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Kinarri 16
The Kinarri 16 was the ARRI's first 16mm 16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical (e.g., industrial, ... camera, released in 1928. Function The Kinarri 16 was first released as a hand cranked version, in a round camera body. The crank was on the right side and the framerate was obviously completely manually adjusted, by how quickly the cinematographer turned the crank. On the left side there was a foldout direct optical viewfinder with a crosshair. The left side could be removed to load the film into the camera. The internal magazine took 100 ft (30meters). The Kinarri 16 had a fixed 25mm lens. The overall design was very similar to the Kinarri 35, which was released four years earlier. Arri produced this camera for the amateur market. Shortly after a spring-wound model was released, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ARRI
Arri Group () (stylized as "ARRI") is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917. It produces professional motion picture cameras, lenses, lighting and post-production equipment. It is cited by Hermann Simon (manager), Hermann Simon as an example of a "Hidden champions, hidden champion". The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including ''Hugo (film), Hugo'' (2011), ''Life of Pi (film), Life of Pi'' (2012), ''Gravity (2013 film), Gravity'' (2013), ''Birdman (film), Birdman'' (2014), ''The Revenant (2015 film), The Revenant'' (2015) and ''1917 (2019 film), 1917'' (2019). History Early history Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym ''Arri'' was derived from the initial two letters of the founders' surnames, ''Ar''nold and ''Ri''chter. In 1924, Arno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16mm Film
16 mm film is a historically popular and economical Film gauge, gauge of Photographic film, film. 16 mm refers to the width of the film (about inch); other common film gauges include 8 mm film, 8 mm and 35mm movie film, 35 mm. It is generally used for non-theatrical (e.g., industrial, educational, television) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Kodak, Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a Ciné-Kodak camera, Kodascope projector, tripod, screen and splicer, for US$335 (). RCA Records, RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935. History Eastman Kodak introduced 16 mm film in 1923, as a less expensive alternative to 35mm movie film, 35 mm Film formats, film for amateurs. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Direct Optical Viewfinder
In photography, a viewfinder is a device on a camera that a photographer uses to determine exactly where the camera is pointed, and approximately how much of that view will be photographed. A viewfinder can be mechanical (indicating only direction and approximate view), with simple optical components, with precision optics and optical functions, or a digital accessory device used with digital cameras. View camera These cameras had no separate viewfinder. The exact image (although upside-down and reversed left-right) was viewed on a ground glass installed either in a replaceable plateholder, or in a spring back where springs hold the ground glass at the focus plane until a photographic plateholder is slid in front of it. Spring backs usually had a flip-up cover protecting the ground glass. A black focusing cloth was used with larger models. Mechanical finders Later referred to as "sports finders", for many sports and newspaper applications optical viewfinders gave too sm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinarri 35
The Kinarri 35 was the ARRI's first 35mm camera, released in 1924. Function This was Arri's first camera, constructed by August Arnold. The Kinarri 35 was a hand cranked 35mm camera, in a round aluminum camera body, which was inspired by the Akeley camera introduced in 1919. The crank was on the right side and the framerate was obviously completely manually adjusted, by how quick the cinematographer turned the crank. On the left side there was a foldout direct optical viewfinder with a crosshair. The left side could be removed to load the film into the camera. The internal magazine took 100 ft (30meters) daylight spools. The Kinarri 35 had a fixed Arrinar lens f2,7/40 mm. The body was made out of aluminum. The overall design was later used for the Kinarri 16, which was released in 1928. The name is a portmanteau In linguistics, a blend—also known as a blend word, lexical blend, or portmanteau—is a word formed by combining the meanings, and parts of the sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portmanteau
In linguistics, a blend—also known as a blend word, lexical blend, or portmanteau—is a word formed by combining the meanings, and parts of the sounds, of two or more words together.Garner's Modern American Usage p. 644. English examples include '' smog'', coined by blending ''smoke'' and ''fog'', and '''', from ''motor'' ('' motorist'') and ''hotel''. A blend is similar to a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
