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Kate Simko
Kate Simko is an American composer, electronic music producer and founder of her ensemble London Electronic Orchestra. Simko has scored various feature-length films, including "The Atom Smashers" (Ghostly International), "We Believe in Dinosaurs" and "Underplayed" (Lakeshore Records).  In 2016, Simko released her self-titled album "Kate Simko & London Electronic Orchestra" on The Vinyl Factory to critical acclaim. She was the first artist to perform electronic music at the National Gallery in London in 2014. Simko is represented by composer agency Manners McDade, having signed a publishing deal in 2022. Background Simko spent her childhood years studying piano and music theory. During her teens in Chicago, she fell in love with underground dance music, while also gaining a voracious appetite to hear new sounds. Her passion for electronic music eventually led to her to study music technology and piano at Northwestern University, while also directing the dance and hip-hop ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ...
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Santiago, Chile
Santiago (, ; ), also known as Santiago de Chile, is the capital and largest city of Chile as well as one of the largest cities in the Americas. It is the center of Chile's most densely populated region, the Santiago Metropolitan Region, whose total population is 8 million which is nearly 40% of the country's population, of which more than 6 million live in the city's continuous urban area. The city is entirely in the country's central valley. Most of the city lies between above mean sea level. Founded in 1541 by the Spanish conquistador Pedro de Valdivia, Santiago has been the capital city of Chile since colonial times. The city has a downtown core of 19th-century neoclassical architecture and winding side-streets, dotted by art deco, neo-gothic, and other styles. Santiago's cityscape is shaped by several stand-alone hills and the fast-flowing Mapocho River, lined by parks such as Parque Forestal and Balmaceda Park. The Andes Mountains can be seen from most points i ...
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Thomas Brinkmann
Thomas Brinkmann (born 1959) is a German producer of experimental minimal techno music. He began experimenting with records in the early eighties and released re-workings of material by fellow artists Mike Ink and Richie Hawtin in the second half of the 1990s. These productions were made by playing physically modified vinyl records on highly customized turntables with an additional tone arm. Brinkmann later founded the ''Ernst'' record label and introduced his own productions on a series of 12" records taking their titles from female names. He has also produced for labels such as Traum Schallplatten, Raster-Noton and Mute Records (under the Soul Center alias). In 2010, he contributed a cover of Suicide's song "Diamonds, Furcoats, Champagne" for the ''Alan Vega 70th Birthday Limited Edition EP Series''. In 2017, he performed his collaboration with Derek Piotr "Absolute Grey", at ISSUE Project Room in NYC. In 2018, he contributed the piece "Wiener" to Stephan Mathieu's SCALE projec ...
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Traum Schallplatten
Traum Schallplatten ( en, Dream Records) is a Cologne-based which started as a minimal techno record label run by Jacqueline Reinhold (née Klein) and Riley Reinhold (Triple R). but had developed into a melodic techno label. Its sub-labels are Trapez, Trapez Ltd, My Best Friend (MBF), My Best Friend Ltd, Paintwork and Zaubernuss. Notable artists * Dominik Eulberg * Extrawelt * Ikaro Grati * Kaiserdisco * Max Cooper * Minilogue * Microtrauma * Mononoid * Nick Dow * Nathan Fake * Thomas Brinkmann * Ryan Davis Selected Releases Albums *Dominik Eulberg ''Flora & Fauna'' (TRAUM CD16, 2004) *Dominik Eulberg ''Heimische Gefilde'' (TRAUM CD19, 2007) *Dominik Eulberg ''Diorama'' (TRAUM CD24, 2011) Compilations *''Elektronische Musik Aus Buenos Aires'' (TRAUM CD01, 1999) *Thomas Brinkmann ''Tour De Traum'' (TRAUM CD 15, 2004) (DJ-Mix) *Tour De Traum series is running non stop and is reaching its 20ths release December 2020 *''100'' (TRAUM CD20, 2008) *''Elektronische Musik - Int ...
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Remix (magazine)
''Remix'' was a monthly magazine for DJs, audio engineers, record producers, and performers of electronic and hip-hop music. It was started in 1999 as a quarterly magazine and was published monthly beginning in January 2001. The magazine focused on recording and live-performance hardware, electronic music instruments, and music-production hardware and computer software. It was headquartered in Emeryville, California Emeryville is a city located in northwest Alameda County, California, in the United States. It lies in a corridor between the cities of Berkeley and Oakland, with a border on the shore of San Francisco Bay. The resident population was 12,905 a .... The final issue of ''Remix'' was dated January 2009.Remix Magazine Ceases Publication
- Big Shot Magazine, November 24, 2008


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BPM (magazine)
''BPM'' (Beats Per Minute) is an American magazine, launched in 1996 Hollywood, California, publishing original content on ''Music, Technology, Nightlife and Style''. ''BPM'' relaunched in December 2011 after a brief hiatus as the BPM network, with a combination of original content and curated aggregation from key websites in and around Electronic Dance Music. After another long hiatus, the magazine has recently reborn in 2021, in Europe under a new digital-native version, still covering Electronic Music through ''Culture, News, Music, Videos, Lifestyle and Interviews''. References {{Authority control Dance music magazines Magazines established in 1996 Magazines published in California Online music magazines published in the United States ...
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Mixmag
''Mixmag'' is a British electronic dance and Nightclub, clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publica ...
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XLR8R
''XLR8R'' (pronounced "accelerator") is a website that covers music, culture, style, and technology. It was originally also a print magazine. History and profile ''XLR8R'' was founded as a newsprint zine in 1993 by publisher Andrew Smith in Seattle. It has offices in San Francisco and New York City. While ''XLR8R''’s initial focus was on electronic music, it has widened its scope to include indie rock, hip-hop, and reggae/dancehall music as well as related trends in style, art, fashion, and technology. ''XLR8R'' was published 10 times per year and distributed internationally. Special issues included a Music Technology issue, a year-end "Best Of" issue, and an entire issue devoted to the music scene of a particular city (Berlin, San Francisco, Los Angeles, Chicago, New York City New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also ...
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The Wire (magazine)
''The Wire'' (or simply ''Wire'') is a British music magazine publishing out of London, which has been issued monthly in print since 1982. Its website launched in 1997, and an online archive of its entire back catalog became available to subscribers in 2013. Since 1985, the magazine's annual year-in-review issue, Rewind, has named an album or release of the year based on critics' ballots. Originally, ''The Wire'' covered the British jazz scene with an emphasis on avant-garde and free jazz. It was marketed as a more adventurous alternative to its conservative competitor '' Jazz Journal'', and targeted younger readers at a time when '' Melody Maker'' had abandoned jazz coverage. In the late 1980s and 1990s, the magazine expanded its scope until it included a broad range of musical genres under the umbrella of non-mainstream or experimental music. Since then, ''The Wire''s coverage has included experimental rock, electronica, alternative hip hop, modern classical, free imp ...
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Live PA
Live PA (meaning live public address, or live personal appearance) is the act of performing live electronic music in settings typically associated with DJing, such as nightclubs, raves, and more recently dance music festivals. In a performative context, the term was originally used to refer to live appearances, initially at rave events in the late 1980s, of studio based producers of electronic dance music who released music using fixed media formats such as 12-inch single, CD, or music download. The concept of the live PA helped provide a public face for a scene that was criticized as "faceless" by the mainstream music press. The trend was quickly exploited by a music industry desperate to market dance music to a popular audience. Execution Generally, live PA artists and performers use a central sequencer which triggers and controls sound generating devices like synthesizers, drum machines, and digital samplers. The resulting audio outputs of these devices are then mixed ...
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