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Kala Bo
The marital status of the Hindu deity Ganesha varies widely in mythological stories and the issue has been the subject of considerable scholarly review. Several patterns of associations with different consorts are identifiable. One pattern of myths identifies Ganesha as an unmarried '' brahmacārin'' with no consorts. Another mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and ''Riddhi'' (prosperity); these qualities are sometimes personified as goddesses who are considered to be Ganesha's wives. Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati. In the Bengal region he is linked with the banana tree, Kala Bo (or Kola Bou). Usually Ganesha's consort is portrayed as his shakti, a personification of his creative energy. Some of the differences between these patterns can be understood by looking at regional variations across India, the time periods in which the patterns are found, and the traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-two Forms Of Ganesha
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. The Ganesha-centric scripture ''Mudgala Purana'' is the first to list them. Detailed descriptions are included in the ''Shivanidhi'' portion of the 19th-century Kannada ''Sritattvanidhi''. There are also sculptural representations of these thirty-two forms in the temples at Nanjangud and Chāmarājanagar (both in Mysore district, Karnataka), done about the same time as the paintings were done and also at the direction of the same monarch.Ramachandra Rao, p. vi. Each of the thirty-two illustrations is accompanied by a short Sanskrit meditation verse ('), written in Kannada script. The meditation verses list the attributes of each form. The text says that these meditation forms are from the ''Mudgala Purana''. In his review of how the iconographic forms of Ganapati shown in the Sritattvanidhi compare with those known from other sources, Martin-Dubost notes that the Srita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahaganapati
Mahaganapati (, ), literally "Ganesha, the Great"), also spelled as Maha Ganapati, and frequently called Mahaganadhipati, is an aspect of the Hindu god Ganesha. He is the representation of Ganesha as the Supreme Being Paramatman and is the most important deity of the Ganesha-centric Ganapatya sect. He is one of the most popular of the thirty-two forms of Ganesha, worshipped as a representation of the ultimate truth Para brahman. Mahaganapati is depicted as elephant-headed with ten arms carrying various objects and is accompanied by a goddess. Iconography Like all aspects of Ganesha, Mahaganapati has an elephant head. Sindoor, is generally used for his red colour, in depictions. His colour is a reference to the dawn. He is often depicted with a third eye on his forehead, a crescent moon over his head, ten arms which hold; a lotus, a pomegranate fruit, a gada (mace), a chakra (discus), his own broken tusk, a pasha (noose), a jewelled water vessel or a pot of jewels, a blue lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uchchhishta Ganapati
Uchchhishta Ganapati (, ) is a Tantric aspect of the Hindu god Ganesha (Ganapati). He is the primary deity of the ''Uchchhishta Ganapatya'' sect, one of six major schools of the Ganapatyas. He is worshipped primarily by heterodox vamachara rituals. He is one of the thirty-two forms of Ganesha, frequently mentioned in devotional literature. Herambasuta was one of the exponents of the ''Uchchhishta Ganapatya'' sect. Name The god derives his name from '' Uchchhishta'' ("leftovers"). The word refers to the food left over at the end of a ritual, but in this context refers to its Tantric connotation. Uchchhishta is the food kept in the mouth, which is contaminated with saliva, thus ritually impure and a taboo in Hinduism. Iconography The elephant-headed god is described to be red in colour in the ''Mantra-maharnava'', while mentioned as dark in the ''Uttara-kamikagama''. Another description describes him to be blue in complexion. The deity is described to have four or six arms. He is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganapatya
Ganapatya is a denomination of Hinduism that worships Ganesha (also called Ganapati) as the Parabrahman, Saguna Brahman.Ganapatyas Article from PHILTAR, Division of Religion and Philosophy, St Martin's College Beliefs The worship of is considered complementary with the worship of other deities. Hindus of all sects begin prayers, important undertakings, and religious ceremonies with an invocation of Ganesha, because of Ganesha's role as the god of beginnings. But although most Hindu sects do revere Ganesha, the Ganapatya sect goes further than that, and declares Ganesha to be the supreme being. Ganapatya is one of the five principal Hindu sects which focus on a particular deity, along ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhaskararaya
Bhāskararāya Makhin (1690–1785) was a religious exponent and writer known for his contributions to the Shakta tradition of Hinduism. He was born in a Maharashtrian Brahmin family at Hyderabad, Telangana. Bhaskara raya was welcomed by king Serfoji II of Bhonsle dynasty in South India, and thereupon he settled in Tamil Nadu. According to Douglas Renfrew Brooks, a professor of Religion specializing in Shaktism studies, Bhāskararāya was "not only a brilliant interpreter of Srividya, he was an encyclopedic writer", and that he was a "thinker who had the wealth of Tantric and Vedic traditions at his fingertips". He belonged to the Srividya tradition of the Shakta Tantrism. Bhāskararāya is the attributed author of more than 40 writings that range from Vedanta to poems of devotion, from Indian logic and Sanskrit grammar to the studies of Tantra. Several of his texts are considered particularly notable to the Shaktism tradition, one focussed on the Mother Goddess: *Commentary on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhi
''Buddhi'' (Sanskrit: बुद्धि) refers to the intellectual faculty and the power to "form and retain concepts, reason, discern, judge, comprehend, understand". Etymology ''Buddhi'' () is derived from the Vedic Sanskrit root ''Budh'' (बुध् ), which literally means "to wake, be awake, observe, heed, attend, learn, become aware of, to know, be conscious again". The term appears extensively in Rigveda and other Vedic literature. ''Buddhi'' means, states Monier Williams, the power to "form, retain concepts; intelligence, reason, intellect, mind", the intellectual faculty and the ability to "discern, judge, comprehend, understand" something. Buddhi is a feminine Sanskrit noun derived from ''*budh'', to be awake, to understand, to know. The same root is the basis for the more familiar masculine form ''Buddha'' and the abstract noun ''bodhi''. Buddhi contrasts from ''manas'' (मनस्) which means "mind", and '' ahamkara'' (अहंंकाऱ) which means ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jai Santoshi Maa
''Jai Santoshi Maa'' is a 1975 Indian Hindi-language devotional film directed by Vijay Sharma and written R. Priyadarshi. Santoshī Mā (also called Santoshi Mata) is the goddess of satisfaction. Usha Mangeshkar, sang the devotional songs for the film along with Mahendra Kapoor and the famous poet Kavi Pradeep, who wrote the song' lyrics. Made on a low-budget, the film became one of the most successful films at the box office. Plot The film opens in the Devaloka, where we witness the "birth" of Goddess Santoshi Mata as the daughter of Ganesha, the elephant headed god of good beginnings, his two wives Riddhi and Siddhi ("prosperity" and "spiritual power"), and as the sister of Kshema and Labha ("safety" and "profit"). Although, Ganesha has another wife Buddhi ("wisdom"), she is not portrayed in the film. A key role is played by the immortal sage Narada, a devotee of Vishnu, who regularly intervenes to advance the film's two parallel plots, which concern both human beings and go ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanagari
Devanagari ( ; in script: , , ) is an Indic script used in the Indian subcontinent. It is a left-to-right abugida (a type of segmental Writing systems#Segmental systems: alphabets, writing system), based on the ancient ''Brāhmī script, Brāhmī'' script. It is one of the official scripts of India, official scripts of India and Nepal. It was developed in, and was in regular use by, the 8th century CE. It had achieved its modern form by 1000 CE. The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely List of writing systems by adoption, adopted writing system in the world, being used for over 120 languages, the most popular of which is Hindi (). The orthography of this script reflects the pronunciation of the language. Unlike the Latin alphabet, the script has no concept of letter case, meaning the script is a unicase, unicameral alphabet. It is written from left to right, has a strong preference for symmetri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santoshi Mata
Santoshi Mata () or Santoshi Maa () is a Hindu goddess, who is venerated as "the Mother of Satisfaction", the meaning of her name. Santoshi Mata is particularly worshipped by women of North India and Nepal. A ''vrata'' (ritual fast) called the ''Santoshi Maa vrata'' is performed by women on 16 consecutive Fridays to win the goddess' favour. Santoshi Maa's prayers initially spread through word of mouth, ''vrata''-pamphlet literature, and poster art. Her ''vrata'' was gaining popularity with North Indian women. However, it was the 1975 Bollywood film ''Jai Santoshi Maa'' ("Victory to Santoshi Maa")—narrating the story of the goddess and her ardent devotee Satyavati—which propelled this then little-known goddess to the heights of devotional fervour. With the rising popularity of the film, Santoshi Mata entered the pan-Indian Hindu pantheon and her images and shrines were incorporated in Hindu temples. The film portrayed the goddess to be the daughter of the popular Hindu god Gan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
