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Keep Growing Strong
"Betcha by Golly, Wow" is a song written by Thom Bell and Linda Creed, originally titled "Keep Growing Strong" and recorded by American actress and singer Connie Stevens under the Bell label in 1970. Stevens' recording runs two minutes and thirty seconds. The composition later became a hit when it was released by the Philadelphia soul group the Stylistics in 1972 under its better known title, "Betcha by Golly, Wow". The Stylistics version One year after Stevens' original version was released, the Stylistics recorded a more successful cover version as an R&B ballad under the name the song is best known, "Betcha by Golly, Wow". It was the third track from the Stylistics' 1971 debut self-titled album; released as a single in 1972, it reached No. 3 on the US ''Billboard'' Hot 100 chart. ''Billboard'' ranked it as the No. 18 song for 1972. It also climbed to No. 2 on the ''Billboard'' R&B chart, and reached No. 13 on the UK Singles Chart in July 1972. The single sold over one mil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stylistics
The Stylistics are an American Philadelphia soul group that achieved their greatest chart success in the 1970s. They formed in 1968, with a lineup of singers Russell Thompkins Jr., Herb Murrell, Airrion Love, James Smith, and James Dunn. All of their U.S. hits were ballads characterized by the falsetto of Russell Thompkins Jr. and the production of Thom Bell. During the early 1970s, the group had twelve consecutive R&B top ten hits including " Stop, Look, Listen", " You Are Everything", " Betcha by Golly, Wow", " I'm Stone in Love with You", " Break Up to Make Up" and " You Make Me Feel Brand New". They had five gold singles and three gold albums. Career Early years The Stylistics were created from two Philadelphia groups, the Percussions and the Monarchs. The two bands attended the same high school. The Stylistics was first conceived when Airrion Love's English teacher, Beverly Hamilton, suggested the two bands merge. Russell Thompkins Jr., James Smith, and Airrion Love ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 1972
This is a list of ''Billboard'' magazine's Top Hot 100 songs of 1972 Within the context of Coordinated Universal Time (UTC) it was the longest year ever, as two leap seconds were added during this 366-day year, an event which has not since been repeated. (If its start and end are defined using Solar time, .... The Top 100, as revealed in the year-end edition of ''Billboard'' dated December 30, 1972, is based on Hot 100 charts from the issue dates of December 4, 1971 through November 18, 1972. See also * 1972 in music * List of ''Billboard'' Hot 100 number-one singles of 1972 * List of ''Billboard'' Hot 100 top-ten singles in 1972 References {{DISPLAYTITLE:''Billboard'' Year-End Hot 100 singles of 1972 1972 record charts Lists of Billboard Year-End Hot 100 singles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Bartz
Gary Bartz (born September 26, 1940) is an American jazz saxophonist. He has won two Grammy Awards. Biography Bartz was first exposed to jazz as the son of the owners of a jazz nightclub in Baltimore. In 1958 he left Baltimore to study at the Juilliard School. In the early 1960s, he performed with Eric Dolphy and McCoy Tyner in Charles Mingus' Jazz Workshop. He worked as a sideman with Max Roach and Abbey Lincoln before joining Art Blakey and the Jazz Messengers. In 1968, he was a member of McCoy Tyner's band, Expansions. In mid-1970, he joined Miles Davis' band, performing live at the Isle Of Wight festival in August; and at a series of December dates at The Cellar Door club in Washington, D.C. Portions of these shows were initially released on the 1971 '' Live-Evil'' album, with the entire six performance/four night run eventually released in full on the 2005 '' Cellar Door Sessions'' box set. He later formed the band Ntu Troop, which combined jazz, funk, and soul. Bartz was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phyllis Hyman
Phyllis Linda Hyman (July 6, 1949 – June 30, 1995) was an American singer, songwriter, and actress. Hyman's music career spanned the late 1970s through the early 1990s, and she was best known for her expansive contralto range. Some of her most notable songs are "You Know How to Love Me (song), You Know How to Love Me" (1979), "Living All Alone" (1986) and "Don't Wanna Change the World" (1991). Hyman is also known for her covers of popular songs, which include renditions of "Betcha by Golly, Wow, Betcha by Golly Wow", "Here's That Rainy Day", and "What You Won't Do for Love (song), What You Won't Do For Love". Hyman also performed on Broadway in the 1981 musical revue ''Sophisticated Ladies'', which ran from 1981 until 1983. The revue, based on the music of Duke Ellington, earned her a Theatre World Award and a Tony Award nomination for Tony Award for Best Featured Actress in a Musical, Best Performance by a Featured Actress in a Musical. After an extended struggle with her me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Are My Starship
''You Are My Starship '' is an album by the Philadelphia, Pennsylvania jazz drummer Norman Connors. Released in 1976 on Buddah Records, it featured bass player/vocalist Michael Henderson and Philadelphia vocalist Phyllis Hyman. The album reached number five on the US R&B chart and number one on the Jazz chart. The single, "You Are My Starship", charted at number four on the US R&B single chart and 27 on the US Pop chart. The boat on the front cover belonged to actor John Wayne. Track listing #"We Both Need Each Other" ( Michael Henderson) 4:07 Lead Vocals – Michael Henderson & Phyllis Hyman #" Betcha By Golly Wow" ( Linda Creed, Thom Bell) 6:17 Lead Vocals – Phyllis Hyman #"Bubbles" (Shunzo Ono) 6:11 #'You Are My Starship" (Michael Henderson) 4:23 Lead Vocals – Michael Henderson #"Just Imagine" (Onaje Allan Gumbs) 3:58 #"So Much Love" (Norman Connors) 2:35 Lead Vocals – Norman Connors #"The Creator Has a Master Plan (Peace)" (Leon Thomas, Pharoah Sanders) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddah Records
Buddah Records (later known as Buddha Records) was an American record label founded in 1967 in New York City. The label was born out of Kama Sutra Records, an MGM Records-distributed label, which remained a key imprint following Buddah's founding. Buddah handled a variety of music genres, including bubblegum pop (the Ohio Express and the 1910 Fruitgum Company), folk rock (Melanie Safka, Melanie), experimental music (Captain Beefheart, Captain Beefheart and His Magic Band), and soul music, soul (Gladys Knight & the Pips). In addition to the Buddah imprint, the company distributed many other independent labels, including Kama Sutra Records (after Kama Sutra cut their distribution ties with MGM in 1969), Curtom Records (Curtis Mayfield), T-Neck Records (the Isley Brothers), Charisma Records (Genesis (band), Genesis, Monty Python), Sussex Records (Bill Withers), Hot Wax Records (Holland-Dozier-Holland post-Motown productions) and smaller subsidiaries. History Kama Sutra Records help ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Connors
Norman Connors (born March 1, 1947) is an American jazz drummer, composer, arranger, and producer who has led a number of influential jazz and R&B groups. He also achieved several big R&B hits of the day, especially with love ballads. He is possibly best known for the 1976 hit, " You Are My Starship" on which lead vocals were sung by Michael Henderson. Biography Connors lived in the same Philadelphia neighbourhood as comedian/actor Bill Cosby and had an interest in jazz from a very early age when he began to play drums. Whilst at elementary school, Connors was exposed to jazz extensively and became heavily influenced by the drummer Lex Humphries and the younger brother of bassist and Jazz-Messenger player, Spanky DeBrest. He first met his idol, Miles Davis, aged just 13 in 1960. He once sat in for Elvin Jones at a John Coltrane performance he attended while in middle school. Connors studied music at Temple University and Juilliard. His first recording was on Archie Shepp's 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has undergone a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary (1984–1996) and Adult Contemporary (1979–1984, 1996–present). The current number-one song on the chart, as of the issue of ''Billboard'' dated June 14, 2025, is " Beautiful Things" by Benson Boone. Chart history The ''Billboard'' Easy listening chart, as it was first known, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited), trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Zealand Listener
The ''New Zealand Listener'' is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed ''The Listener'' in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets, which were rebranded as Are Media. History ''The Listener'' was first published in June 1939 as a weekly broadcasting guide for radio listeners, and the first issue was distributed free to 380,000 households. First edited by Oliver Duff then from June 1949 M. H. Holcroft, it originally had a monopoly on the publication of upcoming television and radio programmes. In the 1980s it lost that monopoly, but despite the increase in competition since that time, it w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
