|
King Master George
''King Master George'' is the second studio album by the Japanese dub music band Fishmans are a Japanese band formed in 1987 in Minato, Tokyo. They are known for their unique psychedelic sound and the distinctive vocals of the late lead singer Shinji Sato, as well as the drum playing of Kin-Ichi Motegi and rocksteady basslines of ..., released on October 21, 1992, by the Media Remoras record label. Track listing # "いい言葉ちょうだい" - 4:41 # "誰かを捜そう" - 4:30 # "シーフードレストラン" - 2:07 # "影ドロボウ" - 4:53 # "ダイビング" - 1:10 # "ミネラルウォーター" - 3:38 # "なんてったの" - 4:39 # "ハンバーグ" - 0:31 # "１００ミリちょっとの" - 4:46 # "頼りない天使" - 4:36 # "トナカイ" - 5:52 # "君だけがダイヤモンド" - 0:07 # "雨男憎まれる" - 1:46 # "土曜日の夜" - 4:05 # "曲目紹介" - 3:55 # "教育" - 0:09 References Fishmans albums 1992 albums {{1990s-album-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fishmans
are a Japanese band formed in 1987 in Minato, Tokyo. They are known for their unique psychedelic sound and the distinctive vocals of the late lead singer Shinji Sato, as well as the drum playing of Kin-Ichi Motegi and rocksteady basslines of Yuzuru Kashiwabara. Fishmans remained relatively underground and disbanded with the sudden death of Shinji Sato in 1999, but later accumulated an international cult following largely driven by their popular acclaim on internet discussion boards. In a 2019 article for ''The Japan Times'', James Hadfield wrote that their albums ''Aerial Camp'' and '' Long Season'' "are now undisputed landmarks in the Japanese rock canon." History 1987–1995: Early years In the early summer of 1987 in Minato, Tokyo Fishmans would be formed by founding members Shinji Sato (vocals, guitar, trumpet), Kin-Ichi Motegi (drums, vocals, sampler), and Kensuke Ojima (guitar and vocals) out of Meiji Gakuin University. The group's first demo would be presented the sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-psychedelia
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the 1980s spawned the subgenres dream pop and shoegazing. Characteristics Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Pop
Dream pop (also typeset as dreampop) is a subgenre of alternative rock and neo-psychedelia that emphasizes atmosphere and sonic texture as much as pop melody. Common characteristics include breathy vocals, dense productions, and effects such as reverb, echo, tremolo, and chorus. It often overlaps with the related genre of shoegaze, and the two genre terms have at times been used interchangeably. The genre came into prominence in the 1980s through the work of groups such as Cocteau Twins and A.R. Kane. Subsequently, acts such as My Bloody Valentine, Slowdive, Galaxie 500, Julee Cruise, Lush, and Mazzy Star released significant albums in the style. It saw renewed popularity among millennial listeners following the late-'00s success of Beach House. Characteristics The term dream pop is thought to relate to the "immersion" in the music experienced by the listener.Goddard, Michael et al. (2013) ''Resonances: Noise and Contemporary Music'', Bloomsbury Academic, ''The AllMus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibuya-kei
is a microgenre of pop music or a general aesthetic that flourished in Japan in the mid-to late 1990s. The music genre is distinguished by a "cut-and-paste" approach that was inspired by the kitsch, fusion, and artifice from certain music styles of the past. The most common reference points were 1960s culture and Western pop music, especially the work of Burt Bacharach, Brian Wilson, Phil Spector, and Serge Gainsbourg. Shibuya-kei first emerged as retail music from the Shibuya district of Tokyo. Flipper's Guitar, a duo led by Kenji Ozawa and Keigo Oyamada (Cornelius), formed the bedrock of the genre and influenced all of its groups, but the most prominent Shibuya-kei band was Pizzicato Five, who fused mainstream J-pop with a mix of jazz, soul, and lounge influences. Shibuya-kei peaked in the late 1990s and declined after its principal players began moving into other music styles. Overseas, fans of Shibuya-kei were typically indie pop enthusiasts, which contrasted with the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock (also known as alternative music, alt-rock or simply alternative) is a category of rock music that evolved from the independent music underground of the 1970s. Alternative rock acts achieved mainstream success in the 1990s with the likes of the grunge, shoegaze, and Britpop subgenres in the United States and United Kingdom, respectively. During this period, many record labels were looking for "alternatives", as many corporate rock, hard rock, and glam metal acts from the 1980s were beginning to grow stale throughout the music industry. The emergence of Generation X as a cultural force in the 1990s also contributed greatly to the rise of alternative rock. "Alternative" refers to the genre's distinction from mainstream or commercial rock or pop. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ska Punk
Ska punk (also spelled ska-punk) is a fusion genre that mixes ska music and punk rock music together. (sometimes spelled skacore) is a subgenre of ska punk that mixes ska with hardcore punk. Early ska punk mixed both 2 tone and ska with hardcore punk. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid-1990s. Before ska punk began, many ska bands and punk rock bands performed on the same bills together and performed to the same audiences. Some music groups from the late 1970s and early 1980s, such as the Clash, the Deadbeats, the Specials, the Beat, and Madness fused characteristics of punk rock and ska, but many of these were either punk bands playing an occasional ska-flavored song, or are usually considered 2-tone ska bands who played faster songs with a punk att ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fishmans Albums
are a Japanese band formed in 1987 in Minato, Tokyo. They are known for their unique psychedelic sound and the distinctive vocals of the late lead singer Shinji Sato, as well as the drum playing of Kin-Ichi Motegi and rocksteady basslines of Yuzuru Kashiwabara. Fishmans remained relatively underground and disbanded with the sudden death of Shinji Sato in 1999, but later accumulated an international cult following largely driven by their popular acclaim on internet discussion boards. In a 2019 article for ''The Japan Times'', James Hadfield wrote that their albums ''Aerial Camp'' and ''Long Season'' "are now undisputed landmarks in the Japanese rock canon." History 1987–1995: Early years In the early summer of 1987 in Minato, Tokyo Fishmans would be formed by founding members Shinji Sato (vocals, guitar, trumpet), Kin-Ichi Motegi (drums, vocals, sampler), and Kensuke Ojima (guitar and vocals) out of Meiji Gakuin University. The group's first demo would be presented the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
