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Kaalratri
Kalaratri () is the seventh of the nine Navadurga forms of the goddess Mahadevi. She is first referenced in the Devi Mahatmya. Kalaratri is one of the fearsome forms of the goddess. It is not uncommon to find the names ''Kali'' and ''Kalaratri'' being used interchangeably, although these two deities are argued to be separate entities by some. Kali is first mentioned in Hinduism as a distinct goddess around 300 BCE in the Mahabharata, which is thought to have been written between the 5th and 2nd centuries BCE (with possible oral transmission from a much earlier period). Kalaratri is traditionally worshipped during the nine nights of Navratri, Navaratri celebrations.The Seventh form of Durga The seventh day of Navaratri in particular is dedicated to her, and she is considered the fiercest form of the goddess, her appearance itself invok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati (, , IPA: /Sanskrit phonology, pɑɾʋət̪iː/), also known as Uma (, , IPA: Sanskrit phonology, /ʊmɑː/) and Gauri (, , IPA: /Sanskrit phonology, gə͡ʊɾiː/), is one of the principal goddesses in Hinduism, revered as the Devi, goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. Along with Lakshmi and Saraswati, Sarasvati, she forms the trinity, known as the Tridevi. From her first appearance as a goddess during the Itihasa-Purana, epic period (400 BCE – 400 CE), Parvati is primarily depicted as the consort of the god Shiva. According to various Puranas, Parvati is the reincarnation of Sati (Hindu goddess), Sati, Shiva's first wife, who relinquished her body to sever familial ties with her father, Daksha, after he had insulted Shiva. Parvati is often equated with the other goddesses such as Sati, Uma, Kali and Durga and due to this close connection, they are often treated as one and the same, with their stories frequently ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devi
''Devī'' (; ) is the Sanskrit word for 'goddess'; the masculine form is Deva (Hinduism), ''deva''. ''Devi'' and ''deva'' mean 'heavenly, divine, anything of excellence', and are also gender-specific terms for a deity in Hinduism. The concept and reverence for goddesses appears in the Vedas, which were composed around the 2nd millennium BCE. However, they did not play a vital role in that era. Goddesses such as Durga, Kali, Lakshmi, Parvati, Radha, Saraswati and Sita have continued to be revered in the modern era. The medieval era Puranas witness a major expansion in mythology and literature associated with Devi, with texts such as the ''Devi Mahatmya'', wherein she manifests as the ultimate truth and supreme power. She has inspired the Shaktism tradition of Hinduism. Further, Devi is viewed as central in the Hindu traditions of Shaktism and Shaivism. Etymology ''Devi'' and ''deva'' are Sanskrit terms found in Vedic literature around the 3rd millennium BCE. ''Deva'' is masculi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajra
The Vajra (, , ), is a legendary and ritualistic tool, symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). It is also described as a "ritual weapon". The use of the bell and vajra together as symbolic and ritual tools is found in all schools of Tibetan Buddhism. The vajra is a round, symmetrical metal scepter with two ribbed spherical heads. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points. The vajra is considered inseparable from the bell, and both are sold in dharma stores only in matching sets. The bell is also metal with a ribbed spherical head. The bell also depicts the face of Dhatvisvari, a female buddha and the consort of Akshobhya. The vajra has also been associated as the weapon of Indra, the Vedic king of the Deva (Hinduism), devas and Svarga, heaven. It is used symbolically by the dharma, dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahasrara
Sahasrara (, IAST: , , with many alternative names and spellings) or the crown chakra is considered the seventh primary chakra in Sanatan yoga traditions. The chakra is represented by the colour violet. Hatha yoga The Sahasrara is described in a few medieval hatha yoga texts including the '' Śivasaṃhitā'' and the '' Tirumantiram'', but not within the Paścimāmnāya and Nath traditions; the '' Kubjikamatatantra'' describes only the six lower chakras. The scriptures vary in the position of the Sahasrara; the ''Shiva Samhita'' states that it is beyond the body, whereas others place it at the fontanelle or brahmarandhra on the top of the head where the soul leaves the body at death. Description Location Sahasara is located at the top of the cranium. Appearance Sahasrara is described as a lotus flower with 1,000 petals of different colors. These are arranged in 20 layers, each with approximately 50 petals. The pericarp is golden and within it a circular moon region ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skanda Purana
The ''Skanda Purana'' ( IAST: Skanda Purāṇa) is the largest '' Mukhyapurāṇa'', a genre of eighteen Hindu religious texts. The text contains over 81,000 verses, and is of Shaivite literature, titled after Skanda, a son of Shiva and Parvati (who is also known as Murugan in Tamil literature). While the text is named after Skanda, he does not feature either more or less prominently in this text than in other Shiva-related Puranas. The text has been an important historical record and influence on the Hindu traditions and rituals related to the war-god Skanda. The earliest text titled ''Skanda Purana'' likely existed by the 8th century CE, but the ''Skanda Purana'' that has survived into the modern era exists in many versions. It is considered as a living text, which has been widely edited, over many centuries, creating numerous variants. The common elements in the variant editions encyclopedically cover cosmogony, mythology, genealogy, dharma, festivals, gemology, temples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga Saptashati
The ''Devi Mahatmya'' or ''Devi Mahatmyam'' () is a Hindu philosophical text describing the Goddess, known as Adi Parashakti or Durga, as the supreme divine ultimate reality and creator of the universe. It is part of the Mārkandeya Purāna (chapters 81 to 93). ''Devi Mahatmyam'' is also known as the ''Durgā Saptashatī'' () or Śata Chandī (शत् चंडी) and ''Chandi Path'' (). The text contains 700 verses arranged into 13 chapters. It is one of the most important texts in Shaktism, along with ''Devi-Bhagavata Purana'' and Devi Upanishad. The text is one of the earliest extant complete manuscripts from the Hindu traditions which describes reverence and worship of the feminine aspect of God. The ''Devi Mahatmyam'' describes a storied battle between good and evil, where the Devi manifesting as goddess Durga leads the forces of good against the demon Mahishasura—the goddess is very angry and ruthless, and the forces of good win. The verses of this story also o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra
Rudra (/ ɾud̪ɾə/; ) is a Rigvedic deity associated with Shiva, the wind or storms, Vayu, medicine, and the hunt. One translation of the name is 'the roarer'. In the ''Rigveda'', Rudra is praised as the "mightiest of the mighty". Rudra means "who eradicates problems from their roots". Depending upon the period, the name Rudra can be interpreted as 'the most severe roarer/howler' or 'the most frightening one'. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is often used as a name of Shiva in later languages. The " Shri Rudram" hymn from the ''Yajurveda'' is dedicated to Rudra and is important in the Shaivite sect.For an overview of the Śatarudriya see: . In the Prathama Anuvaka of Namakam ( Taittiriya Samhita 4.5), Rudra is revered as Sadasiva (meaning 'mighty Shiva') and Mahadeva. Sadashiva is the Supreme Being, Paramashiva, in the Siddhanta sect of Shaivism. Etymology The etymology of the theonym ''Rudra'' is uncertain.. It is usual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dronacharya
Droṇa (, ), also referred to as Dronacharya (, ), is a major character of the Hindu epic Mahabharata. In the epic, he serves as the royal preceptor of the Kauravas and the Pandavas. He is one of the primary counsellors and warriors featured in the epic. Drona is the son of the sage Bharadvaja, and a descendant of the sage Angirasa. Despite being master of advanced military arts and the divine weapons known as astras, Drona initially chooses a life of poverty until he is humiliated by his friend Drupada, the king of Panchala. With the help of his students, he captures Drupada and takes away half of the kingdom. Drona serves as the second commander-in-chief of the Kaurava army, from the 11th day to the 15th day. The acharya fails four times in capturing Yudhishthira (the 11th day, 12th day, 14th day, and the 14th night). He was beheaded by Dhrishtadyumna—his student and son of Drupada—when he meditates to release his soul on the battlefield. Etymology Drona's name mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashwatthama
Ashvatthama (, , also spelt as Ashwatthama and Ashvatthaman) is a character in the ancient Hindu epic ''Mahabharata''. He is the son of Drona, the royal preceptor to the Kuru princes—the Pandavas and the Kauravas. Ashvatthama is a close companion of Duryodhana, the leader of the Kauravas, and receives military training alongside the Kuru princes under the tutelage of his father. Favoured by his father, Ashvatthama is entrusted with the knowledge of several celestial weapons, including the Narayanastra and the Brahmashirastra. During the Kurukshetra War between the Pandavas and the Kauravas, he fights on the side of the Kauravas and emerges as one of the three surviving warriors from their faction by the war’s conclusion. On the night following the eighteenth day of battle, after the war has formally concluded, Ashvatthama launches a night raid on the Pandava camp. He kills Dhrishtadyumnathe commander-in-chief of the Pandava army, who beheaded Drona during the warand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kauravas
''Kaurava'' is a Sanskrit term which refers to descendants of Kuru, a legendary king of India who is the ancestor of many of the characters of the epic ''Mahabharata''. Usually, the term is used for the 100 sons of King Dhritarashtra and his wife Gandhari. Duryodhana, Dushasana, Vikarna and Chitrasena are the most popular among the brothers. They also had a sister named Dussala and a half-brother named Yuyutsu. Etymology The term ''Kauravas'' is used in the ''Mahabharata'' with two meanings , *The wider meaning is used to represent all the descendants of Kuru. This meaning, which includes the Pandava brothers, is often used in the earlier parts of popular renditions of the ''Mahabharata''. *The narrower but more common meaning is used to represent the elder line of the descendants of Kuru. This restricts it to the children of King Dhritarashtra, excluding the children of his younger brother, Pandu, whose children form the Pandava line. The rest of this article deals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandavas
The Pandavas (Sanskrit: पाण्डव, aɳɖɐʋᵊ IAST: Pāṇḍava) is a group name referring to the five legendary brothers, Yudhishtira, Bhima, Arjuna, Nakula, and Sahadeva, who are central figures of the Hindu epic ''Mahabharata''. They are acknowledged as the sons of Pandu, the King of Kuru, but were fathered by different '' Devas'' (gods) due to Pandu's cursed inability to naturally sire children. In the epic, the Pandavas married Draupadi, the princess of Panchala, and founded the city of Indraprastha after the Kuru Kingdom was split to avoid succession disputes. After the split, the other part of the kingdom was ruled by their cousins, the Kauravas. However, the Pandavas lost their kingdom to Duryodhana (eldest and king of the Kauravas) when Yudhishthira gambled it away during a game of dice. The bet Yudhishtira agreed to was that the Pandavas would hand the kingdom over to the Kauravas and go into exile for 12 followed by an year in hiding. After this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
