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King Charles I (play)
''King Charles I'' is a 1737 tragedy by the British writer William Havard. Written as an imitation of the style of Shakespeare's history plays, it focuses on the imprisonment of Charles I following his defeat in the Civil War and execution by the English Republic. It was a major success and anticipated later works by portraying Charles as a devoted family man who is undone by the scheming of Oliver Cromwell and his allies.Richards p.333 It premiered at the Lincoln's Inn Fields Theatre with a cast that included Henry Giffard as King Charles, William Giffard as Ireton, William Hamilton as the Duke of Gloucester, William Havard as Bishop Juxton, Thomas Wright as Oliver Cromwell, Benjamin Johnson as Fairfax and Anna Marcella Giffard Anna Marcella Giffard (1707-1777) was an Irish stage actress. She was a member of the Lyddal acting family of Dublin, and began appearing herself at the Smock Alley Theatre under the name of Nancy Lyddal in the 1720s. In around 1728 she married . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Havard (actor)
William Havard (1710?–1778), was a British actor and dramatist. Havard appeared at Goodman's Fields Theatre, 1730–1737, and then at the Drury Lane Theatre until retirement in 1769. He generally played secondary parts; depreciated in Rosciad. He also appeared in his own plays, '' King Charles I'' at Lincoln's Inn Fields, 1737; '' Regulus'' Drury Lane, 1744; and ''The Elopement'' Drury Lane, 1763. Selected roles * Montesini in '' The Parricide'' (1736) * Rosebrand in '' The Independent Patriot'' (1737) * Talthybius in '' Agamemnon'' (1738) * Hartly in '' The Coffee House'' (1738) * Achmet in ''Mustapha'' (1739) * Young Freeman in ''Love the Cause and Cure of Grief'' (1743) * Decius in '' Regulus'' (1744) * Young Whimsey in '' The Astrologer'' (1744) * Rodolpho in ''Tancred and Sigismunda'' (1745) * Bellamy in '' The Suspicious Husband'' (1747) * Colonel Raymond in '' The Foundling'' (1748) * Abdalla, An Officer in ''Irene'' (1749) * Arnold in '' Edward the Black Prince'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hamilton (actor)
William Hamilton was an Irish stage actor of the eighteenth century. He was the son of the actress Sarah Hamilton. His aunt was the actress Anna Marcella Giffard. Along with his brother James, he first appeared on stage in January 1735 at the Goodman's Fields Theatre in London as a child actor. They continued to appear together in London at the Lincoln's Inn Fields Theatre and Theatre Royal, Drury Lane until 1739 when they returned with their parents to Dublin and worked at the Smock Alley Theatre. His activities are unclear for a while after this, but as an adult he no longer performed with his brother. It is likely the same William Hamilton who performed in Edinburgh in 1749 and then became part of the Smock Alley company between 1749 and 1758. From 1766 he was back in London where he appeared at the King's Theatre and then joined Samuel Foote's company at the Haymarket Theatre. He split his time over the next few years appearing at the Haymarket in the summer and Covent Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biographical Plays About British Royalty
A biography, or simply bio, is a detailed description of a person's life. It involves more than just the basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality. Biographical works are usually non-fiction, but fiction can also be used to portray a person's life. One in-depth form of biographical coverage is called legacy writing. Works in diverse media, from literature to film, form the genre known as biography. An authorized biography is written with the permission, cooperation, and at times, participation of a subject or a subject's heirs. An autobiography is written by the person themselves, sometimes with the assistance of a collaborator or ghostwriter. History At first, bio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Depictions Of English Kings
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plays By William Havard
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1737 Plays
Events January–March * January 5 – Spain and the Holy Roman Empire sign instruments of cession at Pontremoli in the Grand Duchy of Tuscany in Italy, with the Empire receiving control of Tuscany and the Grand Duchy of Parma and Piacenza, in return for Don Carlos of Spain being recognized as King of Naples and King of Sicily. * January 9 – The Empires of Austria and Russia enter into a secret military alliance that leads to Austria's disastrous entry into the Russo-Turkish War. * January 18 – In Manila, a peace treaty is signed between Spain's Governor-General of the Philippines, Fernándo Valdés y Tamon, and the Sultan Azim ud-Din I of Sulu, recognizing Azim's authority over the islands of the Sulu Archipelago. * February 20 – France's Foreign Minister, Germain Louis Chauvelin, is dismissed by King Louis XV's Chief Minister, Cardinal André-Hercule de Fleury * February 27 – French scientists Henri-Louis Duhamel du Monce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Marcella Giffard
Anna Marcella Giffard (1707-1777) was an Irish stage actress. She was a member of the Lyddal acting family of Dublin, and began appearing herself at the Smock Alley Theatre under the name of Nancy Lyddal in the 1720s. In around 1728 she married the English actor Henry Giffard who had been acting at Smock Alley for some years. He had previously been married to Mary Lyddal, probably Anna Marcella's sister, with whom he had two children including William Giffard. After the marriage she was generally styled Mrs Giffard on playbills. She accompanied her husband to London in 1729 and frequently appeared alongside him over the coming years. She made her British debut at the Goodman's Fields Theatre, and this became a base for the couple after Henry took over management of the company and attempted to turn it into the third major London theatre, despite operation without a patent. The Licensing Act 1737 largely ended this attempt, and in subsequent years they played in many theatres ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Johnson (actor)
Benjamin Johnson (1742) was an English actor. Bibliography Johnson was first a scene painter, then acted in the provinces, and appeared in London in 1695 at Drury Lane after Thomas Betterton's defection. He was the original Captain Driver in ''Oronooko'' (1696), Captain Fireball in George Farquhar's '' Sir Harry Wildair'' (1701) and Sable in Richard Steele's ''The Funeral'' (1702); he was particularly well regarded as the First Gravedigger in ''Hamlet'' and as several characters in the plays of Ben Jonson. He also succeeded to Thomas Doggett's roles. In 1715 he starred in John Gay John Gay (30 June 1685 – 4 December 1732) was an English poet and dramatist and member of the Scriblerus Club. He is best remembered for '' The Beggar's Opera'' (1728), a ballad opera. The characters, including Captain Macheath and Polly ...'s hit comedy '' The What D'Ye Call It'' at Drury Lane. References 1665 births 1742 deaths 17th-century English male actors 18th-century Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Giffard (actor)
William Giffard (died 23 January 1129), was the Lord Chancellor of England of William II and Henry I, from 1093 to 1101, and Bishop of Winchester (1100–1129). Family and early life Giffard was the son of Walter Giffard, Lord of Longueville and Ermengarde, daughter of Gerard Flaitel. He also held the office of Dean of Rouen prior to his election as bishop. Bishop of Winchester On 3 August 1100 he became bishop of Winchester by nomination of Henry I. Henry nominated him probably in an attempt to win the support of the clergy in Henry's bid to claim the throne directly after the death of William Rufus. He was one of the bishops elect whom Archbishop Anselm of Canterbury refused to consecrate in 1101 as having been nominated and invested by the lay power. During the investitures dispute Giffard was on friendly terms with Anselm and was banished for declining to accept consecration from Gerard Archbishop of York in 1103. He was, however, one of the bishops who pressed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
