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Kheyal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity. Etymology () is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingassخیال A Comprehensive Persian-English Dictionary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilwada
Tilwada or tilwara () () is a tala of Hindustani music. Like tintaal, tilwada tala also has 16 beats. Tilwada is often used in Kheyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the perfor .... Arrangement Cyclical series of equally periodical beats consisted of recurring claps and waves: *clap, 2, 3, 4, clap, 2, 3, 4, wave, 2, 3, 4, clap, 2, 3, 4 or counted out as: *clap, 2, 3, 4, clap, 6, 7, 8, wave, 10, 11, 12, clap 14, 15, 16 Theka This tala has the following arrangement: References {{Hindustani Classical Music page end Hindustani talas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhojpuri Language
Bhojpuri (IPA: ; Devanagari: , Kaithi: ) is an Indo-Aryan language native to the Bhojpuri region, Bhojpur-Purvanchal region of India and the Terai region of Nepal.:ethnologue:bho, Bhojpuri Ethnologue World Languages (2009) It is chiefly spoken in eastern Uttar Pradesh, western Bihar, and northwestern Jharkhand in India, as well as western Madhesh Province, Madhesh, eastern Lumbini Province, Lumbini. It is also a minority language in Fiji, Mauritius, Suriname and historically primarily in the Natal (province), Natal province of South Africa. Fiji Hindi, an official language of Fiji, is a dialect of Bhojpuri spoken by the Indo-Fijians. Caribbean Hindustani is spoken by the Indo-Caribbean people in Guyana, Suriname, Jamaica and Trinidad and Tobago. In Mauritius, it is a recognised by the government and taught in university as well. Bhojpuri language is listed as potentially vulnerable language, vulnerable in the UNESCO World Atlas of Languages. Name The oldest presence of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dari
Dari (; endonym: ), Dari Persian (, , or , ), or Eastern Persian is the variety of the Persian language spoken in Afghanistan. Dari is the Afghan government's official term for the Persian language;Lazard, G.Darī – The New Persian Literary Language", in ''Encyclopædia Iranica'', Online Edition 2006. it is known as Afghan Persian or Eastern Persian in many Western sources. The decision to rename the local variety of Persian in 1964 was more political than linguistic to support an Afghan state narrative. Dari Persian is most closely related to Tajiki Persian as spoken in Tajikistan and the two share many phonological and lexical similarities. Apart from a few basics of vocabulary, there is little difference between formal written Persian of Afghanistan and Iran; the languages are mutually intelligible. Dari is the official language for approximately 30.6 million people in Afghanistan and it serves as the common language for inter-ethnic communication in the country. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Language
Hindustani is an Indo-Aryan language spoken in North India and Pakistan as the lingua franca of the region. It is also spoken by the Deccani people, Deccani-speaking community in the Deccan plateau. Hindustani is a pluricentric language with two Standard language, standard Register (sociolinguistics), registers, known as Hindi (Sanskritisation (linguistics), Sanskritised register written in the Devanagari script) and Urdu (Persianization, Persianized and Arabization, Arabized register written in the Perso-Arabic script) which serve as official languages of India and Pakistan, respectively. Thus, it is also called Hindi–Urdu. Colloquial registers of the language fall on a spectrum between these standards. In modern times, a third variety of Hindustani with significant English influences has also appeared, which is sometimes called Hinglish or Urdish.Salwathura, A. N.Evolutionary development of ‘hinglish’language within the Indian sub-continent. ''International Journal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandish
Bandish, cheez or gat is a fixed, melodic composition in Hindustani vocal or instrumental music. It is set in a specific raga, performed with rhythmic accompaniment by a tabla or pakhawaj, a steady drone, and melodic accompaniment by a sarangi, violin or harmonium. There are different ways of systematizing the parts of a composition. A bandish provides the literature element in the music, for standard structured singing. In the past many gharanas protected their bandishes from moving out of the family with gross incoherent vocal renditions. In the realm of vocal music, it is often known as ''cheez''. Etymology The word ''bandish'' is derived from the Hindustani language Hindustani is an Indo-Aryan language spoken in North India and Pakistan as the lingua franca of the region. It is also spoken by the Deccani people, Deccani-speaking community in the Deccan plateau. Hindustani is a pluricentric language w ..., and literally means "binding together". Sections '' Sthāy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhaptal
Jhaptal (Hindi: झपताल) is a '' tala'' used in Hindustani music. It presents quite a different rhythmical structure from '' teental'' in that it is not symmetrical. It is used in madhyalay (medium-tempo) khyal. Arrangement Jhaptal is a 10-beat pattern used in raga exposition. It has ten beats in four divisions (vibhag 'Vibhag' (in music) represents a duration of rhythmic phrasing in Indian classical music made up of a certain number of beats. They are the rough equivalent of bars in western music, but instead of always being equal subdivisions of the tala (the ...), of 2-3-2-3, the third of which is the khali, or open division. To follow the tal the audience clap on the appropriate beat, which in jhaptal is beats 1, 3 and 8 (the first beat in each full division). A wave of the hand indicates beat 6, the first beat of the khali section. Series of Claps and Waves: clap, 2, clap, 2, 3, wave, 2, clap, 2, 3 Theka There are 4 vibhags: The split for Jhaptaal : 2 / 3 / 2 / ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektal
Ektal or Ektaal is a tala in Indian music. It is commonly used in classical music like kheyal, and semi-classical forms like Rabindra Sangeet. In ''ektal'' the 12 matras are divided into 6 vibhags of two matras each. Ektal is played in Drut gatti ( fast speed ). This tala is mostly played by the use of tabla. One more tala similar to Ektal is Chowtal which is played with the use of Pakhavaj, Ektaal is the tabla counterpart of Chowtaal. Many beautiful Kaida are played in Ektal. But Ektal is mostly played for Vilambit (slow pace of any Tal) . Basic information on tal Ektal : Name - Ektal Sum - 1st matra Tali (claps) - 1, 5, 9, 11 matras Khali (wave) - 3, 7 matras Similar talas - Chowtal, Dadra, Garba (tal) Related instruments - Tabla Related to - Hindustani music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rupak Tala
Rupak Tala (rupak taal) or also known as Roopak Taal is a popular tala in Hindustani music that is common in Bhajans and Geets.Ram Avatar 'Vir' 2002, p. 33 It has seven matras (beats) in three vibhags (divisions). Unlike the popular Tintal, the vibhags of Rupak Tala are not of equal length. Also, both the khali and sam of Rupak Tala fall on the first matra Matra (an acronym for Mécanique Aviation Traction) was a major French industrial Conglomerate (company), conglomerate. Its business activities covered a wide range of industries, notably aerospace manufacturer, aerospace, defence industry, def .... Aavartan The aavaratan (cycle) of Rupak Tala has three vibhags (divisions). The first vibhag has three matras and both the second and third vibhags have two matras. Sam is on the first matra of the first vibhag. The aavaratan of Rupak Taal may be written as follows: Examples There are numerous examples of Rupak Tala that differ based upon the instrument used. The fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jhoomra
Jhoomra is a tala of Hindustani music. Jhoomra tala has 14 beats. Jhoomra is often used in the vilambit or ati-vilambit (slow) Khyal Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with rom .... Arrangement Jhoomra tala can be counted like this: *clap, 2, 3, clap, 2, 3, 4, wave, 2, 3, clap, 2, 3, 4 Or can be counted like this: *clap, 2, 3, clap, 5, 6, 7 wave, 9, 10, clap, 12, 13, 14 Theka This is arrangement of Jhoomra: Dhin , -Dha , TiRiKaTa Dhin , Dhin , Dha Ge , TiRiKaTa Tin , -Ta , TiRiKaTa Dhin , Dhin , Dha Ge , TiRiKaTa Theka of Jhoomra can be arranged like this: References {{Hindustani Classical Music page end Hindustani talas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drut
''Drut'' ( द्रुत; also called ''drut laya'') is the concluding section, in fast tempo (or ''laya''), between 160 and 320 beats per minute, of the performance of a vocal raga in Hindustani classical music. See also *Khyal * Vilambit * Madhyalaya *Hindustani classical music Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' ... Hindustani music terminology {{India-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
