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Karl Norbert Schmid
Karl Norbert Schmid (16 December 1926 – 13 February 1995) was a German organist, composer, choir director and music educator.Karl Norbert Schmid
(in German) Chor der Stiftskirche in Bonn, retrieved 29 August 2021


Life and career

Schmid was born in Ochsenhausen. Already at the age of ten, he substituted for his teacher, the organist at the Gabler organ at in Ochsenhausen.Stein, Franz A.: Nachruf Karl Norbert Schmid (in German) ''Oberpfälzer Kulturbund'', retrieved 9 June 2016Stein, Franz A.: Nachruf (in German) ''Mittelbayerische Zeitung'', Reg ...
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Organist
An organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nevertheless, some churches are fortunate to have trained organists cap ...
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Disposition (organ)
A disposition is a quality of character, a habit, a preparation, a state of readiness, or a tendency to act in a specified way. The terms dispositional belief and occurrent belief refer, in the former case, to a belief that is held in the mind but not currently being considered, and in the latter case, to a belief that is currently being considered by the mind. In Bourdieu's theory of fields, dispositions are the natural tendencies of each individual to take on a specific position in any field. There is no strict determinism through one's dispositions. The ''habitus'' is the choice of positions according to one's dispositions. However, in retrospect, a space of possibles can always be observed. A disposition is not a process or event in some duration in time, but rather the state, preparation, or tendency of a structure "in waiting". In the field of possibilities, its actual triggering has a statistical value. Metaphysics The debate about dispositions in metaphysics attempts ...
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Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14 ...
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Pope Benedict XVI
Pope Benedict XVI ( la, Benedictus XVI; it, Benedetto XVI; german: link=no, Benedikt XVI.; born Joseph Aloisius Ratzinger, , on 16 April 1927) is a retired prelate of the Catholic church who served as the head of the Church and the sovereign of the Vatican City State from 19 April 2005 until his resignation on 28 February 2013. Benedict's election as pope occurred in the 2005 papal conclave that followed the death of Pope John Paul II. Benedict has chosen to be known by the title " pope emeritus" upon his resignation. Ordained as a priest in 1951 in his native Bavaria, Ratzinger embarked on an academic career and established himself as a highly regarded theologian by the late 1950s. He was appointed a full professor in 1958 at the age of 31. After a long career as a professor of theology at several German universities, he was appointed Archbishop of Munich and Freising and created a cardinal by Pope Paul VI in 1977, an unusual promotion for someone with little pastoral ...
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Großer Gott, Wir Loben Dich
"Holy God, We Praise Thy Name" (original German: "Großer Gott, wir loben dich") is a Christian hymn, a paraphrase of the Te Deum. The German Catholic priest Ignaz Franz wrote the original German lyrics in 1771 as a paraphrase of the Te Deum, a Christian hymn in Latin from the 4th century. It became an inherent part of major Christian ceremonial occasions, mainly as a conclusion song. Due to its memorable melody and theme, it is one of the most popular hymns and prevalent in German-speaking communities. As a result of German emigration in the 19th century, the song became known in the United States. It was translated into English by Clarence A. Walworth in 1858 (except verse 7, translated by Hugh T. Henry), which accounted for its wide spread around the country. History The first printing of the hymn was in Vienna in 1776, where it became part of the Catholic hymnal (''Katholisches Gesangsbuch'') upon the order of Her Apostolic Majesty Maria Theresa. Since then, different var ...
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Manfred Müller (bishop)
Manfred Müller (15 November 1926 – 20 May 2015) was a German Catholic bishop. Born in Augsburg, Germany, Müller was ordained to the priesthood in 1952 and was appointed titular bishop of ''Iubaltiana'' and auxiliary bishop of the Roman Catholic Diocese of Augsburg in 1972. In 1982, he was appointed bishop of the Roman Catholic Diocese of Regensburg and retired in 2002. On 20 May 2015, he died in the Mallersdorf Abbey in Bavaria. References Roman Catholic bishops of Regensburg 20th-century German Roman Catholic bishops 1926 births 2015 deaths 20th-century German Roman Catholic priests {{Germany-RC-bishop-stub ...
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Proper (liturgy)
The proper (Latin: ''proprium'') is a part of the Christian liturgy that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event. The term is used in contrast to the ''ordinary'', which is that part of the liturgy that is reasonably constant, or at least selected without regard to date, or to the ''common'', which contains those parts of the liturgy that are common to an entire category of saints, such as apostles or martyrs. Propers may include hymns and prayers in the canonical hours and in the Eucharist. West The proper of the mass, strictly speaking, consists of the Introit, Gradual, Alleluia or Tract, Sequence, Offertory, and Communion - in other words, all the variable portions of a mass which are spoken or sung by the choir or the people. These are sometimes called the "minor propers" to distinguish them from the collect, secret, postcommunion, and readings - in other words, all the ...
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Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be '' a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental '' obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The e ...
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Psalms
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived from the Greek translation, (), meaning "instrumental music" and, by extension, "the words accompanying the music". The book is an anthology of individual Hebrew religious hymns, with 150 in the Jewish and Western Christian tradition and more in the Eastern Christian churches. Many are linked to the name of David, but modern mainstream scholarship rejects his authorship, instead attributing the composition of the psalms to various authors writing between the 9th and 5th centuries BC. In the Quran, the Arabic word ‘Zabur’ is used for the Psalms of David in the Hebrew Bible. Structure Benedictions The Book of Psalms is divided into five sections, each closing with a doxology (i.e., a benediction). These divisions were probably introdu ...
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Chorale Cantata
A chorale cantata is a church cantata based on a chorale—in this context a Lutheran chorale. It is principally from the German Baroque era. The organizing principle is the words and music of a Lutheran hymn. Usually a chorale cantata includes multiple movements or parts. Most chorale cantatas were written between approximately 1650 and 1750. By far the most famous are by Johann Sebastian Bach, especially the cantatas composed in his second annual cycle of cantatas, started in Leipzig in 1724. Description The chorale cantata developed out of the chorale concerto, an earlier form much used by Samuel Scheidt in the early 17th century, which incorporated elements of the Venetian School, such as the concertato style, into the liturgical music of the Protestant Reformation. Later the chorale cantata developed into three general forms: * a form in which each verse (strophe) of the chorale was developed as an independent movement; * a form in which the chorale appeared in some of the ...
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Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal ''Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and ''Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her " Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as " Komm, Heilger Geist, der Leben schafft", ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent ('' stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian '' Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hu ...
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