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Kirtle
A kirtle (sometimes called cotte, cotehardie) is a garment that was worn by men and women in the Middle Ages. It eventually became a one-piece garment worn by women from the late Middle Ages into the Baroque period. The kirtle was typically worn over a chemise or smock, which acted as a slip, and under the formal outer garment, a gown A gown, from the Saxon word, ''gunna'', is a usually loose outer garment from knee-to-full-length worn by men and women in Europe from the Early Middle Ages to the 17th century, and continuing today in certain professions; later, the term ''gow ... or surcoat. History Kirtles were part of fashionable attire into the middle of the 16th century, and remained part of country or middle-class clothing into the 17th century. Kirtles began as loose garments without a waist seam, changing to tightly fitted supportive garments in the 14th century. Later, kirtles could be constructed by combining a fitted bodice with a skirt gathered or pleated ...
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Chemise
A chemise or shift is a classic smock, or a modern type of women's undergarment or dress. Historically, a chemise was a simple garment worn next to the skin to protect clothing from sweat and body oils, the precursor to the modern shirts commonly worn in Western nations. Etymology The English word ''chemise'' is a loanword from the French word for shirt and is related to the Italian ''camicia'' or Latin ''camisia'', which, according to Elizabeth Wayland Barber, is likely derived from Celtic. History The chemise seems to have developed from the Roman ''tunica'' and first became popular in Europe in the Middle Ages. Women wore a shift or chemise under their gown or robe; while men wore a chemise with their trousers or ''braies'', and covered the chemises with garments such as doublets, robes, etc. Until the late 18th century, a chemise referred to an undergarment. It was the only underwear worn until the end of the Regency era in the 1820s, and was usually the only piece of ...
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Smock (garment)
A smock-frock or smock is an outer garment traditionally worn by rural workers, especially shepherds and waggoners, in parts of England and Wales throughout the 18th century. Today, the word smock refers to a loose overgarment worn to protect one's clothing, for instance by a painter. The traditional smock-frock is made of heavy linen or wool and varies from thigh-length to mid-calf length. Characteristic features of the smock-frock are fullness across the back, breast, and sleeves folded into "tubes" (narrow unpressed pleats) held in place and decorated by smocking, a type of surface embroidery in a honeycomb pattern across the pleats that controls the fullness while allowing a degree of stretch. Types of smock-frocks * The round smock is a pullover style with an open neckline and a flat, round collar. This smock is reversible front-to-back. A feature of Sussex smocks or round frocks is the lack of elaborate decoration; instead there is fine embroidery on the yoke, collar, cu ...
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Jumper (dress)
A jumper or jumper dress (in American English), pinafore dress or informally pinafore or pinny (British English) is a sleeveless, collarless dress intended to be worn over a blouse, shirt, T-shirt or sweater. Hemlines can be of different lengths and the type of collar and whether or not there is pleating are also variables in the design. In British English, the term ''jumper'' describes what is called a ''sweater'' in American English. Also, in more formal British usage, a distinction is made between a pinafore dress and a pinafore. The latter, though a related garment, has an open back and is worn as an apron. In American English, ''pinafore'' always refers to an apron. A sundress, like a jumper, is sleeveless and collarless; however, such articles are not worn over a blouse or sweater, and are of distinctly different cuts and fashions. The apron dress may be viewed as a special case of the jumper. If the design of the dress is directly inspired by an apron (having a bib ...
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Orazio Gentileschi - Il Suonatore Di Liuto (National Gallery Of Art)
Orazio is a male given name of Italian origin, derived from the Latin name ( ''nomen'') Horatius, from the Roman gens (clan) Horatia. People so named include: * Orazio Alfani (c. 1510–1583), Italian painter * Orazio Antinori (1811–1882), Italian explorer and zoologist * Orazio Arancio (born 1967), Italian former rugby union player and current coach and sports director * Orazio Attanasio (born 1959), Italian economist and professor * Orazio Bassani (died 1615), Italian musician and composer * Orazio Benevoli (1605–1672), Italian composer * Orazio Bianchi, Italian Baroque painter *Orazio Borgianni (c. 1575–1616), Italian painter and etcher *Orazio Bruni (born c. 1630), Italian engraver * Orazio Fagone (born 1968), Italian sledge hockey player and former speed skater * Orazio Falconieri (died 1664), Italian nobleman *Orazio Fantasia (born 1995), Australian rules footballer * Orazio Farinati (1559–1616), Italian painter * Orazio Farnese, Duke of Castro (1532–1553), husband ...
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Dresses
A dress (also known as a frock or a gown) is a garment traditionally worn by women or girls consisting of a skirt with an attached bodice (or a matching bodice giving the effect of a one-piece garment). It consists of a top piece that covers the torso and hangs down over the legs. A dress can be any one-piece garment containing a skirt of any length, and can be formal or casual. A dress can have sleeves, straps, or be held up with elastic around the chest, leaving the shoulders bare. Dresses also vary in color. The hemlines of dresses vary depending on modesty, weather, fashion or the personal taste of the wearer. Overview Dresses are outer garments made up of a bodice and a skirt and can be made in one or more pieces. Dresses are generally suitable for both formal wear and casual wear in the West for women and girls. Historically, dresses could also include other items of clothing such as corsets, kirtles, partlets, petticoats, smocks, and stomachers. His ...
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Undergarments
Undergarments, underclothing, or underwear are items of clothing worn beneath outer clothes, usually in direct contact with the skin, although they may comprise more than a single layer. They serve to keep outer garments from being soiled or damaged by bodily excretions, to lessen the friction of outerwear against the skin, to shape the body, and to provide concealment or support for parts of it. In cold weather, long underwear is sometimes worn to provide additional warmth. Special types of undergarments have religious significance. Some items of clothing are designed as undergarments, while others, such as T-shirts and certain types of shorts, are appropriate both as undergarments and as outer clothing. If made of suitable material or textile, some undergarments can serve as nightwear or swimsuits, and some are intended for sexual attraction or visual appeal. Undergarments are generally of two types, those that are worn to cover the torso and those that are worn to cover ...
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14th-century Fashion
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 (MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establis ...
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Christopher Marlowe
Christopher Marlowe, also known as Kit Marlowe (; baptised 26 February 156430 May 1593), was an English playwright, poet and translator of the Elizabethan era. Marlowe is among the most famous of the Elizabethan playwrights. Based upon the "many imitations" of his play '' Tamburlaine,'' modern scholars consider him to have been the foremost dramatist in London in the years just before his mysterious early death. Some scholars also believe that he greatly influenced William Shakespeare, who was baptised in the same year as Marlowe and later succeeded him as the pre-eminent Elizabethan playwright. Marlowe was the first to achieve critical reputation for his use of blank verse, which became the standard for the era. His plays are distinguished by their overreaching protagonists. Themes found within Marlowe's literary works have been noted as humanistic with realistic emotions, which some scholars find difficult to reconcile with Marlowe's " anti-intellectualism" and his ...
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The Passionate Shepherd To His Love
"The Passionate Shepherd to His Love" (1599), by Christopher Marlowe, is a pastoral poem from the English Renaissance The English Renaissance was a cultural and artistic movement in England from the early 16th century to the early 17th century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th cen ... (1485–1603). Marlowe composed the poem in iambic tetrameter (four feet of one unstressed syllable followed by one stressed syllable) in six stanzas, and each stanza is composed of two rhyming couplets; thus the first line of the poem reads: "Come live with me and be my love". The poem “The Passionate Shepherd to His Love” (1599) by Christopher Marlowe (1564–1593) Come live with me, and be my love; And we will all the pleasures prove That hills and valleys, dales and fields, Woods, or steepy mountain yields. And we will sit upon the rocks, Seeing the shepherds feed their flocks By shallow rivers to w ...
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Karen Hearn
Karen Hearn is a British art historian and curator. She has Master's degrees from the University of Cambridge and the University of London. She is an Honorary Professor in the Department of English Language and Literature at the University College London. From 1992 to 2012 Hearn was the Curator of 16th & 17th Century British Art at the Tate where she curated major exhibitions on Tudor and Jacobean paintings, Anthony van Dyck, and Rubens. She was co-curator of ''Royalist Refugees'' at The Rubenshuis in Antwerp. She has also curated recent exhibitions at The National Portrait Gallery in London, The Harley Gallery, and The Foundling Museum. She was elected as a Fellow of the Society of Antiquaries of London on 1 January 2005. She researches, writes, teaches, lectures and broadcasts on art produced in Britain between about 1500 and about 1710, and in particular on the numerous Netherlandish-British artistic and cross-cultural links of that period. One long-standing focus is th ...
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Girdle
A belt, especially if a cord or rope, is called a girdle if it is worn as part of Christian liturgical vestments, or in certain historical, literary or sports contexts. Girdles are used to close a cassock in Christian denominations, including the Anglican Communion, Catholic Church, Methodist Church and Lutheran Church. The girdle, in the 8th or 9th century, was said to resemble an ancient Levitical Jewish vestment, and in that era, was not visible. In 800 AD, the girdle began to be worn by Christian deacons in the Eastern Church. The girdle, for men, symbolizes preparation and readiness to serve, and for women, represents chastity and protection; it was also worn by laypersons in the Middle Ages, as attested in literature. For example, the hagiographical account of Saint George and the Dragon mentions the evildoer being tamed with the sign of the cross and a girdle handed to Saint George by a virgin. History The men among the Greeks and Romans wore the girdle upon the ...
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