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KFTO-CA
KNIC-DT (channel 17) is a television station licensed to Blanco, Texas, United States, broadcasting the Spanish-language UniMás network to the San Antonio area. It is owned and operated by TelevisaUnivision alongside Univision outlet KWEX-DT (channel 41). The two stations share studios on Network Boulevard in Northwest San Antonio; KNIC's transmitter is located on Hogan Drive in Timberwood Park. Although Blanco is geographically within the Austin market, that city has its own UniMás station, KTFO-CD. History KNIC-DT's history traces back to the March 1991 sign-on of K17BY, a low-power television station that San Antonio-based Clear Channel Communications (now iHeartMedia) was issued a construction permit to build on March 23, 1988; operating on UHF channel 17, Clear Channel sold the station in March 1991 to Nicolas Communications. In November 1997, the station changed its calls to KNIC-LP (in reference to its owners); Nicolas Communications sold KNIC-CA in November 2001 (t ...
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KCOR-CD
KCOR-CD (channel 34) is a low-power, Class A television station in San Antonio, Texas, United States. It is a translator of Blanco-licensed UniMás station KNIC-DT (channel 17) which is owned and operated by TelevisaUnivision; it is also sister to San Antonio–licensed Univision outlet KWEX-DT (channel 41). KCOR-CD's transmitter is located on César E. Chavéz Bouelvard in downtown San Antonio; its parent station shares studios with KWEX-DT on Network Boulevard on the city's northwest side. History The station began as a construction permit issued to Clear Channel Communications on March 23, 1988, to build a low-power television station on UHF channel 17 in San Antonio. Given the callsign K17BY, the station went on air in March 1991 and was licensed a month later on April 2, 1991. Also in March 1991, Clear Channel agreed to sell the station to Nicolas Communications, who assumed full control several weeks later. In November 1997, the station took call letters KNIC-L ...
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KNIC-CD
KCOR-CD (channel 34) is a low-power, Class A television station in San Antonio, Texas, United States. It is a translator of Blanco-licensed UniMás station KNIC-DT (channel 17) which is owned and operated by TelevisaUnivision; it is also sister to San Antonio–licensed Univision outlet KWEX-DT (channel 41). KCOR-CD's transmitter is located on César E. Chavéz Bouelvard in downtown San Antonio; its parent station shares studios with KWEX-DT on Network Boulevard on the city's northwest side. History The station began as a construction permit issued to Clear Channel Communications on March 23, 1988, to build a low-power television station on UHF channel 17 in San Antonio. Given the callsign K17BY, the station went on air in March 1991 and was licensed a month later on April 2, 1991. Also in March 1991, Clear Channel agreed to sell the station to Nicolas Communications, who assumed full control several weeks later. In November 1997, the station took call letters KNIC-LP, named af ...
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KTFO-CD
KTFO-CD (channel 31) is a Low-power broadcasting#Television, low-power, Class A television station in Austin, Texas, United States, serving as the local outlet for the Spanish-language network UniMás. It is owned and operated by TelevisaUnivision alongside Killeen, Texas, Killeen-licensed Univision outlet KAKW-DT (channel 62). The two stations share studios on North Loop Boulevard in Austin; KTFO-CD's transmitter is located at the West Austin Antenna Farm north of West Lake Hills. Although KTFO-CD identifies as a separate station in its own right, it is officially licensed as a broadcast relay station#Broadcast translator, translator of KAKW-DT. In addition to its own digital signal, KTFO-CD is simulcast in high-definition television, high definition on KAKW-DT's second digital subchannel (62.2) from a transmitter in unincorporated area#United States, unincorporated Williamson County, Texas, Williamson County (approximately halfway between Austin and Killeen). KAKW-DT, in turn, ...
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480i
480i is the video mode used for standard-definition digital video in the Caribbean, Japan, South Korea, Taiwan, Philippines, Myanmar, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog 525 line TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60  Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. Although related, it should n ...
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1080i
In high-definition television (HDTV) and video display technology, 1080i is a video display format with 1080 lines of vertical resolution and Interlaced video, interlaced scanning method. This format was once a standard in HDTV. It was particularly used for broadcast television because it can deliver high-resolution images without needing excessive bandwidth. This format is used in the SMPTE 292M standard. Definition The number "1080" in 1080i refers to the number of horizontal lines that make up the vertical resolution of the display. Each of these lines contributes to the overall detail and clarity of the image. The letter "i" stands for Interlaced video, interlaced. This is a technique where the image is not displayed all at once. Instead, the frame is split into two fields. One field contains the odd-numbered lines, and the other field contains the even-numbered lines. These fields are displayed in rapid succession, giving the appearance of a full image to the human eye. The ...
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Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography and 1:1: Used for square images, often seen on social media platforms like Instagram, 21:9: An ultrawide aspect ratio popular for gaming and desktop monitors. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 Society of Motion Picture and Television Engineers, SMPTE revision used 2.35:1). Two common videography, videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinematic ...
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Display Resolution
The display resolution or display modes of a digital television, computer monitor, or other display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode-ray tube (CRT) displays, flat-panel displays (including liquid-crystal displays) and projection displays using fixed picture-element (pixel) arrays. It is usually quoted as ', with the units in pixels: for example, ' means the width is 1024 pixels and the height is 768 pixels. This example would normally be spoken as "ten twenty-four by seven sixty-eight" or "ten twenty-four by seven six eight". One use of the term ''display resolution'' applies to fixed-pixel-array displays such as plasma display panels (PDP), liquid-crystal displays (LCD), Digital Light Processing (DLP) projectors, AMOLED, OLED displays, and similar technologies, and is simply the physical number of columns and rows of pi ...
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Digital Subchannel
In broadcasting, digital subchannels are a method of transmitting more than one independent program stream simultaneously from the same digital radio or television station on the same radio frequency channel. This is done by using data compression techniques to reduce the size of each individual program stream, and multiplexing to combine them into a single signal. The practice is sometimes called " multicasting". ATSC television United States The ATSC digital television standard used in the United States supports multiple program streams over-the-air, allowing television stations to transmit one or more subchannels over a single digital signal. A virtual channel numbering scheme distinguishes broadcast subchannels by appending the television channel number with a period digit (".xx"). Simultaneously, the suffix indicates that a television station offers additional programming streams. By convention, the suffix position ".1" is normally used to refer to the station's main d ...
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RabbitEars
RabbitEars (also known as the website name RabbitEars.info) is a website that provides information on over-the-air digital television in the United States, its territories, protectorates, and border areas of Canada and Mexico. It lists network affiliations and technical data, and also covers stations with Descriptive Video Service, TVGOS, UpdateTV, Sezmi, Mobile DTV, and MediaFLO RabbitEars maintains a spreadsheet of current television stations. RabbitEars.Info has been cited by ''The New York Times'', ''The Washington Post'', the ''Los Angeles Times'', the '' Columbus Dispatch'', and the '' Gotham Gazette'' for news stories, the Electric Pi Journal, CEOutlook, Sony's eSupport, and Crutchfield websites for additional technical information, and WCCB-TV, WOLO-TV, and WGHP television stations in relation to the digital television transition. History RabbitEars was created to replace 100000watts.com, a site started by Chip Kelley around 1998. Originally listing every T ...
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Special Temporary Authorization
Special Temporary Authority (STA) in U.S. broadcast law is a type of broadcast license which temporarily allows a broadcast station to operate outside of its normal technical or legal parameters. In the Federal Communications Commission (FCC) station database (CDBS), broadcast STA applications have a prefix of BSTA (general), BLSTA (legal), BESTA (engineering), or BLESTA (both). STAs can also be issued for other telecommunication services under FCC regulation. Often an STA is necessary due to an unforeseen event. A station operator must exhibit why the STA is necessary and serves the public good. A common reason to apply for STA is an equipment failure. In case a station cannot use its licensed antenna or transmission system, it can immediately continue operations using any available antenna or operating parts of existing system, as long as an STA is filed for within 24 hours. An AM station may use a random wire antenna if necessary. AM stations operating directionally are limit ...
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Federal Communications Commission
The Federal Communications Commission (FCC) is an independent agency of the United States government that regulates communications by radio, television, wire, internet, wi-fi, satellite, and cable across the United States. The FCC maintains jurisdiction over the areas of broadband access, fair competition, radio frequency use, media responsibility, public safety, and homeland security. The FCC was established pursuant to the Communications Act of 1934 to replace the radio regulation functions of the previous Federal Radio Commission. The FCC took over wire communication regulation from the Interstate Commerce Commission. The FCC's mandated jurisdiction covers the 50 states, the District of Columbia, and the territories of the United States. The FCC also provides varied degrees of cooperation, oversight, and leadership for similar communications bodies in other countries in North America. The FCC is funded entirely by regulatory fees. It has an estimated fiscal-2022 budg ...
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Broadcast License
A broadcast license is a type of spectrum license granting the licensee permission to use a portion of the radio frequency spectrum in a given geographical area for broadcasting purposes. The licenses generally include restrictions, which vary from band to band. Spectrum may be divided according to use. As indicated in a graph from the National Telecommunications and Information Administration (NTIA), frequency allocations may be represented by different types of services which vary in size. Many options exist when applying for a broadcast license; the FCC determines how much spectrum to allot to licensees in a given band, according to what is needed for the service in question. The determination of frequencies used by licensees is done through frequency allocation, which in the United States is specified by the FCC in a table of allotments. The FCC is authorized to regulate spectrum access for private and government uses; however, the National Telecommunications and Inf ...
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