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Kalidas (film)
''Kalidas'' ( ) is a 1931 Indian biographical film directed by H. M. Reddy and produced by Ardeshir Irani. It is notable for being the first sound film in the Tamil and Telugu languages, and the first sound film to be made in a Dravidian language. It was based on the life of the Sanskrit poet Kalidasa, hence its namesake; it featured P. G. Venkatesan in the title role and T. P. Rajalakshmi as the female lead, with L. V. Prasad, Thevaram Rajambal, T. Susheela Devi, J. Sushila, and M. S. Santhanalakshmi in supporting roles. Kalidas had dialogues in Telugu, with some Tamil songs featured at the beginning, middle, and end, along with some additional dialogue in Hindi. Despite its mythological theme, the film featured songs from much later time periods, such as the compositions of Carnatic musician Tyagaraja, publicity songs of the Indian National Congress, and songs about Mahatma Gandhi and the Indian independence movement. The sound was recorded using German-made technology. ''Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ardeshir Irani
Khan Bahadur Ardeshir Irani (5 December 1886 – 14 October 1969) was a writer, director, producer, actor, film distributor, film showman and cinematographer in the silent and sound eras of early Indian cinema. He is considered one of the greatest personalities in recent Indian Cinema. He was the director of India's first sound film Alam Ara. He was the producer of India's first colour film Kisan Kanya. He was renowned for making films in Hindi language, Hindi, Telugu language, Telugu, English language, English, German language, German, Indonesian language, Indonesian, Persian language, Persian, Urdu language, Urdu and Tamil language, Tamil. He was a successful entrepreneur who owned film theatres, a Phonograph record, gramophone agency, and a car agency. Life and career Ardeshir Irani was born into a Parsis, Parsi Zoroastrian family on 5 December 1886 in Pune, Bombay Presidency. In 1905, Irani became the Indian representative of Universal Pictures, Universal Studios and he ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alam Ara
''Alam Ara'' () is a 1931 Indian Hindustani-language historical fantasy film directed and produced by Ardeshir Irani. It revolves around a king and his two wives, Navbahaar and Dilbahaar, who are childless; soon, a ''fakir'' (Wazir Muhammad Khan) tells the king that the former wife will give birth to a boy, later named Qamar ( Master Vithal), but the child will die following his 18th birthday if Navbahaar cannot find the necklace he asks for. Meanwhile, the king finds out that Dilbahaar falls for the ''senapati'' Adil ( Prithviraj Kapoor), leading the king to arrest him and evicts his pregnant wife, who later gives birth to Alam Ara ( Zubeida). Irani was inspired to make ''Alam Ara'' after watching the 1929 American part-talkie ''Show Boat''. The story was adapted from the Bombay-based dramatist Joseph David's play of the same name. Made on a budget of , principal photography was handled by Adi M. Irani within four months in Bombay. Because the studio was located near a railw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashish Rajadhyaksha
Ashish Vithal Rajadhyaksha (born 12 March 1957) is an Indian film scholar, art curator and cultural theorist. He was a Senior Fellow at the Bangalore-based Centre for the Study of Culture and Society. Early life Ashish Vithal Rajadhyaksha was born on 12 March 1957 in Bombay (later renamed Mumbai), India. His father was a soldier in the Indian army. Rajadhyaksha's serious interest in cinema developed in the late 1970s. In 1978, he graduated from the University of Bombay with a Bachelor of Science degree. Career Rajadhyaksha developed a keenness for Ritwik Ghatak's films after attending a course organised by the Film and Television Institute and the National Film Archive of India in the early 1980s. The first book that he authored was ''Ritwik Ghatak: A Return to the Epic'', published in 1982. Starting in 1983, he wrote numerous articles for publications such as the New Delhi–based ''Journal of Arts & Ideas'' and Calcutta (now Kolkata)–based ''Journal of the Moving Ima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
News18
Network18 Media & Investments Limited, ( d/b/a Network18 Group) is an Indian media conglomerate owned by the Reliance Industries, headed by Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief, and Adil Zainulbhai is the chairman of its board of directors. Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of '' Forbes India'' and '' Overdrive'', the websites of ''Firstpost'' and '' Moneycontrol,''. It also operates the television networks of Colors TV, Nickelodeon India, MTV India and the channel History TV18. Incorporated in 1996 by Geeta and Rakesh Gupta, the company was acquired by Ritu Kapur and Raghav Bahl to be converted into a conglomerate holding company between 2003 and 2006. It oversaw one of the largest collections of media properties in India following its conversion but became encumbere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telugu Cinema
Telugu cinema, also known as Tollywood, is the segment of Cinema of India, Indian cinema dedicated to the production of Film, motion pictures in the Telugu language, widely spoken in the states of Andhra Pradesh and Telangana. Based in Film Nagar, Hyderabad, Telugu cinema is the second largest film industry in India by box-office revenue as of 2023, following Bollywood. Telugu films sold 23.3 crore (233 million) tickets in 2022, the highest among all Indian film industries. As of 2023, Andhra Pradesh has the highest number of movie screens in India. Since 1909, filmmaker Raghupathi Venkaiah Naidu was involved in producing short films and exhibiting them in different regions of South Asia. He established the first Indian-owned cinema halls in South India. In 1921, he produced the silent film, ''Bhishma Pratigna (1921 film), Bhishma Pratigna'', generally considered to be the first Telugu feature film. As the first Telugu film producer and exhibitor, Naidu is regarded as the 'Fat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhakta Prahlada (1932 Film)
''Bhakta Prahlada'' () is a 1932 Indian Telugu-language Hindu mythological film directed by H. M. Reddy and produced by Ardeshir Irani of Imperial Film Company. It is the first sound film of Telugu cinema. It features Sindhoori Krishna Rao as the titular Prahlada, along with Munipalle Subbayya, Surabhi Kamalabai, Doraswamy Naidu, Chitrapu Narasimha Rao, and L. V. Prasad. No complete synopsis of the film is known to survive, but it is an adaptation of a play of the same name. Having achieved success in Hindi cinema by releasing India's first sound film ''Alam Ara'' in 1931, Irani wanted to expand his scope to South Indian cinema. ''Bhakta Prahlada'' was released on 6 February 1932, and was positively received by the audience but variedly by critics, who panned its resemblance to the stage version, poor sound recording, and low-quality images. It is now lost; surviving artefacts include a few stills, advertisements, and reviews. Plot The film is about the Hindu legendary fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of South India
Cinema of South India, refers to the cinema of the four major film industries in South India; primarily engaged in making feature films in the four major Dravidian languages of the region, namely Telugu, Tamil, Malayalam and Kannada. They are often colloquially referred to as Tollywood, Kollywood, Mollywood and Sandalwood, respectively. Although the four industries developed independently for a long period of time, gross exchange of artists and technicians, as well as globalisation helped to shape this new identity. By 2010, South India became the home for 6320, or about 62% of the 10,167 cinema theatres in India. In 2021, Telugu film industry emerged as the largest film industry of India in terms of box office revenue. In 2022, Telugu cinema represented 20% of Indian box office revenue, followed by Tamil representing 14%, Malayalam representing 8%, and Kannada representing 5%. As of 2022, the combined revenue of South Indian film industries has surpassed that of the Mumb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of India
The cinema of India, consisting of Film, motion pictures made by the Indian film industry, has had a large effect on world cinema since the second half of the 20th century. Indian cinema is made up of various #Cinema by language, film industries, each focused on producing films in a specific language, such as Hindi, Telugu language, Telugu, Tamil language, Tamil, Malayalam, Kannada, Bengali language, Bengali, Marathi language, Marathi, Gujarati language, Gujarati, Punjabi language, Punjabi, Bhojpuri language, Bhojpuri, Assamese language, Assamese, Odia Cinema, Odia and others. Major centres of film production across the country include Mumbai, Hyderabad, Chennai, Kolkata, Kochi, Bengaluru, Bhubaneswar-Cuttack, and Guwahati. For a number of years, the Indian film industry has ranked first in the world in terms of annual film output. In 2022, Indian cinema earned ($1.9 billion) at the box-office. Ramoji Film City located in Hyderabad is certified by the Guinness World Records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowman (profession)
A cowman is a person who works specifically with cattle. Usage Usage of the word "cowman" has significant geographic variation, though is sometimes used interchangeably with terms such as "stockman", "cattleman", "rancher" and "grazier." In England, where the word ''cowman'' originates, the social status of a cowman originally was a minor landowner, a yeoman, rather than a cowherd or herdsman. In medieval Gaelic Ireland a cowman was known as a bóaire and was landed. Today, however, in the British Isles the cowman usually is an employee, synonymous with cowherd. A highly skilled, superior cowman would be equivalent to an American farm or ranch manager, responsible for daily management of the herd. An ordinary cowman would be equivalent to a cowboy in the United States, or a stockman in Australia. A cowman with a dairy farm may also be known in the British Isles as a ''milkman''. In both the British Isles and the United States ''milkman'' commonly means someone who delive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Film
A lost film is a feature film, feature or short film in which the original negative or copies are not known to exist in any studio archive, private collection, or public archive. Films can be wholly or partially lost for a number of reasons. Early films were not thought to have value beyond their theatrical run, so many were discarded afterward. Nitrate film used in early pictures was highly flammable and susceptible to degradation. The Library of Congress began acquiring copies of American films in 1909, but not all were kept. Due to improvements in film technology and recordkeeping, few films produced in the 1950s or beyond have been lost. Rarely, but occasionally, films classified as lost are found in an uncataloged or miscataloged archive or private collection, becoming "rediscovered films". Conditions During most of the 20th century, American copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bankable Star
In the film industry, a bankable star is a film actor (movie star) "capable of guaranteeing box-office success simply by showing up in a movie". The bankability of an actor includes their films' box office track record, professional demeanor, and other factors. Hiring a bankable star helps a film company to secure investment, distribution, and garner media attention. Some bankable stars have so much star power that even films without a strong concept or "hook"―such as star vehicle films―are feasible to make. A bankable director is a similar notion. Overview Media consultant Blake Harris states that a bankable star is one of the "3 minimum ingredients to any film package," the other two being a successful film director, director and a movie script, script or a strong story idea. The involvement of a bankable star in a film gives investors confidence that they will achieve a return on their investments by ensuring that the film is widely distributed and that at least some pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahakavi Kalidas (1966 Film)
''Mahakavi Kalidas'' () is a 1966 Indian Tamil-language biographical film produced and directed by R. R. Chandran, starring Sivaji Ganesan. It is based on the life of the poet Kalidasa. The film was released on 19 August 1966. Plot Cast Soundtrack Music was composed by K. V. Mahadevan. The "Sakunthalai" music drama was not included in the film but was released on gramophone record. Reception ''Kalki Kalki (), also called Kalkin, is the prophesied tenth and final incarnation of the Hinduism, Hindu god Vishnu. According to Vaishnavism, Vaishnava cosmology, Kalki is destined to appear at the end of the Kali Yuga, the last of the four ages i ...'' praised the film for its songs and cast performances. References External links * {{IMDb title, id=1441324 1960s biographical films 1960s Indian films 1960s Tamil-language films 1966 films Films about Kalidasa Films scored by K. V. Mahadevan Indian biographical films Tamil-language Indian films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
