|
Jörg Schneider (tenor)
Jörg Schneider (born 1969) is an Austrian operatic tenor. Life Born in Wels, Schneider received his first musical training with the Vienna Boys' Choir and studied in Vienna with Elfriede Obrowsky. In 1995 he became an ensemble member at the Staatstheater Wiesbaden. For the years 1997 to 2000 he moved as an ensemble member to the Deutsche Oper am Rhein Düsseldorf. Since 2007 Jörg Schneider has been a member of the Vienna Volksoper. At the Theater an der Wien he made his debut in autumn 2012 as Iro in ''Il ritorno d'Ulisse in patria'' (production: Claus Guth). In 2012/13 he sang David in ''Die Meistersinger von Nürnberg'' at the Tokyo Bunka Kaikan and Belmonte in Mozart's ''Die Entführung aus dem Serail'' in Düsseldorf as well as Flamand in ''Capriccio'' at the Müpa Budapest. In 2014, Schneider sang Oskar in the world premiere of ''Tales from the Vienna Woods'' by HK Gruber (based on the same-named play by Ödön von Horváth) at the Bregenz Festival, a performance that was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ödön Von Horváth
Edmund Josef von Horváth (9 December 1901 – 1 June 1938) was an Austro-Hungarian playwright and novelist who wrote in German, and went by the ''nom de plume'' Ödön von Horváth (). He was one of the most critically admired writers of his generation prior to his untimely death. He enjoyed a series of successes on the stage with socially poignant and romantic plays, including ''Revolte auf Côte 3018'' (1927), ''Sladek'' (1929), ''Italienische Nacht'' (1930), ''Hin und Her'' (1934), and ''Der Jüngste Tag'' (1937). His novels include ''Der ewige Spießer'' (1930), ''Ein Kind unserer Zeit'' (1938), and ''Jugend ohne Gott'' (1937). Early life and education Ödön von Horváth was the eldest son of an Austro-Hungarian diplomat of Hungarian origins from Slavonia, Edmund (Ödön) Josef Horváth, and Maria Lulu Hermine (Prehnal) Horváth, who was from an Austro-Hungarian military family. From 1908, Ödön attended elementary school in Budapest, and later attended the '' Rákócz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maggio Musicale Fiorentino
The Maggio Musicale Fiorentino (literal English translation: 'Florence Musical May') is an annual Italian arts festival in Florence, including a notable opera festival, under the auspices of the Opera di Firenze. The festival occurs between late April into June annually, typically with four operas. History In April 1933, on Luigi Ridolfi Vay da Verrazzano's idea, Vittorio Gui founded the festival, with the aim of presenting contemporary and forgotten operas in visually dramatic productions. It was the first music festival in Italy and the oldest in Europe after the Salzburg Festival. The first opera presented was Verdi's early ''Nabucco'', his early operas then being rarely staged. The first festival's success, which included two performances of Spontini's '' La Vestale'' with Rosa Ponselle, led to it becoming a biennial event in 1937 with the presentation of nine operas. After 1937, it became an annual festival, except during World War II. Performances took place in the Teatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale Di Firenze
The was an opera house in Florence, Italy. It was originally built as the open-air amphitheatre, the Politeama Fiorentino Vittorio Emanuele, which was inaugurated on 17 May 1862 with a production of Donizetti's ''Lucia di Lammermoor'' and which seated 6,000 people. It became the focus on cultural life in the city. After closure caused by fire, it reopened in April 1864 and acquired a roof in 1882. By 1911 it had both electricity and heating. In 1930 the building was taken over by the city authorities who renamed it the ''Teatro Comunale''. Bombing during the Second World War damaged the building once again, and other problems closed it for three years in 1958. Finally, in May 1961, the then-modernized theatre reopened with Verdi's ''Don Carlo''. It had become a 2,000 seat elliptically shaped auditorium consisting of a large orchestra section, one tier of boxes, and two wide semicircular galleries, which betray the building's amphitheatre origins. As the theatre became more cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Comunale (Ferrara)
The Teatro Comunale (''Communal Theatre'') in Ferrara is an opera house, located in the Italian region of Emilia-Romagna, and built between 1786 and 1797 with seating for 990. Privately owned theatres with limited seating capacity had existed in the city for many years, but the arrival of Cardinal Spinelli, the new papal envoy, in 1786 spurred the construction of a new public theatre under the architects Cosimo Morelli and Antonio Foschini. However, their disagreements led to conflicting design concepts regarding the elliptical shape of the auditorium which were resolved through compromise. The theatre was finally ready for its inaugural presentation of Portogallo's ''Gli Orazi e i Curiazi'' on 2 September 1798. The theatre is noted for staging the premiere of an early opera written by Gioacchino Rossini at the age of twenty, '' Ciro in Babilonia'' in March 1812. Between 1825 and 1826 some renovation work was required, followed by some more in 1850, creating the theatre as see ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Massimo Bellini
The Teatro Massimo Bellini is an opera house located on Piazza Vincenzo Bellini in Catania, Sicily, southern Italy. Named after the local-born composer Vincenzo Bellini, it was inaugurated on 31 May 1890 with a performance of the composer's masterwork, ''Norma''. It seats 1,200. History The creation of what was to finally become the Teatro Massimo Bellini took almost two hundred years, beginning with discussions following the disastrous 1693 earthquake which completely destroyed Catania. The construction of a public theatre was discussed, and a foundation stone was finally laid in 1812. Architect Salvatore Zahra Buda began to prepare a plan for a theatre in the Piazza Nuovaluce, in front of the Santa Maria di Nuovaluce monastery, the location of the present-day theatre. It was decided that a "Great Municipal Theatre" worthy of an expanding city should be created; the plan of the "Teatro Nuovaluce" (New Light Theatre) was a grandiose one in all respects, and was conceived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Lirico Di Cagliari
The Teatro Lirico di Cagliari is an opera house in Cagliari. It is the main theatre of the city. The Teatro Lirico was built in order to provide a large theatre to the city. After the destruction of the ''Teatro Civico'', damaged by the shelling of Cagliari operated by the Allies of World War II, Allies during World War II, and the destruction of the ''Politeama Regina Margherita'' due to a fire in 1942, after the war there was not a suitable theatre in Cagliari. The project, by the Italian architects Luciano Galmozzi, Pierfrancesco Ginoulhiac e Teresa Ginoulhiac Arslan, won a bid for the contract in 1967. The opera house was inaugurated in 1993. It covers a surface of among the stage (which is wide; long; and high), the auditorium (with 1,628 seats divided into stalls, 800 seats, and two loggias, 431 and 397 seats) and the foyer. Various rooms, like laboratories, offices, Bar (establishment)#Italy, bar, book shop and restaurant were added after the inauguration. The Teat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyndebourne
Glyndebourne () is an English country house, the site of an opera house that, since 1934, has been the venue for the annual Glyndebourne Festival Opera. The house, located near Lewes in East Sussex, England, is thought to be about six hundred years old and listed at grade II.Kennedy, p. 5 History of the house "There had been a manor house at Glynde Bourne (as it was often spelt) since the fifteenth century", but the exact age of the house is unknown. Some surviving timber framing and pre-Elizabethan panelling makes an early 16th-century date the most likely. In 1618, it came into the possession of the Hay family, passing to James Hay Langham in 1824. He inherited his father's baronetcy and estate in Northamptonshire in 1833 which under the terms of his inheritance should have led to him relinquishing Glyndebourne, but as a certified lunatic he was unable to do so. After litigation the estate passed to a relative, Mr Langham Christie, but he later had to pay £50,000 to pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salzburg Festival
The Salzburg Festival () is a prominent festival of music and drama established in 1920. It is held each summer, for five weeks starting in late July, in Salzburg, Austria, the birthplace of Wolfgang Amadeus Mozart. Mozart's operas are a focus of the festival; one highlight is the annual performance of Hofmannsthal's play ''Jedermann (play), Jedermann'' (''Everyman''). Since 1967, an annual Salzburg Easter Festival has also been held, organized by a separate organization. History Music festivals were held in Salzburg at irregular intervals since 1877 by the International Mozarteum Foundation but were discontinued in 1910. A festival was planned for 1914, but it was cancelled at the outbreak of World War I. In 1917, Friedrich Gehmacher and Heinrich Damisch formed an organization known as the ''Salzburger Festspielhaus-Gemeinde'' to establish an annual festival of drama and music, emphasizing especially the works of Mozart. At the close of the war in 1918, the festival's revival wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prayner Conservatory Of Music And Dramatic Arts In Vienna
The Prayner Conservatory of Music and Dramatic Arts in Vienna licensed by the Austrian authorities founded in 1905, and has developed into one of the most well-known and historical conservatories in the city of Vienna. This conservatory has been permanently closed since June 2020. The below is no longer valid. Retrieved 1 January 2022. Currently the conservatory offers undergraduate, graduate, and post-graduate degrees as well as offering adult education and pre-college education. Students of all levels can take voice or instrumental lessons, and have the opportunity to perform in the orchestra or choir. At the end of the study at Prayner Conservatory the students graduate an internationally recognized Austrian "Artistic Diploma" in the following by the Austrian authorities licensed fields of study: Piano, Singing, Violin, Violoncello, Viola, Double-Bass, Flute, Clarinet, Oboe, Bassoon, Trumped, Trombone, Horn, Tuba, Guitar, Harp, Accordion, Percussion Instruments as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salome (opera)
''Salome'', Op. 54, is an opera in one act by Richard Strauss. The libretto is Hedwig Lachmann's German translation of the 1891 French play '' Salomé'' by Oscar Wilde, edited by the composer. Strauss dedicated the opera to his friend Sir Edgar Speyer. The opera is famous (at the time of its premiere, infamous) for its " Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. Composition history Oscar Wilde originally wrote his ''Salomé'' in French. Strauss saw the Lachmann version of the play in Max Reinhardt's production at the Kleines Theater in Berlin on 15 November 1902, and immediately set to work on an opera. The play's formal structure was well-suited to musical adaptation. Wilde himself described ''Salomé'' as containing "refrains whose recurring ''motifs'' make it so like a piece of music and bind it together as a ballad". Strauss pared down Lachmann's German text to what he saw as its essentials, and in the proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is a historic opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
