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KDPH-LD
KDPH-LD (channel 48) is a low-power television station in Phoenix, Arizona, United States, owned and operated by the Daystar Television Network. The station's transmitter is located atop South Mountain on the city's south side. Daystar's presence in Phoenix dates to 2000, but the low-power license began in 1989 as the first Telemundo affiliate for Phoenix, originally on channel 64. Despite being a low-power station, the station, later known as KDRX-LP and KDRX-CA, produced local news programming. In 2002, Telemundo itself acquired KDRX and the co-owned Telemundo station in Tucson, KHRR. Telemundo and Daystar agreed in 2005 to an unusual license and facility swap; Telemundo traded a full-power station in Holbrook, Arizona, KPHZ, and the low-power channel 48 for its full-power KDTP (channel 39), which was accompanied by the redesignation of channel 39 for commercial use. This allowed Telemundo to compete more effectively with Univision in Phoenix when Telemundo moved to channel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KDTP
KDTP (channel 11) is a religious television station in Holbrook, Arizona, United States, owned and operated by the Daystar Television Network. The station's offices are located in downtown Holbrook, and its transmitter is located northeast of the city. Although KDTP is licensed as a full-power station, its broadcasting radius only covers the immediate Holbrook area. Therefore, it operates a low-power translator station, KDPH-LD (channel 48) in Phoenix, which relays KDTP's programming to the Phoenix metropolitan area, as KDTP's signal is blocked by mountains and operates on only 3.2 kW. History An original construction permit for KDTP was issued on January 10, 2000, to Community Television Educators for a station to broadcast on channel 39, a non-commercial allocation in Phoenix. It replaced low-power K39BI (now KFPH-CD), which had been the local Daystar station, but had been moved to channel 35 and sold. The station was licensed on November 14, 2001, airing Daystar prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KHRR
KHRR (channel 40) is a television station in Tucson, Arizona, United States, serving as the market's outlet for the Spanish-language network Telemundo. Owned and operated by NBCUniversal's Telemundo Station Group, the station maintains studios on North Stone Avenue in downtown Tucson, and its transmitter is located atop the Tucson Mountains. Although identifying as a separate station in its own right, KHRR is considered a semi-satellite of KTAZ (channel 39) in Phoenix. As such, it simulcasts all Telemundo programming as provided through its parent, but airs separate commercial inserts and legal identifications, and has its own website. Local newscasts, produced by KTAZ and branded as , are simulcast on both stations. Although KHRR maintains its own facilities, master control and most internal operations are based at KTAZ's studios on South 33rd Place in Phoenix. History KPOL On November 28, 1983, a construction permit was granted to JP Communications, owned by Julius Pola ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KPHZ
KTAZ (channel 39) is a television station in Phoenix, Arizona, United States, serving as the local outlet for the Spanish-language network Telemundo. Owned and operated by NBCUniversal's Telemundo Station Group, KTAZ maintains studios on South 33rd Place in Phoenix, and its transmitter is located atop South Mountain on the city's south side. In Tucson, KHRR (channel 40) operates as a semi-satellite of KTAZ with local advertising. Statewide newscasts for both stations, , are produced from Phoenix. Telemundo's broadcast history in Phoenix and northern Arizona is unusually convoluted. The network first appeared in 1989 on low-power station K64DR, later KDRX-LP and KDRX-CA. Despite being a low-power station, KDRX began airing local newscasts in 1997 and was sold to the Telemundo network in 2002. However, the signal left the station at a disadvantage to Telemundo's competitor, Univision. As a result, in 2005, Telemundo and the Daystar Television Network agreed in 2005 to an unusua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daystar Television Network
The Daystar Television Network commonly known as Daystar Television or just Daystar, is an American evangelical Christian-based religious television network owned by the Word of God Fellowship, founded by Marcus Lamb in 1993. Daystar is headquartered in the Dallas/Fort Worth Metroplex in Bedford, Texas. The network is based around prosperity theology. History In 1984, Marcus and Joni Lamb (née Trammell) moved to Montgomery, Alabama to launch the state's first full-power Christian television station, WMCF-TV. The Lambs built the station for the next five years, and sold it in 1990. They next moved to Dallas, Texas, where, in 1993, they purchased the formerly defunct KMPX. In 1996, with a large contribution from Kenneth Copeland Ministries, the Lambs purchased a station in Colorado, officially turning their television ministry into a network. In August 1997, the small staff moved into a facility that included production studios; Daystar was officially launched on New Year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Class A Television Station
The class A television service is a system for regulating some low-power television (LPTV) stations in the United States. Class A stations are denoted by the broadcast callsign suffix "-CA" (analog) or "-CD" (digital), although very many analog -CA stations have a digital companion channel that was assigned the -LD suffix used by regular (non-class-A) digital LPTV stations. The FCC created this category of service as a result of the Community Broadcasters Protection Act of 1999. Support for this ruling came largely from the Community Broadcasters Association, an industry group representing low-power TV station operators. Unlike traditional LPTV stations, class-A stations were given primary status during the transition to digital television (DTV), meaning that a full-service television station could not displace a class A LPTV station from its broadcast frequency ( TV channel), except in rare cases. In contrast, traditional LPTV stations often found their frequencies assigned to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1080i
In high-definition television (HDTV) and video display technology, 1080i is a video display format with 1080 lines of vertical resolution and Interlaced video, interlaced scanning method. This format was once a standard in HDTV. It was particularly used for broadcast television because it can deliver high-resolution images without needing excessive bandwidth. This format is used in the SMPTE 292M standard. Definition The number "1080" in 1080i refers to the number of horizontal lines that make up the vertical resolution of the display. Each of these lines contributes to the overall detail and clarity of the image. The letter "i" stands for Interlaced video, interlaced. This is a technique where the image is not displayed all at once. Instead, the frame is split into two fields. One field contains the odd-numbered lines, and the other field contains the even-numbered lines. These fields are displayed in rapid succession, giving the appearance of a full image to the human eye. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height. It is expressed as two numbers separated by a colon, in the format width:height. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television, and 3:2 in still photography and 1:1: Used for square images, often seen on social media platforms like Instagram, 21:9: An ultrawide aspect ratio popular for gaming and desktop monitors. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 Society of Motion Picture and Television Engineers, SMPTE revision used 2.35:1). Two common videography, videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinematic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Display Resolution
The display resolution or display modes of a digital television, computer monitor, or other display device is the number of distinct pixels in each dimension that can be displayed. It can be an ambiguous term especially as the displayed resolution is controlled by different factors in cathode-ray tube (CRT) displays, flat-panel displays (including liquid-crystal displays) and projection displays using fixed picture-element (pixel) arrays. It is usually quoted as ', with the units in pixels: for example, ' means the width is 1024 pixels and the height is 768 pixels. This example would normally be spoken as "ten twenty-four by seven sixty-eight" or "ten twenty-four by seven six eight". One use of the term ''display resolution'' applies to fixed-pixel-array displays such as plasma display panels (PDP), liquid-crystal displays (LCD), Digital Light Processing (DLP) projectors, AMOLED, OLED displays, and similar technologies, and is simply the physical number of columns and rows of pi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Subchannel
In broadcasting, digital subchannels are a method of transmitting more than one independent program stream simultaneously from the same digital radio or television station on the same radio frequency channel. This is done by using data compression techniques to reduce the size of each individual program stream, and multiplexing to combine them into a single signal. The practice is sometimes called " multicasting". ATSC television United States The ATSC digital television standard used in the United States supports multiple program streams over-the-air, allowing television stations to transmit one or more subchannels over a single digital signal. A virtual channel numbering scheme distinguishes broadcast subchannels by appending the television channel number with a period digit (".xx"). Simultaneously, the suffix indicates that a television station offers additional programming streams. By convention, the suffix position ".1" is normally used to refer to the station's main d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RabbitEars
RabbitEars (also known as the website name RabbitEars.info) is a website that provides information on over-the-air digital television in the United States, its territories, protectorates, and border areas of Canada and Mexico. It lists network affiliations and technical data, and also covers stations with Descriptive Video Service, TVGOS, UpdateTV, Sezmi, Mobile DTV, and MediaFLO RabbitEars maintains a spreadsheet of current television stations. RabbitEars.Info has been cited by ''The New York Times'', ''The Washington Post'', the ''Los Angeles Times'', the '' Columbus Dispatch'', and the '' Gotham Gazette'' for news stories, the Electric Pi Journal, CEOutlook, Sony's eSupport, and Crutchfield websites for additional technical information, and WCCB-TV, WOLO-TV, and WGHP television stations in relation to the digital television transition. History RabbitEars was created to replace 100000watts.com, a site started by Chip Kelley around 1998. Originally listing every T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiplex (TV)
A multiplex or mux, also known as a bouquet, is a grouping of program services as interleaved data packets for broadcast over a network or modulated multiplexed medium, particularly terrestrial broadcasting. The program services are broadcast as part of one transmission and split out at the receiving end. The conversion from analog to digital television made it possible to transmit more than one video service, in addition to audio and data, within a fixed space previously used to transmit one analog TV service (varying between six and eight megahertz depending on the system used and bandplan). The capacity of a multiplex depends on several factors, including the video resolution and broadcast quality, compression method, bitrate permitted by the transmission standard, and allocated bandwidth; statistical time-division multiplexing is often used to dynamically allocate bandwidth in accordance with the needs of each individual service. Each service in a multiplex has a separate vir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
