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Kate Kühl
Kate Kühl (born Elfriede Katharina Nehrhaupt: 16 December 1899 – 29 January 1970) was a German cabaret performer, chanteuse and film actor. After 1933 her brand of political cabaret was no longer permitted and she found herself subject of a ''Berufsverbot'' (government work ban): she left Berlin and supported herself as a regional (unnamed) radio announcer. She was able to return to the stage after 1945, however. Biography Early years Katharina Nehrhaupt was born in Cologne where her father worked as a physician. He recognized and backed his daughter's artistic ambitions from early on. As a nineteen year old, shortly after the end of the World War I, she came to Berlin in 1919 to obtain a classical training as a singer. She was accepted at the prestigious Stern Conservatory (today part of the Berlin University of the Arts), and quickly acquired the potential to build a career as an oratorio singer. But she very soon parted company with the mainstream classical repertoire. Katha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabarett
Kabarett (; from French ''cabaret'' = tavern) is satirical revue, a form of cabaret which was developed in France by Rodolphe Salis in 1881 as the ''cabaret artistique''. It was named Le Chat Noir and was centered on political events and satire. It later inspired creation of Kabarett venues in Germany from 1901, with the creation of Berlin's Überbrettl venue and in Austria with the creation of the Jung-Wiener Theater zum lieben Augustin housed in the Theater an der Wien. By the Weimar era in the mid-1920s it was characterized by political satire and gallows humor. It shared the characteristic atmosphere of intimacy with the Cabaret#French cabaret (from 1881), French cabaret from which it was imported, but the gallows humor was a distinct German aspect. Difference from other forms Kabarett is the German word for the French word ''cabaret'' but has two different meanings. The first meaning is the same as in English, describing a form of entertainment featuring comedy, song, dance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson
A (, ; , ) is generally any Lyrics, lyric-driven French song. The term is most commonly used in English to refer either to the secular polyphonic French songs of late medieval music, medieval and Renaissance music or to a specific style of French pop music which emerged in the 1950s and 1960s. The genre had origins in the monophony, monophonic songs of troubadours and trouvères, though the only polyphonic precedents were 16 works by Adam de la Halle and one by Jehan de Lescurel. Not until the ''ars nova'' composer Guillaume de Machaut did any composer write a significant number of polyphonic chansons. A broad term, the word ''chanson'' literally means "song" in French and can thus less commonly refer to a variety of (usually secular) French genres throughout history. This includes the songs of chansonnier, ''chanson de geste'' and Grand chant; court songs of the late Renaissance and early Baroque music periods, ''air de cour''; popular songs from the 17th to 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trude Hesterberg
Trude Hesterberg (2 May 1892 – 31 August 1967) was a German film actress. She appeared in 89 films between 1917 and 1964. Selected filmography * ''Ein Schwerenöter'' (1916) – Liddy * ''Die Eheschule'' (1917) * ''Die Reise ins Jenseits'' (1917) * '' The Rosentopf Case'' (1918) – Bella Spaketti, Tänzerin * '' The Story of a Maid'' (1921) – Lia de Pau * '' Fridericus Rex'' (1922–1923, part 1, 3) – Marquise von Pompadour * ''Die Frau mit dem Etwas'' (1925) * ''The Woman with That Certain Something'' (1925) – Zuschauerin imm Varieté * '' Upstairs and Downstairs'' (1925) – Auguste, Mädchen für alles * '' Manon Lescaut'' (1926) – Claire * '' Circus Romanelli'' (1926) – Frau Direktor * '' Maytime'' (1926) – Julia * '' Madame Wants No Children'' (1926) – Elyane's mother * '' White Slave Traffic'' (1927) – Meta Pohlmann * '' Love Affairs'' (1927) * '' The Imaginary Baron'' (1927) – Fränze * '' The Vice of Humanity'' (1927) – Mrs. von Führing * '' T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperinflation In The Weimar Republic
Hyperinflation affected the Papiermark, German Papiermark, the currency of the Weimar Republic, between 1921 and 1923, primarily in 1923. The German currency had seen significant inflation during the First World War due to the way in which the German government funded its war effort through borrowing, with debts of 156 billion marks by 1918. This national debt was substantially increased by 50 billion marks of reparations payable in cash and in-kind (e.g., with coal and timber) under the May 1921 London Schedule of Payments agreed after the Versailles treaty. This inflation continued into the post-war period, particularly when in August 1921 the German central bank began buying Hard money (policy), hard cash with paper currency at any price, which they claimed was to pay reparations in hard cash, though little in the way of cash reparations payments were made until 1924. The currency stabilised in early 1922, but then hyperinflation took off: the exchange value of the mark fell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War I Reparations
Following their defeat in World War I, the Central Powers agreed to pay war reparations to the Allied Powers. Each defeated power was required to make payments in either cash or kind. Because of the financial situation in Austria, Hungary, and Turkey after the war, few to no reparations were paid and the requirements for reparations were cancelled. Bulgaria, having paid only a fraction of what was required, saw its reparation figure reduced and then cancelled. Historians have recognized the German requirement to pay reparations as the "chief battleground of the post-war era" and "the focus of the power struggle between France and Germany over whether the Versailles Treaty was to be enforced or revised." The Treaty of Versailles (signed in 1919) and the 1921 London Schedule of Payments required the Central Powers to pay 132 billion gold marks at the time which is US$605. billion in 2025) in reparations to cover civilian damage caused during the war. This figure was divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Weimar Germany
The Weimar Republic, officially known as the German Reich, was the German Reich, German state from 1918 to 1933, during which it was a constitutional republic for the first time in history; hence it is also referred to, and unofficially proclaimed itself, as the German Republic. The period's informal name is derived from the city of Weimar, which hosted the constituent assembly that established its government. In English, the republic was usually simply called "Germany", with "Weimar Republic" (a term introduced by Adolf Hitler in 1929) not commonly used until the 1930s. The Weimar Republic had a semi-presidential system. Toward the end of the First World War (1914–1918), Germany was exhausted and suing for peace, sued for peace in desperate circumstances. Awareness of imminent defeat sparked a German Revolution of 1918–1919, revolution, Abdication of Wilhelm II, the abdication of Kaiser Wilhelm II, the proclamation of the Weimar Republic on 9 November 1918, and formal cessa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aftermath Of World War I
The aftermath of World War I saw far-reaching and wide-ranging cultural, economic, and social change across Europe, Asia, Africa, and in areas outside those that were directly involved. Four empires collapsed due to the war, old countries were abolished, new ones were formed, boundaries were redrawn, international organizations were established, and many new and old ideologies took a firm hold in people's minds. Additionally, culture in the nations involved was greatly changed. World War I also had the effect of bringing political transformation to most of the principal parties involved in the conflict, transforming them into Electoral democracy, electoral democracies by bringing near-universal suffrage for the first time in history, as in Weimar Republic, Germany (1919 German federal election), United Kingdom of Great Britain and Ireland (1918 United Kingdom general election), and the United States (1920 United States presidential election). Blockade of Germany Through the per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertolt Brecht
Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known as Bertolt Brecht and Bert Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a playwright in Munich and moved to Berlin in 1924, where he wrote ''The Threepenny Opera'' with Elisabeth Hauptmann and Kurt Weill and began a life-long collaboration with the composer Hanns Eisler. Immersed in Marxist thought during this period, Brecht wrote didactic ''Lehrstücke'' and became a leading theoretician of epic theatre (which he later preferred to call "dialectical theatre") and the . When the Nazi Party, Nazis came to power in Germany in 1933, Brecht fled his home country, initially to Scandinavia. During World War II he moved to Southern California where he established himself as a screenwriter, while also being surveilled by the FBI. In 1947, he was part of the first group of Hollywood film artists to be subpoenaed by the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Tucholsky
Kurt Tucholsky (; 9 January 1890 – 21 December 1935) was a German journalist, satire, satirist, and writer. He also wrote under the pseudonyms Kaspar Hauser (after the Kaspar Hauser, historical figure), Peter Panter, Theobald Tiger and Ignaz Wrobel. A politically engaged journalist and temporary co-editor of the weekly magazine ''Die Weltbühne'', he was simultaneously a satirist, an author of satirical political revues, a songwriter, and a poet. He saw himself as a left-wing democrat and pacifist and warned against anti-democratic tendencies — above all in politics and the military — and the threat of Nazism. His fears were confirmed when the Adolf Hitler's rise to power, Nazis came to power in January 1933. In May of that year he was among the authors whose works were censorship, banned as "Degenerate art, un-German" and Nazi_book_burnings, burned; he was also among the first authors and intellectuals whose German citizenship was revoked. According to Istvan Deak, Tuchols ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annemarie Hase
Annemarie Hase (1900 – 1971) was a German actress and cabaret artist. She emerged as a star during the Weimar Republic, but because she was Jewish she faced increasing persecution following the Nazi takeover in 1933. In 1936 she went into exile in Britain, where she remained for the next decade. She was involved with various exile groups, and was employed by the BBC (for the German Service) during the Second World War where she worked alongside Bruno Adler. Following the Allied victory over the Nazis, and occupation of Germany she returned to Berlin. In 1947 she appeared in the rubble film '' And the Heavens Above Us'' alongside Hans Albers and Lotte Koch.Shandley p.211 She forged a career as a character actress, appearing in a number of East German films. She was known for her Socialist Socialism is an economic ideology, economic and political philosophy encompassing diverse Economic system, economic and social systems characterised by social ownership of the means of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blandine Ebinger
Blandine Ebinger (née Blandine Loeser; born 4 November 1899 – 25 December 1993) was a German actress and ''chansonniere''. Career Ebinger became acquainted with Friedrich Hollaender in 1919, and with him she became heavily invested as a performer, writer, and composer in the Berlin cabaret scene in the 1920s, beginning in the cabaret and the Café des Westens. She recorded many of her husband's, Friedrich Hollaender, cabaret songs, including the set of songs entitled '. Ebinger emigrated to the United States in 1937, returning to Berlin in 1947. She moved to Munich, where she met her second husband, the publisher Helwig Hassenpflug, in 1961. They eventually settled back in Berlin, where she continued her career in the theater and as an actress on television productions. Family Ebinger was born in Berlin. She was the daughter of the pianist Gustav Loeser and the actress Margarete Wezel. She married Friedrich Hollaender. Although Ebinger and Hollaender ended their marri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Richard Heymann
Werner Richard Heymann (14 February 1896 – 30 May 1961), also known as Werner R. Heymann, was a German-Jewish composer active in Germany and in Hollywood. Early life and education He was the younger of 4 boys born to a corn merchant. His older brother Walther Heymann who died young wrote expressionistic poems for the magazine ''Der Sturm'' published by Herwalth Walden. Werner was a child prodigy, starting to sit at the piano at age 3, receiving violin lessons at age 5, and writing his own compositions at age 8. He became a member of the Philharmonic at age 12 and presented his first work for orchestra at age 16. His ''Spring Nocturne for Orchestra'' was based on one of his brother's texts. Although he had served in the Prussian Army during World War I, he later became involved with the post-war radical politics and pacifism of the Berlin scene. Moving to composing for the stage, he wrote the music for the Ernst Toller play ''Transformation''. Popular music and film When the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
