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Karlheinz Essl Jr.
Karlheinz Essl Jr (born 15 August 1960) is an Austrian composer, sound artist, electronic performer, music curator, and composition professor. He is the eldest son of Karlheinz Essl Sr., an entrepreneur and art collector. Biography Essl was born in Vienna. His studies at the University of Music in Vienna included composition under Friedrich Cerha, electroacoustic music under Dieter Kaufmann, and double bass. At the University of Vienna he studied musicology and wrote his doctoral thesis on "Das Synthese-Denken bei Anton Webern" (1989). From 1992 to 2016, he was the music curator of the Essl Collectioin Klosterneuburg, near Vienna. Between 1995 and 2006, he taught algorithmic composition at the Studio for Advanced Music & Media Technology for the Anton Bruckner Private University for Music, Drama, and Dance in Linz, Austria. As of 2007, Essl is professor of composition for electroacoustic and experimental music at the University of Music and Performing Arts, Vienna. Early life a ...
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Interactive Music
Across the many fields concerned with interactivity, including information science, computer science, human-computer interaction, communication, and industrial design, there is little agreement over the meaning of the term "interactivity", but most definitions are related to interaction between users and computers and other machines through a user interface. Interactivity can however also refer to interaction between people. It nevertheless usually refers to interaction between people and computers – and sometimes to interaction between computers – through software, hardware, and networks. Multiple views on interactivity exist. In the "contingency view" of interactivity, there are three levels: #Not interactive, when a message is not related to previous messages. #Reactive, when a message is related only to one immediately previous message. #Interactive, when a message is related to a number of previous messages and to the relationship between them. One body of research h ...
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Generative Music
Generative music is a term popularized by Brian Eno to describe music that is ever-different and changing, and that is created by a system. Historical background In 1995 whilst working with SSEYO's Koan_(program), Koan software (built by Tim Cole and Pete Cole who later evolved it to Noatikl then Wotja), Brian Eno used the term "generative music" to describe any music that is ever-different and changing, created by a system. The term has since gone on to be used to refer to a wide range of music, from entirely random music mixes created by multiple simultaneous CD playback, through to live rule-based computer composition. Koan was SSEYO's first real-time music generation system, developed for the Windows platform. Work on Koan was started in 1990, and the software was first released to the public in 1994. In 1995 Brian Eno started working with SSEYO's Koan Pro software, work which led to the 1996 publication of his title 'Generative Music 1 with SSEYO Koan Software'. Eno's ea ...
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Algorithmic Composition
Algorithmic composition is the technique of using algorithms to create music. Algorithms (or, at the very least, formal sets of rules) have been used to compose music for centuries; the procedures used to plot voice-leading in Western counterpoint, for example, can often be reduced to algorithmic determinacy. The term can be used to describe music-generating techniques that run without ongoing human intervention, for example through the introduction of chance procedures. However through live coding and other interactive interfaces, a fully human-centric approach to algorithmic composition is possible. Some algorithms or data that have no immediate musical relevance are used by composers as creative inspiration for their music. Algorithms such as fractals, L-systems, statistical models, and even arbitrary data (e.g. census figures, GIS coordinates, or magnetic field measurements) have been used as source materials. Models Compositional algorithms are usually classified by the ...
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Preiser Records
Preiser Records is an independent Austrian record label. It was founded in 1952 by Otto G. Preiser (1920–1996). The label is particularly important for recordings from the Viennese cabaret scene, especially from the 1950s and 1960s (Helmut Qualtinger Helmut Gustav Friedrich Qualtinger (; 8 October 1928 – 29 September 1986; also spelled Helmuth Qualtinger) was an Austrian actor, cabaret performer, writer and reciter. Biography Qualtinger was born in Vienna, First Austrian Republic, to a se ..., Georg Kreisler, Gerhard Bronner), and for the re-release of historical vocal recordings in the series ''Lebendige Vergangenheit'', which has been in existence since 1966. Responsible for these two areas was (1937-2010), production and recording manager of Preiser-Records. In 2007, the company had a market share of one percent of the and releases today mainly on CDs. The company has an analogue sound studio in at its disposal. References External links Preiser RecordsPr ...
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Ed Bennett
Ed Bennett (born 15 March 1975) is a composer of contemporary art music. Biography Bennett was born in Bangor, County Down, Northern Ireland. Having studied with Brian Irvine (composer), Brian Irvine at North Down College and with Michael Finnissy at the Guildhall School of Music and Drama, London, Bennett states that "Striving for perfection leads me to boredom. I like to be surprised by music, staying on the outside of things and occasionally dipping in and taking what I need to try to create something new." He has also worked with Heiner Goebbels during his residency in Birmingham Conservatoire. In 2007 he was a finalist in the British Composer Awards. He has had works performed by RTÉ, BBC, Moving on Music, 2012 Olympics, PRSF, Music Network, Integra Project, Integra and the arts councils of England, Ireland and Northern Ireland. Bennett's work has been commissioned and performed internationally by many different artists, organisations and ensembles including the PRSF, BB ...
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Electric Guitar
An electric guitar is a guitar that requires external electric Guitar amplifier, sound amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickup (music technology), pickups to convert the vibration of its strings into Electrical signal, electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities via amplifier settings or knobs on the guitar. Often, this is done through the use of Effects unit, effects such as reverb, Distortion (music), distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz, rock music, rock and Heavy metal music, heavy metal guitar playing. Designs also exist combining attributes of electric and acoustic guitars: the Semi-acoustic guitar, semi-acoustic and Acoustic-electric guitar, acoustic-electric guitars. Inven ...
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Sound Installations
Sound art is an artistic activity in which sound is utilized as a primary time-based medium or material. Like many genres of contemporary art, sound art may be interdisciplinary in nature, or be used in hybrid forms. According to Brandon LaBelle, sound art as a practice "harnesses, describes, analyzes, performs, and interrogates the condition of sound and the process by which it operates." In Western art, early examples include the Futurist Luigi Russolo's '' Intonarumori'' noise intoners (1913), and subsequent experiments by dadaists, surrealists, the Situationist International, and in Fluxus events and other Happenings. Because of the diversity of sound art, there is often debate about whether sound art falls within the domains of visual art or experimental music, or both. Other artistic lineages from which sound art emerges are conceptual art, minimalism, site-specific art, sound poetry, electro-acoustic music, spoken word, avant-garde poetry, sound scenography, and experi ...
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Interactive Real-time Compositions
Across the many fields concerned with interactivity, including information science, computer science, human-computer interaction, communication, and industrial design, there is little agreement over the meaning of the term "interactivity", but most definitions are related to interaction between users and computers and other machines through a user interface. Interactivity can however also refer to interaction between people. It nevertheless usually refers to interaction between people and computers – and sometimes to interaction between computers – through software, hardware, and networks. Multiple views on interactivity exist. In the "contingency view" of interactivity, there are three levels: #Not interactive, when a message is not related to previous messages. #Reactive, when a message is related only to one immediately previous message. #Interactive, when a message is related to a number of previous messages and to the relationship between them. One body of research h ...
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Musik Aktuell
Musik may refer to: Music *''Die Musik'' (1901–1943), a German music magazine * ''Musik'' (album), the second studio album by Richie Hawtin *Musik (musical), the musical written by Jonathan Harvey and Pet Shop Boys *Musik (song), the Austrian entry at the Eurovision Song Contest 1971 *The Musik, a 24-hour-a-day Urdu-language music channel from Pakistan Other uses *Erna Musik (1921–2009), Austrian politician and activist *Musik, Iran, a village in Kurdistan Province, Iran * See also *Music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...
, an art form consisting of sound and silence, expressed through time. {{Disambig ...
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Salzburg Festival
The Salzburg Festival () is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play ''Jedermann (play), Jedermann'' (''Everyman''). Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals were held in Salzburg at irregular intervals since 1877 by the International Mozarteum Foundation but were discontinued in 1910. A festival was planned for 1914, but it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's revival wa ...
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