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Karen-Marie Flagstad
Karen-Marie Flagstad (November 24, 1904 – December 25, 1992) was a Norwegian soprano opera singer and one of Norway's leading singers in her time. Born in Oslo,Kutsch, Karl-Josef Kutsch, & Leo Riemens. 2003. ''Großes Sängerlexikon'', 4th ed, vol. 4. Munich: K. G. Saur, . she was the sister of the world-renowned singer Kirsten Flagstad, and the daughter of the conductor Michael Flagstad and the pianist Maja Flagstad. Flagstad played minor roles as part of her family's engagement with the short-lived Opera Comique (1918–1921), and had her serious stage debut (1926) as Hannah in Eduard Künneke's '' The Cousin from Nowhere''. Another of her early roles was in Emmerich Kálmán's '' Die Bajadere''. Her first major roles were as Amor in Christoph Willibald Gluck's ''Orfeo ed Euridice'' ( Central Theater, 1933) and Giuiletta in Jacques Offenbach's ''The Tales of Hoffmann'' ( National Theatre, 1938) under the direction of Olav Kielland. Flagstad traveled abroad and sang on Amer ...
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Oslo
Oslo ( or ; ) is the capital and most populous city of Norway. It constitutes both a county and a municipality. The municipality of Oslo had a population of in 2022, while the city's greater urban area had a population of 1,064,235 in 2022, and the metropolitan area had an estimated population of in 2021. During the Viking Age, the area was part of Viken. Oslo was founded as a city at the end of the Viking Age in 1040 under the name Ánslo, and established as a ''kaupstad'' or trading place in 1048 by Harald Hardrada. The city was elevated to a bishopric in 1070 and a capital under Haakon V of Norway around the year 1300. Personal unions with Denmark from 1397 to 1523 and again from 1536 to 1814 reduced its influence. After being destroyed by a fire in 1624, during the reign of King Christian IV, a new city was built closer to Akershus Fortress and named Christiania in honour of the king. It became a municipality ('' formannskapsdistrikt'') on 1 January 1838. ...
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Jacques Offenbach
Jacques Offenbach (; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Franz von Suppé, Johann Strauss II and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, Kingdom of Prussia, the son of a synagogue hazzan, cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire; he found academic study unfulfilling and left after a year, but remained in Paris. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose c ...
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Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (5 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and Music criticism, critic in the early Romantic music, Romantic period. Best known for List of operas by Carl Maria von Weber, his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers—his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher, and Georg Joseph Vogler—under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies, two concertos and a Concertino for Clarinet (Weber), concertino for clarinet and orchestra, a Bassoon Concerto (Weber), bassoon concerto, a Concertino for Horn and Orchestra (Weber), horn concer ...
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Götterdämmerung
' (; ''Twilight of the Gods''), Wagner-Werk-Verzeichnis, WWV 86D, is the last of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It received its premiere at the on 17 August 1876, as part of the first complete performance of the whole work. The title is a German calque of the Old Norse phrase ', which in Norse mythology refers to a prophesied war among various beings and gods that ultimately results in the burning, immersion in water, and renewal of the world. As with the rest of the ''Ring'', however, Wagner's account diverges significantly from these Old Norse sources. The autograph manuscript of the work is preserved in the Richard Wagner Foundation. Composition Roles Synopsis Prologue Prelude to the Prologue ''Scene 1'' The three Norns, daughters of Jörð, Erda, the goddess of Nature, gather beside Brunhild, Brünnhilde's rock, weaving the W ...
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Beate Asserson
Beate Asserson Saxlund (March 9, 1913 – January 29, 2000) was a Norwegian mezzo-soprano opera singer.Karl-Josef Kutsch, & Leo Riemens. 2003. ''Großes Sängerlexikon'', 4th ed, vol. 4. Munich: K. G. Saur, . Asserson was born in Bjelland in Vest-Agder county, Norway,''Who's Who in Scandinavia''. 1981: 73. the daughter of the priest Aron Bernhard Asserson and his wife Margrethe née Haabeth. She studied under Sofie Brekke in Bergen in 1931, and then in Stuttgart under Martha Haas and in Berlin under Konrad von Zawilowski. After many minor roles, she appeared as Erda in ''Das Rheingold'' at the Berlin State Opera in 1936. Her career progressed rapidly, with several roles in Austria, Italy, and France, often under the baton of Herbert von Karajan and Wilhelm Furtwängler. She spent the Second World War in Sweden, and returned to Oslo after the war. At Kirsten Flagstad's recommendation, she gave a guest performance at La Scala in 1954, and then performed in the ''Ring Cycle'' at the P ...
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Bordeaux
Bordeaux ( ; ; Gascon language, Gascon ; ) is a city on the river Garonne in the Gironde Departments of France, department, southwestern France. A port city, it is the capital of the Nouvelle-Aquitaine region, as well as the Prefectures in France, prefecture of the Gironde department. Its inhabitants are called "''Bordelais'' (masculine) or "''Bordelaises'' (feminine). The term "Bordelais" may also refer to the city and its surrounding region. The city of Bordeaux proper had a population of 259,809 in 2020 within its small municipal territory of , but together with its suburbs and exurbs the Bordeaux Functional area (France), metropolitan area had a population of 1,376,375 that same year (Jan. 2020 census), the sixth-most populated in France after Paris, Lyon, Marseille, Lille, and Toulouse. Bordeaux and 27 suburban municipalities form the Bordeaux Métropole, Bordeaux Metropolis, an Indirect election, indirectly elected Métropole, metropolitan authority now in charge of wi ...
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ...
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Die Walküre
(; ''The Valkyrie''), Wagner-Werk-Verzeichnis, WWV 86B, is the second of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs ...
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Anna Amalie Abert
Anna Amalie Abert or Anna Abert (19 September 1906 – 4 January 1996) was a German musicologist. Life Abert was born in Halle (Saale) in 1906. Abert was the daughter of the music historian Hermann Abert. She studied with Hans Joachim Moser and Friedrich Blume at the University of Kiel. From 1943 to 1971 she worked at the university. In 1950 she became a professor. She has studied the works of Heinrich Schütz, Monteverdi, Gluck and Richard Strauss. Abert wrote a thesis on the 1625 Cantiones sacrae by Heinrich Schütz which was published in 1935. In 1962 she published her book on the history of opera. In 1964 she published a thesis which convincingly argued that Symphony, K. 45a was an unknown work by Mozart. Abert died in Kiel Kiel ( ; ) is the capital and most populous city in the northern Germany, German state of Schleswig-Holstein. With a population of around 250,000, it is Germany's largest city on the Baltic Sea. It is located on the Kieler Förde inlet of the ...
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Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play '' Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ...
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Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the proc ...
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Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Romantic and early Modernism (music), modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmony, harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was ''Don Juan (Strauss), Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote (Strauss), Don Quixote'', ''Ein Heldenleben'', ''Symph ...
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