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Kabhanda
In Hinduism, Kabandha (, , lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics ''Ramayana'' and ''Mahabharata'', as well as in later Ramayana adaptations. Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by Indra, the king of heaven, and/or a sage named Ashtavakra. In an encounter with Rama and Lakshmana, the brothers sever his arms and proceed to cremate his corpse. Upon his death, Kabandha resumes his Gandharva form and directs Rama to the Rishyamukha mountain, where the exiled monkey-chief Sugriva is hiding. Kabandha advises Rama to form an alliance with Sugriva, who would be of assistance in the search for Rama's wife Sita, who had been kidnapped by Ravana, the demon-king of Lanka. Following Kabandha's advice, Rama befriends Sugriva and rescues Sita with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vana Parva
The Vana Parva, also known as the "Book of the Forest", is the third of eighteen parvas in the Indian epic Mahabharata.van Buitenen, J.A.B. (1975) ''The Mahabharata: Book 2: The Book of the Assembly Hall; Book 3: The Book of the Forest''. Chicago, IL: University of Chicago Press Vana Parva traditionally has 21 parts and 324 chapters.Dutt, M.N. (1896) ''The Mahabharata (Volume 3): Vana Parva''. Calcutta: Elysium Press The critical edition of Vana Parva is the longest of the 18 books in the epic, containing 16 parts and 299 chapters. The parva is a chronicle of the twelve-year journey of the Pandavas in a forest, where they learn life lessons and build character.Bibek Debroy (2011), The Mahābhārata, Volume 3, , Penguin Books Vana Parva contains discourses on virtues and ethics; myths of Arjuna, Yudhishthara, and Bhima; and the tales of " Nahusha the Snake and Yudhishthira" and "Ushinara and the Hawk". It also includes the love stories of "Nala and Damayanti" and " Savitri and S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramacharitamanas
''Ramcharitmanas'' ( deva, श्रीरामचरितमानस, Rāmacaritamānasa), is an epic poem in the Awadhi language, based on the ''Ramayana'', and composed by the 16th-century Indian bhakti poet Tulsidas (c. 1532–1623). This work is also called, in popular parlance, ''Tulsi Ramayana'', ''Tulsikrit Ramayana'', or ''Tulsidas Ramayana''. The word ''Ramcharitmanas'' literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people".Lutgendorf 1991, p. 1. Tulsidas was a great scholar of Sanskrit. However, he wanted the story of Rama to be accessible to the general public, as many Apabhramsa languages had evolved from Sanskrit and at that time fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tulsidas
Tulsidas (; born Rambola Dubey; also known as Goswami Tulsidas; c.1511pp. 23–34.–1623) was a Ramanandi Vaishnava Hindu saint and poet, renowned for his devotion to the deity Rama. He wrote several popular works in Sanskrit and Awadhi, but is best known as the author of the '' Hanuman Chalisa'' and of the epic '' '', a retelling of the Sanskrit ''Ramayana'' based on Rama's life in the vernacular Awadhi. Tulsidas spent most of his life in the city of Varanasi and Ayodhya. The Tulsi Ghat on the Ganges River in Varanasi is named after him. He founded the Sankatmochan Temple dedicated to Lord Hanuman in Varanasi, believed to stand at the place where he had the sight of the deity. Tulsidas started the Ramlila plays, a folk-theatre adaptation of the Ramayana.: ... this book ... is also a drama, because Goswami Tulasidasa started his ''Ram Lila'' on the basis of this book, which even now is performed in the same manner everywhere. He has been acclaimed as one of the greatest poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmanda Purana
The ''Brahmanda Purana'' ( sa, ब्रह्माण्ड पुराण, ) is a Sanskrit text and one of the eighteen major Puranas, a genre of Hindu texts. It is listed as the eighteenth Maha-Purana in almost all the anthologies. The text is also referred in medieval Indian literature as the Vayaviya Purana or Vayaviya Brahmanda, and it may have been same as the Vayu Purana before these texts developed into two overlapping compositions. The text is named after one of the cosmological theories of Hinduism, namely the "Cosmic Egg" ( Brahma-Anda). It is among the oldest Puranas, the earliest core of text maybe from 4 century CE, continuously edited thereafter over time and it exist in numerous versions. The Brahmanda Purana manuscripts are encyclopedic in their coverage, covering topics such as Cosmogony, Sanskara (Rite Of Passage), Genealogy, Chapters On Ethics And Duties (Dharma), Yoga, Geography, Rivers, Good Government, Administration, Diplomacy, Trade, Festivals, A Tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adhyatma Ramayana
''Adhyatma Ramayana'' (Devanāgarī: अध्यात्म रामायण, IAST: ''Adhyātma Rāmāyaṇa'', ) is a 13th- to 15th-century Sanskrit text that allegorically interprets the story of Hindu epic ''Ramayana'' in the Advaita Vedanta framework. It is embedded in the latter portion of '' Brahmānda Purana,'' and the author is considered to be Veda Vyasa. The Hindu tradition also attributes the text to the Bhakti movement saint Ramananda. The text consists of 7 books, 65 chapters or 4,500 verses in the form of a dialogue between Shiva and Parvati. Adhyatma Ramayana contains the ideal characteristics of Rama and the precepts related to devotion, knowledge, dispassion, adoration and good conduct. Rama is presented as the supreme Brahman in the text, while the struggles of Sita and him are re-interpreted in an abstract spiritual form. The allegory inspired several later versions of the Ramayana story in languages like Awadhi (''Ramcharitmanas'' by Tulsidas), Odia, Benga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramavataram
''Ramavataram'', popularly referred to as ''Kamba Ramayanam'', is a Tamil epic that was written by the Tamil poet Kambar during the 12th century. Based on Valmiki's ''Ramayana'' (which is in Sanskrit), the story describes the life of King Rama of Ayodhya. However, ''Ramavatharam'' is different from the Sanskrit version in many aspects – both in spiritual concepts and in the specifics of the storyline. This historic work is considered by both Tamil scholars and the general public as one of the greatest literary works in Tamil literature. Kambar wrote this epic with the patronage of Thiruvennai Nallur Sadayappa Vallal, a Pannai kula chieftain. In gratitude to his patron, Kamban references his name once in every 1,000 verses. Early references in Tamil literature Even before Kambar wrote the Ramavataram in Tamil in the 12 century CE, there are many ancient references to the story of Ramayana, implying that the story was familiar in the Tamil lands even before the Commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kambar (poet)
Kambar or Kavichakravarthy Kamban (1180 CE–1250 CE) was an Indian Tamil poet and the author of the Ramavataram, popularly known as ''Kambaramayanam'', the Tamil version of the epic Ramayana.The Cyclopaedia of India and of Eastern and Southern Asia By Edward Balfour Kambar also authored other literary works in Tamil, such as Thirukkai Vazhakkam, ''Erezhupathu'', Silaiyezhupathu, ''Kangai Puranam'', ''Sadagopar Anthathi'' and ''Saraswati Anthathi''. Life Kambar was born in Therazhundur. His father was a wealthy farmer named Sadaiyepa Vallal. He grew up the Chola Empire under the reign of Kulothunga III. Having heard of this talented bard, Kulothunga summoned him to his court and honoured him with the title ''Kavi Chakravarty'' (''The Emperor of Poets''). Kambar flourished in Therazhundur, a village in the culturally rich Nagapattinam District in the modern state of Tamil Nadu in South India. Kambar is generally dated after the vaishnavite philosopher, Ramanuja, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anargharāghava
The ''Anargharāghava'' (Devanagari ) is a dramatised retelling of the Ramayana, and one of the most challenging pieces of classical Sanskrit poetry. It is the only surviving work by , a Brahmin court poet, who lived some time between the 8th and 10th century CE, perhaps in Orissa or in neighbouring South India. Because of its elegant style, learned allusions and often striking imagery, the poem has been a great favourite among pandits , although it received little attention in the West until recently. The well-known epic story of Rama’s exploits is presented as a series of political intrigues and battles, and contrasted with lyrical passages of various kinds: on love and war, pride and honor, gods and demons, rites and myths, regions and cities of ancient India. The play has little action — most fights and events take place behind the scenes or between acts — focussing instead on diction and other elements of dramatic representation, reminiscent of the Keralan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahaviracharita
''Mahaviracharita'' ("Exploits of a Great Hero") is a play by the 8th-century Sanskrit playwright Bhavabhuti based on the early life of Rama, the hero of the ''Ramayana'' and venerated as a Hindu deity. It is the first play of Bhavabhuti,Mirashi p.111 thus lacking in character and style compared to his two known later works: '' Malatimadhava'' and '' Uttararamacharita''. Though currently composed of seven acts, the whole present text may not have been composed by Bhavabhuti. Structure and plot The play is composed of seven acts. Most modern scholars agree that Bhavabhuti has written the play from the beginning only to the 46th verse of Act V. According to one theory, the rest of the play is lost to time. Another theory suggests that Bhavabuti left the play incomplete after the 46th verse of Act V. However, two different extensions replace the lost material to make up seven acts. The North Indian version is composed by a poet Vinayaka and the South Indian version is attributed to Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhavabhuti
Bhavabhūti (Devanagari: भवभूति) was an 8th-century scholar of India noted for his plays and poetry, written in Sanskrit. His plays are considered the equal of the works of Kalidasa. Bhavabhuti was born in Padmapura, Vidarbha, in Gondia district, on Maharashtra and Madhya Pradesh border. He is described as an 'Udumbara Brahmin'. His real name was ''Srikantha Nilakantha'', and he was the son of Nilakantha and Jatukarni. He received his education at 'Padmapawaya', a place some 42 km South-West of Gwalior. Dayananidhi Paramahansa is known to be his guru. He composed his historical plays at 'Kalpi', a place on banks of river Yamuna. He is believed to have been the court poet of king Yashovarman of Kannauj. Kalhana, the 12th-century historian, places him in the entourage of the king, who was defeated by Lalitaditya Muktapida, king of Kashmir, in 736 AD. Malatimadhava The play is set in the city of Padmavati. The king desires that his minister's daughter Malati m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
