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Kamanche
The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called ''kabak kemane'' litera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian kamancheh. There is also an instrument called ''kabak kemane'' lite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kayhan Kalhor
Kayhan Kalhor (, born on 24 November 1964) is an Iran, Iranian Kurds, Kurdish kamancheh and setar player, and a vocal composer. He has received three Grammy Award for Best Traditional World Music Album nominations. Kalhor has also earned two nominations and won one Grammy Award for Best Global Music Album as a member of the Silk Road Ensemble. Early life and education Kayhan Kalhor was born in Kermanshah to a Kurdish family. He began studying music at the age of seven. By the age of thirteen, he was playing in the National Orchestra of Radio and Television of Iran. Continuing his music studies under the supervision of various teachers, he studied in the Iranian radif (music), radif tradition and also travelled to study in the northern part of Khorasan province, where music traditions have Kurdish and Turkish influences as well as Persian. At a musical conservatory in Tehran, Kalhor worked under the directorship of Mohammad-Reza Lotfi who is from the northeast of Iran. Kalhor also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ali-Asghar Bahari
Ali-Asghar Bahari () (b. 1905 – d. June 10, 1995) was an Iranian musician and kamancheh player. He was born in Tehran from Baharian parents and started his music lessons under his grandfather Mohammad Taghi Khan, who was a kamancheh player as well. He started his own music school in Mashhad, then moved back to Tehran and became a kamancheh instructor in Honarestan under Ruhollah Khaleghi. He toured France, Belgium, Germany, Italy, England and the United States. He died in Tehran Tehran (; , ''Tehrân'') is the capital and largest city of Iran. It is the capital of Tehran province, and the administrative center for Tehran County and its Central District (Tehran County), Central District. With a population of around 9. ... on June 10, 1995. There is a photo of Bahari athis site he is in the center of the photo. References *Haghighat, A., Honarmandan e Irani az Aghaz ta Emrooz, Koomesh Publication, 2004, (in Persian)Ali Asghar Bahari on Iran Chamber Society External l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Habil Aliev
Habil Aliyev (; 28 May 1927 – 8 September 2015) was a prominent Azerbaijani kamancheh player. His music is widely appreciated in the Middle East and Europe. Musical career Habil Aliyev's first international performance was in United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Northwestern Europe, off the coast of European mainland, the continental mainland. It comprises England, Scotlan ... when he was accompanying Rashid Behbudov and Tamara Sinyavskaya. This performances created great resonance and British press quoting Major of Glasgow called Aliyev "Paganini of Azerbaijan". He inspired Israeli musician Mark Eliyahu to play kamancheh. In 2009, suffering from poor health, he made a symbolic "last concert" at Tehran Roudaki-Wahdat concert hall. He died in 2015 at the age of 88. Influence and legacy In 2014, child music school in Agdash named after him. References { ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardeshir Kamkar
Ardeshir Kamkar (, born 1962 in Sanandaj, Iran) is a Kurdish musician from Iran. He started his music training under the supervision of his father. He came to Tehran in 1980 and continued studying traditional arrangements under Mohammad Reza Lotfi and his brother Pashang. Ardeshir has always been keen to explore the range and capabilities of the kamancheh, for which he has written several pieces and books. Kamkar has played with famous ensembles such as Dastan, Aref and Sheyda. In the album of ''Dastan'' (1364 Iranian calendar), he accompanied the improvisation of M. R. Shajarian. He has recently worked with the talented vocalist Homayoun Shajarian. He also has international collaboration. One well-received album of which is titled "From Pontos to Persia" (Greek Άπο τον Πόντο στην Περσία), which according to some sources "is a unique CD that combines the music of Pontos and that of Persia. Matthaios Tsahouridis plays the Pontic Lyra accompanied by Ard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorahi
The Sorahi ( Persian صراحی) is a new Iranian musical instrument. A member of the family of bowed string instruments developed by the Iranian musician M. R. Shajarian, This string instrument can cover the sound range produced by soprano, alto, bass and contra bass instruments. The instrument fits into Iranian traditions of bowed instruments that include the Classical kemençe or kamancheh The kamancheh (also kamānche or kamāncha) (, , , ) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. Th ... and ghaychak fiddles. The instrument has a mechanism for changing the instrument's tone; a pad made of leather, or leather and wood sits between the bridge and the soundboard. The instrument is played in the same manner as the kamancheh, held upright on the players lap. Shahnaz ensemble, accompanied by M. R. Shajarian, has held its concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemenche
Kemenche (, Persian language, Persian : کمانچه) or Lyra is a name used for various types of Bowed string instrument, stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Greece, Armenia, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian language, Persian Kamancheh, meaning a "small bow". Variations The Kemençe of the Black Sea (), also known as ''Pontic kemenche'' or ''Pontic lyra'' (), is a Hornbostel–Sachs#Lutes .28321.29, box-shaped lute (Hornbostel-Sachs, in the Hornbostel-Sachs system), while the classical kemençe ( or ''Armudî kemençe'', ) is a Hornbostel–Sachs#Lutes .28321.29, bowl-shaped lute (Hornbostel-Sachs, ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Traditional Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the classical music of Iran (historically known as '' Persia''). It consists of characteristics developed through the country's classical, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs, for the most part, to the social elite, as opposed to the folkloric and popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. History The history of musical development in Iran dates back tho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mehdi Bagheri
Mehdi Bagheri (), (born 16 November 1980), is an Iranian kamancheh player and composer. Biography Mehdi was born in Kermanshah in 1980. He began his musical endeavors by learning to play the Tonbak instructed by Ramin Tafazoli. He then started learning other instruments in order to familiarize himself even further with Iranian music and composing. These included the Setar and Kamancheh; he finally chose Kamancheh as his main instrument. He learned to play the Kamancheh by Maestros Kayhan Kalhor and Ardeshir Kamkar. Simultaneously, he studied Drama at Azad University and graduated with a Bachelor of Arts in 2003. Mehdi has held several concerts across the world and has performed in a variety of credible festivals and halls including: Festivals and Concerts * Berklee College of Music (Boston- United States) * Oslo Word Music Festival (Oslo - Norway) * Morgenland Festival Osnabrück (East Music Festival in Osnabrueck, Germany) * Kursaal Festival (San Sebastián- Spain) * Théâtr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iran
Iran, officially the Islamic Republic of Iran (IRI) and also known as Persia, is a country in West Asia. It borders Iraq to the west, Turkey, Azerbaijan, and Armenia to the northwest, the Caspian Sea to the north, Turkmenistan to the northeast, Afghanistan to the east, Pakistan to the southeast, and the Gulf of Oman and the Persian Gulf to the south. With a Ethnicities in Iran, multi-ethnic population of over 92 million in an area of , Iran ranks 17th globally in both List of countries and dependencies by area, geographic size and List of countries and dependencies by population, population. It is the List of Asian countries by area, sixth-largest country entirely in Asia and one of the world's List of mountains in Iran, most mountainous countries. Officially an Islamic republic, Iran is divided into Regions of Iran, five regions with Provinces of Iran, 31 provinces. Tehran is the nation's Capital city, capital, List of cities in Iran by province, largest city and financial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sayat Nova
Sayat-Nova (Armenian: Սայեաթ-Նովայ ( сlassical), Սայաթ-Նովա (reformed); ka, საიათნოვა; ; ; born Harutyun Sayatyan; 14 June 1712 – 22 September 1795) was an Armenian poet, musician and '' ashugh'', who had compositions in a number of languages. Name The name Sayat-Nova has been given several interpretations. One version reads the name as "Lord of Song" (from Arabic ''sayyid'' and Persian ''nava'') or "King of Songs". Others read the name as grandson (Persian ''neve'') of Sayad or hunter (''sayyad'') of song. Charles Dowsett considers all these derivations to be unlikely and proposes the reading New Time (from Arabic ''sa'at'' and Russian ''nova'') instead. Biography Sayat-Nova's mother, Sara, was born in Tiflis, and his father, Karapet, either in Aleppo or Adana. He was born in Tiflis. Sayat-Nova was skilled in writing poetry, singing, and playing the kamancheh, Chonguri and Tambur. He lost his social position at the royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghaychak
The ''ghaychak'' or ''gheychak'' () is a bowed lute used in Iran, Afghanistan, Pakistan, and Tajikistan. The name is similar to the Central Asian ghijak, but that instrument is more closely related to the kamancheh. Double-chambered bowl lute A double-chambered bowl lute with four or more metal strings and a short fretless neck. It is used by Iranians and Baloch people, and is similar to Sarinda. The soundbox is carved out of a single piece of wood. The upper orifice is partly covered in the middle by the handle and the lower one is covered by a skin membrane against which the bridge rests. In most Balochi musics, it is considered the main instrument and it is only through this instrument that the Baloch musician can tell his inner sadness with the same poignancy. The most famous musician of this instrument is Din Mohammad Zangshahi from Balochistan Balochistan ( ; , ), also spelled as Baluchistan or Baluchestan, is a historical region in West and South Asia, locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
