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Juventude Em Marcha
''Colossal Youth'' (, literally "Youth on the March") is a 2006 docufiction feature film directed by Portuguese director Pedro Costa. It was third feature by Costa set in Lisbon's Fontainhas neighborhood (after '' Ossos'' and '' In Vanda's Room''), and the first to feature the recurring character Ventura. ''Colossal Youth'' was shot on DV in long, static takes; it also mixes documentary and fiction storytelling. The film is a meditation on the aftermath of the Carnation Revolution and its consequences for Portugal's poverty-stricken Cape Verdean immigrants. It was part of the Official Competition at the 2006 Cannes Film Festival. Plot "''Many of the lost souls of Ossos and In Vanda’s Room return in the spectral landscape of Colossal Youth,.... What results is a form of ghost story, a tale of derelict, dispossessed people living in the past and present at the same time...''" The film opens with a shot of a doorway in a run-down neighborhood. Furniture comes crashing down on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedro Costa
Pedro Costa (born 30 December 1958) is a Portuguese film director. He is best known for his sequence of films set in Lisbon, which focuses on the lives of the impoverished residents of a slum in the Fontainhas neighbourhood. Biography After completing a degree in history from the University of Lisbon, Costa worked as an assistant for Jorge Silva Melo, Vítor Gonçalves and João Botelho. He released his debut film '' O Sangue'' at the age of 30. Costa's films would receive acclaim from critics consistently throughout his career. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing '' In Vanda's Room''. '' Colossal Youth'' was selected for the 2006 Cannes Film Festival and earned the Independent/Experimental prize (Los Angeles Film Critics Association) in 2008. Horse Money was awarded the Leopard for Best Director in 2014, while his Vitalina Varela was awarded the Gold Leopard for Best Film in 2019. Style and influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yasujirō Ozu
was a Japanese filmmaker. He began his career during the era of silent films, and his last films were made in colour in the early 1960s. Ozu first made a number of short comedies, before turning to more serious themes in the 1930s. The most prominent themes of Ozu's work are family and marriage, and especially the relationships between generations. His most widely beloved films include ''Late Spring'' (1949), ''Tokyo Story'' (1953) and ''An Autumn Afternoon'' (1962). Widely regarded as one of the world's greatest and most influential filmmakers, Ozu's work has continued to receive acclaim since his death. In the 2012 ''Sight & Sound'' poll, Ozu's ''Tokyo Story'' was voted the third-greatest film of all time by critics world-wide. In the same poll, ''Tokyo Story'' was voted the greatest film of all time by 358 directors and film-makers world-wide. Biography Early life Ozu was born in the Fukagawa, Tokyo, Fukagawa district of Tokyo City, Tokyo, the second son of merchant Torano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnofiction Films
Ethnofiction is a subfield of ethnography which produces works that introduce art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film. It is a film type in which, by means of fictional narrative or creative imagination, often improvised, the portrayed characters (natives) play their own roles as members of an ethnic or social group. History Ethnologist Jean Rouch is considered to be the father of ethnofiction, with Robert Flaherty as an ancestor. Rouch discovered that a filmmaker interferes with the event he registers: the behavior of the portrayed individuals, the natives, will be affected by the camera's presence. Contrary to the principles of Marcel Griaule, his mentor, Rouch considers it impossible for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2000s Portuguese-language Films
S, or s, is the nineteenth letter of the Latin alphabet, used in the English alphabet, the alphabets of other western European languages and other latin alphabets worldwide. Its name in English is ''ess'' (pronounced ), plural ''esses''. History Northwest Semitic šîn represented a voiceless postalveolar fricative (as in 'ip'). It originated most likely as a pictogram of a tooth () and represented the phoneme via the acrophonic principle. Ancient Greek did not have a "sh" phoneme, so the derived Greek letter Sigma () came to represent the voiceless alveolar sibilant . While the letter shape Σ continues Phoenician ''šîn'', its name ''sigma'' is taken from the letter ''Samekh'', while the shape and position of ''samekh'' but name of ''šîn'' is continued in the '' xi''. Within Greek, the name of ''sigma'' was influenced by its association with the Greek word (earlier ), "to hiss". The original name of the letter "Sigma" may have been ''san'', but due to the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portuguese Drama Films
Portuguese may refer to: * anything of, from, or related to the country and nation of Portugal ** Portuguese cuisine, traditional foods ** Portuguese language, a Romance language *** Portuguese dialects, variants of the Portuguese language ** Portuguese man o' war, a dangerous marine animal ** Portuguese people, an ethnic group See also * * ''Sonnets from the Portuguese'' * "A Portuguesa", the national anthem of Portugal * Lusofonia * Lusitania Lusitania (; ) was an ancient Iberian Roman province encompassing most of modern-day Portugal (south of the Douro River) and a large portion of western Spain (the present Extremadura and Province of Salamanca). Romans named the region after th ... * {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films". A "sister company" of arthouse film distributor Janus Films, Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and documentary content about the films and filmmakers. Criterion most notably pioneered the use of commentary tracks. Criterion has produced and distributed more than 1,200 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via The Criterion Channel, an online streaming service that the company operates. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
GreenCine Daily
GreenCine Daily was a film and film criticism news site operated by the defunct video rental service GreenCine. The site was originally edited by David Hudson, who developed a format that curated links to articles, reviews, interviews and podcasts. Over the course of Hudson's tenure, the site became one of the centers of the online film community. In 2009, Hudson moved the format to the website of Independent Film Channel, IFC as the "IFC Daily," and later to Mubi (website), Mubi as the "Daily Mubi." Between 2009 and 2013, GreenCine Daily was edited by Aaron Hillis. The site's emphasis was on original content, and it included writings by critics such as Vadim Rizov, Nick Schager and Steve Dollar. Editorship The site was originally edited and written by David Hudson, who held in his position until December 31, 2008, after which he moved the format to a similar blog at the website of Independent Film Channel, IFC. Soon afterwards, Hudson moved the format to the film website Mubi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnofiction
Ethnofiction is a subfield of ethnography which produces works that introduce art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film. It is a film type in which, by means of fictional narrative or creative imagination, often improvised, the portrayed characters ( natives) play their own roles as members of an ethnic or social group. History Ethnologist Jean Rouch is considered to be the father of ethnofiction, with Robert Flaherty as an ancestor. Rouch discovered that a filmmaker interferes with the event he registers: the behavior of the portrayed individuals, the natives, will be affected by the camera's presence. Contrary to the principles of Marcel Griaule, his mentor, Rouch considers it impossible for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Docufiction Films
This is a list of docufiction feature-length films ordered chronologically. Please search for references inside each article: *1926: '' Moana'' by Robert Flaherty, USA *1930: '' Maria do Mar'' by Leitão de Barros, Portugal *1931: '' Tabu'' by Robert Flaherty and F. W. Murnau, USA *1932: '' L'or des mers'' by Jean Epstein, France *1934: ''Man of Aran'' by Robert Flaherty, UK *1945: '' Ala-Arriba!'' by Leitão de Barros, Portugal *1948: ''La Terra Trema'' by Luchino Visconti, Italy *1948: '' Louisiana Story'' by Robert Flaherty, USA *1952: '' Children of Hiroshima'' by Kaneto Shindo, Japan *1956: '' On the Bowery'' by Lionel Rogosin, USA *1958: '' Moi, un noir'' (Me, A Black Man) by Jean Rouch, France *1958/59 '' Indie Matra Bhumi'' (The Motherland) by Roberto Rossellini, Italy *1959: '' Come Back, Africa'' by Lionel Rogosin, USA *1961: '' La pyramide humaine'' (The Human Pyramid) by Jean Rouch, France *1962: '' Rite of Spring'' by Manoel de Oliveira, Portugal *1963: '' Pour l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home video, home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films". A "sister company" of art film, arthouse film distributor Janus Films, Criterion serves film and media scholars, Cinephilia, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as Film preservation, film restoration, the Letterboxing (filming), letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and documentary content about the films and filmmakers. Criterion most notably pioneered the use of Audio commentary, commentary tracks. Criterion has produced and distributed more than 1,200 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slant Magazine
''Slant Magazine'' is an American online publication that features reviews of movies, music, TV, DVDs, theater, and video games, as well as interviews with actors, directors, and musicians. The site covers various film festivals like the New York Film Festival. History ''Slant Magazine'' was launched in 2001. On January 21, 2010, it was relaunched and absorbed the entertainment blog ''The House Next Door'', founded by Matt Zoller Seitz, a former ''New York Times'' and '' New York Press'' writer, and maintained by Keith Uhlich, former '' Time Out New York'' film critic, who was the blog's editor until 2012. In the media ''Slant''s reviews, which A. O. Scott of ''The New York Times'' has described as "passionate and often prickly", have occasionally been the source of debate and discourse online and in the media. Ed Gonzalez's review of Kevin Gage's 2005 film '' Chaos'' sparked some controversy when Roger Ebert quoted it in his review of the film for the '' Chicago Sun-Time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manohla Dargis
Manohla June Dargis ( ) is an American film critic. She is the chief film critic for ''The New York Times''. She is a five-time finalist for the Pulitzer Prize for Criticism. Career Before being a film critic for ''The New York Times'', Dargis was a chief film critic for the ''Los Angeles Times'', the film editor at the ''LA Weekly'', and a film critic at ''The Village Voice'', where she had two columns on avant-garde cinema ("CounterCurrents" and "Shock Corridor"). Her work has been included in a number of books, including ''Women and Film: A Sight and Sound Reader'' and ''American Movie Critics: An Anthology from the Silents Until Now,'' published by the Library of America. She wrote a monograph on Curtis Hanson's film '' L.A. Confidential'' for the British Film Institute and served as the president and vice-president of the Los Angeles Film Critics Association. In 2012, Dargis received the Nelson A. Rockefeller Award from Purchase College; the award is, according to the co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
