labels, including The Gramophone Co. Ltd., Columbia Graphophone Company, and Parlophone Co. Ltd. The global success that EMI enjoyed in the 1960s exposed the fact that the company ...
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Andrew Powell
Andrew Powell (born 18 April 1949) is an English musical composer, arranger and performer, born of Welsh parents. He himself moved to Wales in 2003. Early life Powell was born Surrey, England. He began piano lessons at the age of four and later attended King's College School, Wimbledon, by which time he was also learning viola, violin and orchestral percussion. He was writing music by the age of eleven and later studied composition with Karlheinz Stockhausen and György Ligeti at Darmstadt in Germany, before taking a music master's degree at King's College, Cambridge. While at Cambridge he joined an electronic music group, Intermodulation, with Roger Smalley, Tim Souster and Robin Thompson, and a local progressive rock group, Henry Cow, formed by Fred Frith and Tim Hodgkinson, in which he alternated between bass and drums. Musical career After leaving Cambridge, Powell's first professional engagement was as a soloist at the BBC Proms, London in August 1970, playing Terr ...
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Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements * Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. * Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone * Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation was semi. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V– ...
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Subtonic
In music, the subtonic is the degree of a musical scale which is a whole step below the tonic note. In a major key, it is a lowered, or flattened, seventh scale degree (). It appears as the seventh scale degree in the natural minor and descending melodic minor scales but not in the major scale. In major keys, the subtonic sometimes appears in borrowed chords. In the movable do solfège system, the subtonic note is sung as ''te'' (or ''ta''). The subtonic can be contrasted with the leading note, which is a ''half step'' below the tonic. The distinction between leading note and subtonic has been made by theorists since at least the second quarter of the 20th century. Before that, the term ''subtonic'' often referred to the leading tone triad, for example. The word ''subtonic'' is also used as an English translation of ''subtonium'', the Latin term used in Gregorian chant theory for the similar usage of a tone one whole step below the mode final in the Dorian, Phrygian, and ...
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Common Chord (music)
A common chord, in the theory of harmony, is a chord that is diatonic to more than one key or, in other words, is ''common'' to (shared by) two keys. A "common chord" may also be defined simply as a triadic chord (e.g., C–E–G), as one of the most commonly used chords in a key (I–IV–V–vi–ii), more narrowly as a triad in which the fifth is perfect (i.e., a major or minor triad), in which sense it is alternatively referred to as a "perfect chord" or, more narrowly still (in American practice), as a major triad only.Don Michael Randel, "Common Chord", ''Harvard Dictionary of Music'', fourth edition, Harvard University Press Reference Library 16 (Cambridge: Harvard University Press 2003): 193. . "Common chord: Major triad." Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both ...
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