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Kedaram
Kedaram (pronounced kēdāram) is a rāga A raga ( ; , ; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. It is central to classical Indian music. Each raga consists of an array of melodic structures with musical motifs; and, fro ...m in Carnatic music (musical scale of South Indian classical music). It is a derived scale (''janya'' rāgam) from ''Sankarabharanam (raga), Shankarabharanam'', the 29th ''Melakarta'' rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Structure and Lakshana ''Kedaram'' is an asymmetric scale that does not contain ''dhaivatam''. It is called a ''vakra audava-shadava'' rāgam, in Carnatic music classification. This classification implies that it has 5 notes in ascending scale with zig-zag notes and 6 notes in descending scale. Its ''ārohaṇa-avarohaṇa'' structure is as follows (see Swara#Svaras in Carnatic music, ''swaras'' in Carnatic music for d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kedaram - Arohanam And Avarohanam
Kedaram (pronounced kēdāram) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a derived scale (''janya'' rāgam) from '' Shankarabharanam'', the 29th ''Melakarta'' rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications Structure and Lakshana ''Kedaram'' is an asymmetric scale that does not contain ''dhaivatam''. It is called a ''vakra audava-shadava'' rāgam, in Carnatic music classification. This classification implies that it has 5 notes in ascending scale with zig-zag notes and 6 notes in descending scale. Its ''ārohaṇa-avarohaṇa'' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * ārohaṇa : * avarohaṇa : This scale uses the notes ''shadjam, chatusruti rishabham, antara gandharam, shuddha madhyamam, panchamam'' and ''kakali nishadam''. Popular compositions ''Kedaram'' has been used by many composers for compositions in Carnatic musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nizhalgal
''Nizhalgal'' ( ) is a 1980 Indian Tamil-language drama film co-written and directed by Bharathiraja. The film stars primarily newcomers such as S. Rajasekar (credited as Rajasekaran), Raadhu (credited as Rohini), Ravi, Chandrasekhar and Suvitha. It revolves around a group of youngsters and their struggles to overcome the challenges faced by them in society. The film's crew contained a host of newcomers including the lyricist Vairamuthu and Manivannan, both would later go on to become an established lyricist and a director respectively. It was released on 6 November 1980. Though a commercial failure, the film received critical acclaim and was screened at the "Indian Panorama" section of the International Film Festival of India in 1981. The same year it won two awards at the Tamil Nadu State Film Awards. Plot Gopi and Hari, two unemployed graduates, share a room in Madras. While Gopi is looking for a job, Hari, a harmonium player, aspires to become a music composer in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaadhalan
''Kaadhalan'' () is a 1994 Indian Tamil-language romantic thriller film directed by S. Shankar and produced by K. T. Kunjumon, who co-wrote the story. The film stars Prabhu Deva and Nagma (in her debut in Tamil cinema), alongside Vadivelu, Raghuvaran, Girish Karnad and S. P. Balasubrahmanyam. In the film, a college student falls in love with the daughter of the state governor, but soon becomes embroiled in a conspiracy involving the governor. Kunjumon decided to collaborate with Shankar for the second time after the success of ''Gentleman'' (1993) and the story Shankar developed was that of a romance between an ordinary man and a wealthy girl; to increase the scale of the project, Kunjumon incorporated the cold-war between the then Chief Minister of Tamil Nadu J. Jayalalithaa and governor Marri Chenna Reddy into the script. The dialogues were written by Balakumaran, while the music was composed by A. R. Rahman. The cinematography was handled by Jeeva and editing b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Madana Kama Rajan
''Michael Madana Kama Rajan'' is a 1990 Indian Tamil-language comedy film directed by Singeetam Srinivasa Rao and written by Kamal Haasan, with Crazy Mohan penning the dialogues. The film stars Haasan in four roles alongside Khushbu, Urvasi and Rupini while Manorama, Delhi Ganesh, Nassar, Vennira Aadai Moorthy, S. N. Lakshmi, Jayabharathi, R. N. Jayagopal, Nagesh, Praveen Kumar, Santhana Bharathi and R. S. Shivaji play supporting roles. It revolves around quadruplets who get separated at birth and cross paths as adults. Panchu Arunachalam obtained the rights to adapt a Pakistani film written by Kader Kashmiri. Despite retaining that film's core premise of quadruplets, Rao, Haasan and Mohan created an otherwise entirely new story. The film was produced by Arunachalam's wife Meena, photographed primarily by B. C. Gowrishankar and edited by D. Vasu. ''Michael Madana Kama Rajan'' was released on 17 October 1990, Diwali day. The film was commercially successful, running fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janya
''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 '' melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a variety of features. ''Varja'' ragas Ragas that omit (varjyam, to omit in Sanskrit) one or more of the notes of the scale (''swaras'') of their parent ''melakarta'' raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending '' arohana'' and descending '' avarohana'' scale. Such scales are given the names listed below.''A practical course in Carnatic music'' by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications vrja a * ''Sampurna'' – 7 note scale * ''Shadava'' – 6 notes * ''Audava'' – 5 notes Since these terms are applicable both to the ascending and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sankarabharanam (raga)
Dhīraśankarābharaṇaṃ, commonly known as ''Śankarābharaṇaṃ'', is a rāga in Carnatic music. It is the 29th ''Melakarta'' rāga in the 72 ''Melakarta'' rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as ''"Sarva Gamaka Māṇika Rakti Rāgaṃ".'' By scale wise, the Śankarābharaṇaṃ scale corresponds to '' Bilaval'' in the Hindustani music system. The Western equivalent is the major scale, or the ''Ionian mode''.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles. Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation. Structure and Lakshana It is the 5th Rāga in the 5th ''Chakra Bā� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kedar (raga)
Raga Kedar, also known as Kedara, is a Hindustani classical music, Hindustani classical raga. Named after Lord Shiva, the raga occupies a high pedestal in Indian classical music. It is characterised by many melodious turns. This raga is the repetition of the Svara, swaras सा and म. It is generally accepted that it displays much thermal energy and is regarded as the Raagini of Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant raga manifestation. Origin The raga emerges from the Kalyan (thaat), Kalyan thaat. This raga is named after Lord Shiva and is loved by Lord Krishna. Lord Krishna played this raga on his flute and everyone in Gokul was mesmerized. Technical description The raga is of ''shadaav-sampurna'' nature, i.e., in its arohana (ascent), only six notes are used, and in avarohana (descent), all seven notes are used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the Indian classical music, classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or ''Uttar Bhartiya shastriya sangeet''. The term ''shastriya sangeet'' literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century Common Era, CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Telugu language, Telugu, Kannada, Tamil language, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj Bhasha, Braj, Awadhi language, Avadhi, Bhojpuri language, Bhojpuri, Bengali language, Bengali, Rajasthani languages, Rajasthani, Marathi language, Marathi and Punjabi language, Punjabi. Knowledge of Hindustani classical music is taught through a network of classical musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anuradha Sriram
Anuradha Sriram (' Mohan; born 9 July 1970) is an Indian carnatic and playback singer and child actress who hails from the Indian state of Tamil Nadu. She has sung more than 3500 songs in Tamil, Telugu, Sinhala, Malayalam, Kannada, Bengali and Hindi films. Early life Anuradha was born in Chennai to playback singer Renuka Devi and Meenakshi Sundaram Mohan. She did her primary schooling at St. Francis Anglo-Indian Girls School, Coimbatore. She then studied at Padma Seshadri Bala Bhavan, Chennai. She has a B.A and M.A in music from Queen Mary's College, Chennai of Madras University and secured the university gold medal in both the courses. She was given a fellowship to do her Master of Arts degree in Ethnomusicology and Composition from Wesleyan University, Connecticut, United States. Career Anuradha has performed extensively all over India and the US, and has given many radio and TV programmes since the age of 12. Anuradha Sriram first entered the Tamil Cinema Industry as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sriram Parasuram
Sriram Parasuram is a cross-genre Hindustani classical vocalist. He also plays the violin. Early life He was born into a family steeped in musical tradition, and he was really inclined to music since childhood. His first guru, and mother was Smt. Yumpati Parvathy Parasuram, and he started learning violin at the age of 4. He gave his first violin performance at the age of 7. He has a sister, Meenakshi, and two brothers, Vishwanath Parasuram and Narayan Parasuram, and they are also musicians. They together formed a music band "Three Brothers & Violin" composed for album ''Savariya – Once Upon A Time the Ohio Beasts Sing'' and the film ''Jajantaram Mamantaram''. Parasuram received his Ph.D. in Ethnomusicology from Wesleyan University, where he met Anuradha when she was a masters student. Personal life He is married to Carnatic classical vocalist Anuradha Sriram Anuradha Sriram (' Mohan; born 9 July 1970) is an Indian carnatic and playback singer and child actress who hails ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Five Star (film)
''Five Star'' is a 2002 Indian Tamil-language coming-of-age film directed by Susi Ganesan in his debut, and produced by Madras Talkies. The film stars newcomers Prasanna, Kanika, Krishna, Sandhya, Mangai, and Karthik. The film was later remade in Telugu as ''Life Style'' (2009). Plot The story focuses on five friends, Prabhu, Elango, Sundar, Indra, and Priya, at the Madras Institute of Technology, who want to remain friends throughout their lifespan and hope to join the same company after graduation. During a vacation, Elango goes home, where he is forced to marry his old-fashioned cousin, Eshwari, by his tough disciplinarian father. Once back in college, he hides the fact about his marriage from his friends, but later the marriage becomes public when relatives of Eshwari come to visit Elango. While their dream to work together becomes true, Elango alone gets a transfer to Bombay. The friends fight but later reunite. Before Elango goes to Bombay, the friends force him to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bombay Jayashri
"Bombay" Jayashri Ramnath is an Indian Carnatic vocalist, singer, and musician. She has sung songs in multiple languages, including for Tamil, Telugu, Kannada, Malayalam, Hindi and English movies. Born into a family of musicians, Jayashri represents the fourth generation of music practitioners in her family. Trained by Lalgudi Jayaraman and T.R. Balamani, She was awarded India's fourth highest civilian award, the Padma Shri, in 2021. In December 2023, she was awarded the most prestigious award in the Carnatic music field, the Sangeetha Kalanidhi, by the Madras Music Academy. She was nominated for an Academy Award for Best Original Song (Oscar) for '' Pi's Lullaby'' from Life of Pi movie. She is one of the most sought-after Carnatic musicians today. Early life and training Jayashri was born into a Tamil-speaking family in Calcutta. She received her initial training in Carnatic music from her parents, Smt. Seethalakshmy Subramaniam and Shri. N. N. Subramaniam, and was la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
