Katabasis (other)
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Katabasis (other)
A katabasis or catabasis (; ) is a journey to the underworld. Its original sense is usually associated with Greek mythology and classical mythology more broadly, where the protagonist visits the Greek underworld, also known as Hades. The term is also used in a broad sense of any journey to the realm of the dead in other mythological and religious traditions. A katabasis is similar to a ''nekyia'' or necromancy, where one experiences a vision of the underworld or its inhabitants; a ''nekyia'' does not generally involve a physical visit. One of the most famous examples is that of Odysseus, who performs something on the border of a ''nekyia'' and a katabasis in book 11 of the ''Odyssey''; he visits the border of the realms before calling the dead to him using a blood rite, with it being disputed whether he was at the highest realm of the underworld or the lowest edge of the living world where he performed this. Overview The trip to the underworld is a mytheme of comparative mytholog ...
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Alessandro Allori - Odysseus Questions The Seer Tiresias
Alessandro is both a given name and a surname, the Italian form of the name Alexander. Notable people with the name include: People with the given name Alessandro * Alessandro Allori (1535–1607), Italian portrait painter * Alessandro Baricco (born 1958), Italian novelist * Alessandro Bastoni (born 1999), Italian footballer * Alessandro Bega (born 1991), Italian tennis player * Alessandro Bordin (born 1998), Italian footballer * Alessandro Botticelli (1445–1510), Italian painter * Alessandro Bovo (born 1969), Italian water polo player * Alessandro Cagliostro (1743–1795), alias of occultist and adventurer Giuseppe Balsamo * Alessandro Calcaterra (born 1975), Italian water polo player * Alessandro Calvi (born 1983), Italian swimmer * Alessandro Cattelan (born 1980), Italian television preesenter * Alessandro Cortini (born 1976), Italian musician * Alessandro Criscuolo (1937–2020), Italian judge * Alessandro Del Piero (born 1974), Italian footballer * Alessandro Di ...
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Anabasis
Anabasis (from Greek ''ana'' = "upward", ''bainein'' = "to step or march") is an expedition from a coastline into the interior of a country. Anabase and Anabasis may also refer to: History * '' Anabasis Alexandri'' (''Anabasis of Alexander''), a history of the campaigns of Alexander the Great by Greek historian Arrian * ''Anabasis'' (Xenophon), a history of the expedition of Cyrus the Younger by Greek writer Xenophon * Siberian Anabasis, a literary name for the Czechoslovak Legions' transit through Siberia during the Russian Civil War, in reference to the epic of Xenophon Poetry and fiction * "", a 1924 poem by Saint-John Perse * "Anabasis", a 1930 translation of Saint-John Perse's poem by T. S. Eliot * "Anabasis", poem by Paul Celan, published 1963 in '' Die Niemandsrose'' * ''Anabasis'', a 1994 novel by Ellen Gilchrist * ''Anabasis'', a novel of Hellenistic Afghanistan and India by Geoffrey Storey Music * ''Anabasis'', a fantasy music act on Waerloga Records. * The Ana ...
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Poseidon
Poseidon (; ) is one of the twelve Olympians in ancient Greek religion and mythology, presiding over the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 He was the protector of seafarers and the guardian of many Hellenic cities and colonies. In pre-Olympian Bronze Age Greece, Poseidon was venerated as a chief deity at Pylos and Thebes, with the cult title "earth shaker"; in the myths of isolated Arcadia, he is related to Demeter and Persephone and was venerated as a horse, and as a god of the waters.Seneca quaest. Nat. VI 6 :Nilsson Vol I p.450 Poseidon maintained both associations among most Greeks: he was regarded as the tamer or father of horses, who, with a strike of his trident, created springs (the terms for horses and springs are related in the Greek language).Nilsson Vol I p.450 His Roman equivalent is Neptune. Homer and Hesiod suggest that Poseidon became lord of the sea when, following the overthrow of his father Cronus, the world was divided ...
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Nostos
() is a theme used in Ancient Greek literature, which includes an epic hero returning home, often by sea. In Ancient Greek society, it was deemed a high level of heroism or greatness for those who managed to return. This journey is usually very extensive and includes being shipwrecked in an unknown location and going through certain trials that test the hero. The return is not only about returning home physically, but also focuses on the hero retaining or elevating their identity and status upon arrival. The theme of is present in Homer's ''The Odyssey'', where the main hero Odysseus tries to return home after battling in the Trojan War. Odysseus is challenged by many temptations, such as the Sirens and the Lotus-eaters. If Odysseus had given into these temptations it would have meant certain death and thus failing to return home. is used today in many forms of literature and movies. in the ''Odyssey'' In the ''Odyssey'', Homer has being the " return home from Troy by sea. ...
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Anticlea
In Greek mythology, Anticlea or Anticlia (; Ancient Greek: ''Ἀντίκλεια'', literally "without fame") was a queen of Ithaca as the wife of King Laërtes. Family Anticlea was the daughter of Autolycus and Amphithea. The divine trickster and messenger of the gods, Hermes, was her paternal grandfather. Anticlea was the mother of Odysseus by Laërtes (though some say by SisyphusHyginus, ''Fabulae'' 201; Plutarch, ''Quaestiones Graecae'' 43; Suida, s.v. Sisyphus''). Ctimene was also her daughter by her husband Laertes. Mythology Early years According to Callimachus, when she was young, Anticlea served the goddess Artemis, and accompanied her in hunting, bearing arrow and quiver. According to some later sources, including a fragment of Aeschylus' lost tragedy ''The Judgment of Arms'', Odysseus was the child of Anticlea by Sisyphus, not Laërtes. In this version of the story, Autolycus, an infamous trickster, stole Sisyphus' cattle. At some point, Sisyphus recogniz ...
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Elpenor
In Greek mythology, Elpenor (; Ancient Greek: Ἐλπήνωρ, gen.: Ἐλπήνορος), also spelled Elpinor , was the youngest comrade of Odysseus. While on the island of Circe, he became drunk and decided to spend the night on the roof. In the morning he slipped on the ladder, fell, and broke his neck, dying quickly. Odyssey, Book X Mythology Elpenor was not especially notable for his intelligence or strength, but he survived the Trojan War, and appears in the ''Odyssey''. He is the youngest man to survive the Laestrygonians. While Odysseus was staying on Aeaea, Circe's island, Elpenor became drunk and climbed onto the roof of Circe's palace to sleep. The next morning, waking upon hearing his comrades making preparations to travel to Hades, he forgot he was on the roof and fell, breaking his neck, and died in the act. Odysseus and his men apparently noticed his absence, but they were too busy to look for him. When Odysseus arrived in Hades, Elpenor was the first shade to ...
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Hell
In religion and folklore, hell is a location or state in the afterlife in which souls are subjected to punishment after death. Religions with a linear divine history sometimes depict hells as eternal destinations, such as Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the Indian religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translation would be "underworld" or "world of the dead". The ancient Mesopotamian, Greek, ...
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Hades
Hades (; , , later ), in the ancient Greek religion and Greek mythology, mythology, is the god of the dead and the king of the Greek underworld, underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea (mythology), Rhea, although this also made him the last son to be Cronus#Mythology, regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titan (mythology) , Titans, and claimed joint rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth (long the province of Gaia (mythology) , Gaia) available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his cap of invisibility , helm with Cerberus, the Polycephaly, three-headed dogs in religion#Religions, myths, legends, and cultures, guard-dog of the underworld, standing at his side. Roman-era mythographers eventually ...
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Roman Empire
The Roman Empire ruled the Mediterranean and much of Europe, Western Asia and North Africa. The Roman people, Romans conquered most of this during the Roman Republic, Republic, and it was ruled by emperors following Octavian's assumption of effective sole rule in 27 BC. The Western Roman Empire, western empire collapsed in 476 AD, but the Byzantine Empire, eastern empire lasted until the fall of Constantinople in 1453. By 100 BC, the city of Rome had expanded its rule from the Italian peninsula to most of the Mediterranean Sea, Mediterranean and beyond. However, it was severely destabilised by List of Roman civil wars and revolts, civil wars and political conflicts, which culminated in the Wars of Augustus, victory of Octavian over Mark Antony and Cleopatra at the Battle of Actium in 31 BC, and the subsequent conquest of the Ptolemaic Kingdom in Egypt. In 27 BC, the Roman Senate granted Octavian overarching military power () and the new title of ''Augustus (title), Augustus'' ...
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Anchises
In Greek and Roman mythology, Anchises (; ) was a member of the royal family of Troy. He was said to have been the son of King Capys of Dardania and Themiste, daughter of Ilus, who was son of Tros. He is most famous as the father of Aeneas and for his treatment in Virgil's ''Aeneid''."Anchises" in '' The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 377. Anchises' brother was Acoetes, father of the priest Laocoön.Hyginus, ''Fabulae'135/ref> He was a mortal lover of the goddess Aphrodite (equivalent to the Roman goddess Venus). Zeus made her fall in love with Anchises while he was herding sheep at the foot of Mount Ida.Roman, L., & Roman, M. (2010). One version is that Aphrodite pretended to be a Phrygian princess and seduced him, only to later reveal herself and inform him that they would have a son named Aeneas; Aphrodite had warned Anchises that if he told anyone about her being the mother of his child, Zeus would ...
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Aeneas
In Greco-Roman mythology, Aeneas ( , ; from ) was a Troy, Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus (mythology), Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus (son of Tros), Ilus, founder of Troy), making Aeneas a second cousin to Priam's List of children of Priam, children (such as Hector and Paris (mythology), Paris). He is a minor character in Greek mythology and is mentioned in Homer's ''Iliad''. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's ''Aeneid'', where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Víðarr of the Æsir.The Prose Edda of Snorri Sturlson Translated by Arthur Gilchrist Brodeur [1916] Prologue II at Internet Sacred Texts Archive. Accessed 11/14/17 Etymology Aeneas is the Romanization of Greek, Romanization of the h ...
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Roman Mythology
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans, and is a form of Roman folklore. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and shares mythemes with Proto-Indo-European mythology. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to his or her responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony. Roman mythology also draws on Greek mythology, pri ...
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