Keith West
Keith Hopkins (born 6 December 1944, Dagenham, Essex, England), known by his stage name Keith West, is a British rock singer, songwriter and music producer. He is best known for his single " Excerpt from A Teenage Opera" ("Grocer Jack"), which reached No. 2 on the UK Singles Chart. West was also the lead singer of various groups including Tomorrow, a 1960s psychedelic rock band. West wrote most of his own songs (credited to Keith Hopkins), often in collaboration with Ken Burgess. Despite critical acclaim and support from BBC Radio 1 DJ John Peel, who featured Tomorrow on his '' The Perfumed Garden'' show, the group was not a major commercial success. Career In 1964, West became lead singer of The In Crowd, a band from London, who later changed their name to Tomorrow. The following year The In Crowd recorded three singles for Parlophone. Another member of these groups was guitarist Steve Howe, later of the band Yes. In 1967, West became acquainted with Mark Wirtz, a re ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dagenham
Dagenham () is a town in East London, England, within the London Borough of Barking and Dagenham. Dagenham is centred east of Charing Cross. It was historically a rural parish in the Becontree Hundred of Essex, stretching from Hainault Forest in the north to the River Thames in the south. Dagenham remained mostly undeveloped until 1921, when the London County Council began construction of the large Becontree housing estate. The population significantly increased as people moved to the new housing in the early 20th century, with the parish of Dagenham becoming Dagenham Urban District in 1926 and the Municipal Borough of Dagenham in 1938. In 1965 Dagenham became part of Greater London when most of the historic parish become part of the London Borough of Barking. Dagenham was chosen as a location for industrial activity and is perhaps most famous for being the location of the Ford Dagenham motor car plant where the Ford sewing machinists strike of 1968 took place. Follo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Virgin Books
Virgin Books is a British book publisher 90% owned by the publishing group Random House, and 10% owned by Virgin Group, the company originally set up by Richard Branson as a record company. History Virgin established its book publishing arm in the late 1970s; in the latter part of the 1980s Virgin purchased several existing companies, including WH Allen, well known among '' Doctor Who'' fans for their Target Books imprint; Virgin Books was incorporated into WH Allen in 1989, but in 1991 WH Allen was renamed Virgin Publishing Ltd. Virgin Publishing's early success came with the ''Doctor Who'' New Adventures novels, officially licensed full-length novels carrying on the story of the popular science-fiction television series following its cancellation in 1989. Virgin published this series from 1991 to 1997, as well as a range of ''Doctor Who'' reference books from 1992 to 1998 under the Doctor Who Books imprint. In recent times the company is best known for its commercial ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Progressive Rock
Progressive rock (shortened as prog rock or simply prog; sometimes conflated with art rock) is a broad genre of rock music that developed in the United Kingdom and United States through the mid- to late 1960s, peaking in the early 1970s. Initially termed "progressive pop", the style was an outgrowth of psychedelic bands who abandoned standard pop traditions in favour of instrumentation and compositional techniques more frequently associated with jazz, folk, or classical music. Additional elements contributed to its "progressive" label: lyrics were more poetic, technology was harnessed for new sounds, music approached the condition of " art", and the studio, rather than the stage, became the focus of musical activity, which often involved creating music for listening rather than dancing. Progressive rock is based on fusions of styles, approaches and genres, involving a continuous move between formalism and eclecticism. Due to its historical reception, the scope of progre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tomorrow (Tomorrow Album)
''Tomorrow'' is the only studio album by the English psychedelic rock band Tomorrow. It was originally released in 1968 by EMI Parlophone in the U.K. in a black and white sleeve. A slightly different version of the album was also released in the U.S. in 1968 as Sire Records SES 97012, one of the first releases on that label. Although it was not a success when it was first released, it is now widely regarded as one of the best psychedelic rock albums ever made. The lack of commercial success can be explained by the long delay between initial recording sessions in spring 1967 and final release in February 1968. By the time the album arrived in record stores the psychedelic trend had already begun to abate. EMI provided a very small recording budget and would not allow prints of a colour album cover to be made, although some later re-issues were printed with a modified colour cover. Mark Smotroff of Audiophile Reviews called the album "a knockout lost classic". Track listing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aynsley Dunbar
Aynsley Thomas Dunbar (born 10 January 1946) is an English drummer. He has worked with John Mayall, Frank Zappa, Jeff Beck, Journey, Jefferson Starship, Nils Lofgren, Eric Burdon, Shuggie Otis, Ian Hunter, Lou Reed, David Bowie, Mick Ronson, Whitesnake, Pat Travers, Sammy Hagar, Michael Schenker, UFO, Michael Chapman, Jake E. Lee, Leslie West, Kathi McDonald, Keith Emerson, Mike Onesko, Herbie Mann and Flo & Eddie. Dunbar was inducted into the Rock and Roll Hall of Fame as a member of Journey in 2017. Career Aynsley Thomas Dunbar was born in Liverpool, England. He started his professional career in Derry Wilkie and the Pressmen in 1963. In December 1964 he joined Merseybeat group the Mojos, who were renamed Stu James & the Mojos, with original members vocalist Stu James and guitarist Nick Crouch and bass player Lewis Collins (later an actor in '' The Professionals''). This line-up continued until 1966. Dunbar then auditioned for the Jimi Hendrix Experience and H ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ronnie Wood
Ronald David Wood (born 1 June 1947) is an English rock musician, best known as an official member of the Rolling Stones since 1975, as well as a member of Faces and the Jeff Beck Group. Wood began his career in 1964, playing guitar with a number of British rhythm and blues bands in short succession, including the Birds and the Creation. He joined the Jeff Beck Group in 1967 as a guitarist and bassist. Their two albums, ''Truth'' and '' Beck-Ola'', are both highly praised. The group split in 1969 and Wood departed along with lead vocalist Rod Stewart to join former Small Faces members Ronnie Lane, Ian McLagan, and Kenney Jones in a new group named Faces with Wood now primarily on lead guitar. The group found great success in the UK and mainland Europe, though achieved only cult status in the US. Wood sang and co-wrote the popular title track from their final LP, '' Ooh La La'', released in 1973. He also worked extensively on Stewart's first few solo albums. As ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Revolution (Tomorrow Song)
"Revolution" is a song by the English psychedelic rock band Tomorrow. It was first released as a single in the UK by Parlophone in September 1967. The song also appeared on the group's self-titled album ''Tomorrow'' in February 1968. "Revolution" was written by Keith Alan Hopkins (better known as Keith West) and Steve Howe. It failed to break the music charts. Several different recordings of the song have been released by Tomorrow. The 1999 CD reissue of ''Tomorrow'' also includes a previously unreleased studio demo recording of the song. This version does not have the orchestral overdubs but instead has some phasing effects not heard in the later recording. Both were recorded at EMI's Abbey Road Studios in London in mid 1967. Tomorrow performed this song for John Peel's radio show on the BBC, and there is also a live recording on the album ''50 Minute Technicolor Dream''. AllMusic writer Richie Unterberger called "Revolution" an "infectious hippie A hippie, also spelled ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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A Teenage Opera
''A Teenage Opera'' is a musical project from the 1960s, created by record producer Mark Wirtz. The first song released was from the project was " Excerpt from A Teenage Opera" ("Grocer Jack") recorded by Keith West in 1967. The album was not released until 1996, and a stage show was performed in 2017. History According to Wirtz, he had been working on an idea for a rock opera since January 1966, when he was experimenting in his London studio and produced a piece of music entitled "A Touch of Velvet – A Sting of Brass", under the name of "Mood Mosaic". He was asked to join EMI as an in-house record producer and he accepted, starting in January 1967. He had already seen Pink Floyd start their career and he personally recommended them to be signed but thought the task of producing them would be better left to fellow producer Norman Smith. Wirtz decided to work with another band he had enjoyed, The In Crowd, who soon changed their name to Tomorrow. According to Wirtz, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Musikladen
''Der Musikladen'' (german: The Music Shop) was a West German music television programme that ran from 13 December 1972 to 29 November 1984. The show continued the 1960s '' Beat-Club'' under a new name, and in turn was replaced by ''Extratour''. History Around 90 episodes were aired, plus 59 as ''Musikladen extra'' with most being made in the period between 1974 and 1979. All episodes were produced by Radio Bremen and directed by Michael Leckebusch. A normal episode of ''Musikladen'' usually featured several live performances by guest musicians, and ran around 45 minutes. Some episodes were longer, and a few were shorter. In the 1980s, music videos were shown along with live performances. The show's famous theme was "A Touch of Velvet – A Sting of Brass" by Mood Mosaic, which had also been used on '' Beat-Club''. Manfred Sexauer hosted the show with various others. From 12 December 1972 to 21 September 1978, Uschi Nerke, the veteran from ''Beat-Club'', moderated the show ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Beat-Club
''Beat-Club'' is a West German music programme that ran from September 1965 to December 1972. It was broadcast from Bremen, West Germany on ''Erstes Deutsches Fernsehen'', the national public TV channel of the ARD, and produced by one of its members, Radio Bremen, later co-produced by WDR following the 38th episode. History ''Beat-Club'' was co-created by Gerhard Augustin and Mike Leckebusch. The show premiered on 25 September 1965 with Augustin and Uschi Nerke hosting. German TV personality Wilhelm Wieben opened the first show with a short speech. After eight episodes, Augustin stepped down from his hosting role and was replaced by DJ Dave Lee Travis. The show immediately caused a sensation and achieved cult status throughout West Germany among the youth, while the older generation hated it. The show's earlier episodes featured live performances, and was set in front of a plain brick wall. It underwent a revamp in 1967, when a more professional look was adopted with larg ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Theme Music
Theme music is a musical composition that is often written specifically for radio programming, television shows, video games, or films and is usually played during the title sequence, opening credits, closing credits, and in some instances at some point during the program. The purpose of a theme song is often similar to that of a leitmotif. The phrase theme song or signature tune may also be used to refer to a signature song that has become especially associated with a particular performer or dignitary, often used as they make an entrance. Purpose From the 1950s onwards, theme music, and especially theme songs also became a valuable source of additional revenue for Hollywood film studios, many of which launched their own recording arms. This period saw the beginning of more methodical cross-promotion of music and movies. One of the first big successes, which proved very influential, was the theme song for '' High Noon'' (1952). Celebrities In the early years of radio and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |