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King Of The Delta Blues Singers
''King of the Delta Blues Singers'' is a compilation album by American Delta blues musician Robert Johnson, released in 1961 by Columbia Records. It is considered one of the most influential blues releases. In 2020, ''Rolling Stone'' ranked it number 374 on its list of the 500 Greatest Albums of All Time. Background The album collects sixteen mono recordings, nine of which were previously available as 78 rpm records on the Vocalion label, which Johnson recorded during two sessions in 1936 and 1937. The records sold well in their target market of the American south and southwest, with " Terraplane Blues" a regional hit, but their sales figures never totaled more than 5000 or so. Legendary record producer, John Hammond gave an advance copy of the album to his newest signing to Columbia, Bob Dylan, who had never heard of Johnson and who became mesmerized by the intensity of the recordings. Hammond, who had searched for Johnson in 1938 to include him on the bill for the first of ...
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Robert Johnson
Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings have influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues, particularly the Delta blues style, and as one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as perhaps "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He had only two recording sessions both produced by Don Law, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes). These songs, recorded solo in improvised studios, were the sum of his recorded output. Most were released a ...
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Volume One
Volume One, Volume 1, Volume I or Vol. 1 may refer to: Albums * ''Volume One'' (The West Coast Pop Art Experimental Band album), 1966 * ''Volume One'' (Sleep album) * ''Volume One'' (Fluff album) * ''Volume One'' (She & Him album), 2008 * ''Volume One'' (Two Steps from Hell album), 2006 *'' The Honeydrippers: Volume One'', 1984 * ''Vol. I'' (Dead Combo album) * ''Vol. 1'' (Birds of Maya album), 2008 * ''Vol. 1'' (EP), by Breed 77 * ''Vol. 1'' (Hurt album), 2006 * ''Vol. 1'' (Nekropolis album), 2003 * ''Vol. 1'' (The Tempers album), 2010 * ''Vol. 1'' (We Are The Becoming album), 2008 * ''Vol. 1'' (BROS_album), 2016 * ''Vol. 1'' (Goatsnake album), 1999 * ''Volume 1'' (Reagan Youth album) * ''Volume 1'' (CKY album) * ''Volume I'' (Queensberry album), 2008 * ''Volume 1'' (Fabrizio De André album), 1967 * ''Volume 1'' (Billy Bragg album), 2006 * ''Volume 1'' (The Besnard Lakes album), 2003 * ''Volume 1'' (BNQT album), 2017 * ''Volume 1'' (Future Boy album) *''Volume 1'', a video albu ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or cassette j-cards. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the outer album jacket or the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a ...
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LP Album
The LP (from long playing or long play) is an analog sound storage medium, specifically a phonograph record format characterized by: a speed of   rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia Records in 1948, it was soon adopted as a new standard by the entire US record industry and, apart from a few relatively minor refinements and the important later addition of stereophonic sound in 1957, it remained the standard format for record albums during a period in popular music known as the album era. LP was originally a trademark of Columbia and competed against the smaller 7-inch sized "45" or "single" format by RCA Victor, eventually ending up on top. Today in the vinyl revival era, a large majority of records are based on the LP format and hence the LP name continues to be in use today to refer to new records. Format advantages At ...
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Monoraul
Monaural sound or monophonic sound (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical audio signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed ...
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Sally Grossman
Sally Ann Grossman (née Buehler; August 22, 1939March 11, 2021) was an American model and the wife of Bob Dylan's one-time manager, Albert Grossman. According to some Dylan biographers, she introduced Dylan to his first wife Sara (although this claim is disputed by Dylan's stepson, Peter Lownds). She operated the Woodstock-based Bearsville Records following the death of her husband in 1986. Early life Grossman was born Sally Ann Buehler in Manhattan on August 22, 1939. Her father worked as an actuary; her mother was the executive director of the Boys Club. She attended Adelphi University and Hunter College, but became more interested in the folk music scene in Greenwich Village. She consequently dropped out of school to work as a waitress in establishments such as Cafe Wha? and The Bitter End. ''Bringing It All Back Home'' Grossman is best known as the young woman languorously stretched out on the cover of Dylan's 1965 album ''Bringing It All Back Home''. She also appeared ...
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Bringing It All Back Home
''Bringing It All Back Home'' is the fifth studio album by the American singer-songwriter Bob Dylan, released in April1965 by Columbia Records. In a major transition from his earlier sound, it was Dylan's first album to incorporate electric instrumentation, which caused controversy and divided many in the contemporary folk scene. The album is split into two distinct halves; the first half of the album features electric instrumentation, in which on side one of the original LP, Dylan is backed by an electric rock and roll band. The second half features mainly acoustic songs. The album abandons the protest music of Dylan's previous records in favor of more surreal, complex lyrics. The album reached No. 6 on ''Billboard''s Pop Albums chart, the first of Dylan's LPs to break into the US Top 10. It also topped the UK charts later that spring. The first track, " Subterranean Homesick Blues", became Dylan's first single to chart in the US, peaking at No. 39. ''Bringing It All Back Hom ...
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Hip (slang)
Hip is a slang for ''fashionably current'' and ''in the know''. To be hip is to have "an attitude, a stance" in opposition to the "unfree world", or to what is square (slang), square or prudish, prude. Being ''hip'' is also about being informed about the latest ideas, styles, and developments. ''Hip'', like ''Cool (aesthetic), cool'', does not refer to one specific quality. What is considered hip is continuously changing. Origin of term The term ''hip'' is recorded in African American Vernacular English (AAVE) in the early 1900s. In the 1930s and 1940s, it had become a common slang term, particularly in the African-American-dominated jazz scene. The origin of ''hip'' remains contested; many proposed etymologies exist, but none are proven. Research and speculation by both amateur and professional Etymology, etymologists suggest that "hip" is derived from an earlier form ''hep'', but that is disputed. Many etymologists believe that the terms ''hip'', ''hep'' and ''hepcat'' deriv ...
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Newport Folk Festival
The Newport Folk Festival is an annual American folk-oriented music festival in Newport, Rhode Island, which began in 1959 as a counterpart to the Newport Jazz Festival. The festival was founded by music promoter and Jazz Festival founder George Wein, music manager Albert Grossman, and folk singers Pete Seeger, Theodore Bikel, and Oscar Brand. It was one of the first modern music festivals in America and remains a focal point in the expanding genre of folk music. The festival was held in Newport annually from 1959 to 1969, except in 1961 and 1962, first at Freebody Park and then at Festival Field. In 1985, Wein revived the festival in Newport, where it has been held at Fort Adams State Park ever since. History Founding The Newport Folk Festival was started in 1959 by George Wein George Wein (October 3, 1925 – September 13, 2021) was an American jazz promoter, pianist, and producer.
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Country Music
Country (also called country and western) is a popular music, music genre originating in the southern regions of the United States, both the American South and American southwest, the Southwest. First produced in the 1920s, country music is primarily focused on singing Narrative, stories about Working class in the United States, working-class and blue-collar worker, blue-collar American life. Country music is known for its ballads and dance tunes (i.e., "Honky-tonk#Music, honky-tonk music") with simple form, folk lyrics, and harmonies generally accompanied by instruments such as banjos, fiddles, harmonicas, and many types of guitar (including acoustic guitar, acoustic, electric guitar, electric, steel guitar, steel, and resonator guitar, resonator guitars). Though it is primarily rooted in various forms of American folk music, such as old-time music and Appalachian music, many other traditions, including African-American, Music of Mexico, Mexican, Music of Ireland, Irish, and ...
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Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ...
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American Folk Music Revival
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Early folk music performers include Woody Guthrie, Lead Belly, Pete Seeger, Ewan MacColl (UK), Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Mississippi John Hurt, Josh White, and Cisco Houston. Lead Belly recorded "Cotton Fields" and "Goodnight, Irene" and folk singer Odetta released folk albums. New folk musicians such as Bob Dylan, Joan Baez, Judy Collins, Joni Mitchell, Phil Ochs, Peter Paul & Mary and many others recorded folk songs and new compositions in the folk style in the 60s and 70s. The revival also brought forward strains of American folk music that had in earlier times contributed to the development of country and western, bluegrass, blues, and rock and roll music. Overview Early years The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s as espous ...
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