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Ethnofiction
Ethnofiction is a subfield of ethnography which produces works that introduce art, in the form of storytelling, "thick descriptions and conversational narratives", and even first-person autobiographical accounts, into academic works. In addition to written texts, the term has also been used in the context of filmmaking, where it refers to ethnographic docufiction, a blend of documentary and fictional film. It is a film type in which, by means of fictional narrative or creative imagination, often improvised, the portrayed characters ( natives) play their own roles as members of an ethnic or social group. History Ethnologist Jean Rouch is considered to be the father of ethnofiction, with Robert Flaherty as an ancestor. Rouch discovered that a filmmaker interferes with the event he registers: the behavior of the portrayed individuals, the natives, will be affected by the camera's presence. Contrary to the principles of Marcel Griaule, his mentor, Rouch considers it impossible for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary film, documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in Real time (media), real time, filmed when the events take place, and in which the main character (arts), character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a num ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ala-Arriba! (film)
''Ala-Arriba!'' is a 1942 in film, 1942 Portugal, Portuguese romantic film, romantic docufiction set in Póvoa de Varzim, a traditional Portugal, Portuguese fishing town. Dealing with ethnographic matters, it may be considered as an ethnofiction. The film was directed by José Leitão de Barros, Leitão de Barros, and stars real fishermen as themselves in order to give a realistic view over traditions and social behaviours of the community. Focusing the cultural context, it continuously shifts from Documentary film, documentary to drama, by means of a fictional narrative. Contemporary to Robert Flaherty, Barros is with him one of the first filmmakers to explore docufiction and ethnofiction as forms of dramatic narrative. It première, premiered at São Luis Theatre in Lisbon. Synopsis It focuses on maritime tragedy of the town and a forbidden love between Julha (Elsa Bela-Flor) and João Moço (Domingos Gonçalves), from different Póvoa de Varzim#Culture, fisher castes, in a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Of Aran
''Man of Aran'' is a 1934 Irish fictional documentary ( ethnofiction) film shot, written and directed by Robert J. Flaherty about life on the Aran Islands off the western coast of Ireland. It portrays characters living in premodern conditions, documenting their daily routines such as fishing off high cliffs, farming potatoes where there is little soil, and hunting for huge basking sharks to get liver oil for lamps. Some situations are fabricated, such as one scene in which the shark fishermen are almost lost at sea in a sudden gale. Additionally, the family members shown are not actually related, having been chosen from among the islanders for their photogenic qualities. George C. Stoney's 1978 documentary ''How the Myth was Made'', which is included in the special features of the DVD, relates that the Aran Islanders had not hunted sharks in this way for over fifty years at the time the film was made. ''Man of Aran'' is Flaherty's recreation of culture on the edges of modern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moi, Un Noir
''Moi, un noir'' (, "Me, a Black erson; also released as ''I, a Negro'') is a 1958 French ethnofiction film directed by Jean Rouch. The film is set in Abidjan, Ivory Coast. Synopsis The film depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. These young immigrants are Oumarou Ganda (portraying himself under the pseudonym of Edward G. Robinson, a nickname he adopts because of his idolization of the eponymous movie star), Petit Tourè (portraying himself as Eddie Constantine), Alassane Maiga (Tarzan), Amadou Demba (Élite), Seydou Guede (Postman), and Karidyo Daoudou (Petit Jules). The film traces a week in these immigrants’ lives, blurring the line between their characters’ routines and their own. Every morning, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moana (1926 Film)
''Moana'' () is a 1926 American silent documentary film, or more strictly a work of docufiction, which was directed by Robert J. Flaherty, creator of '' Nanook of the North'' (1922), and his wife Frances H. Flaherty. Production ''Moana'' was filmed in Samoa (then under the Western Samoa Trust Territory) in the villages of Safune district on the island of Savai'i. The name of the lead male character, ''Moana,'' means 'deep sea, deep water' in the Samoan language. In making the film, Flaherty lived with his wife and collaborator Frances H. Flaherty and their three daughters in Samoa for more than a year. They arrived in Samoa in April 1923 and stayed until December 1924, with the film being completed in December 1925. Hoping that Flaherty could repeat the success of ''Nanook'', Paramount Pictures sent him to Samoa to capture the traditional life of the Polynesians on film. Flaherty reportedly arrived with 16 tons of filmmaking equipment. This included both a regular movie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ethnographic Film
An ethnographic film is a non-fiction film, often similar to a documentary film, historically shot by Western filmmakers and dealing with non-Western people, and sometimes associated with anthropology. Definitions of the term are not definitive. Some academics claim it is more documentary, less anthropology, while others think it rests somewhere between the fields of anthropology and documentary films. Anthropologist and ethnographic filmmaker David MacDougall wrote in a 1978 paper: "Ethnographic films cannot be said to constitute a genre, nor is ethnographic film-making a discipline with unified origins and an established methodology. Since the first conference on ethnographic film was held at the Musée de l'Homme 30 years ago, the term has served a largely emblematic function, giving a semblance of unity to extremely diverse efforts in the cinema and social sciences." The genre has its origins in the colonial context. Scholars and practitioners have put great efforts to disa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Leitão De Barros
José Júlio Marques Leitão de Barros (22 October 1896 – 29 June 1967) was a Portuguese film director and playwright. Career Among his most famous films are '' Maria do Mar'' (1930), the second docufiction after '' Moana'' (1926) by Robert Flaherty, the first Portuguese sound film, '' A Severa'' (1931), '' Ala-Arriba!'' (1945), and a biopic about Portugal's national poet, '' Camões'' (1946). He was born and died in Lisbon. Filmography * ''Mal de Espanha'' (1918) * '' O Homem dos Olhos Tortos'' (1918) (unfinished) * ''Malmequer'' (1918) * ''Sidónio Pais - Proclamação do Presidente da República'' (1918) (lost) * ''Nazaré, Praia de Pescadores'' (1929) (the second part is lost) * ''Festas da Curia'' (1927) * ''Lisboa, Crónica Anedótica'' (1930) * '' Maria do Mar'' (1930) * '' A Severa'' (1931) * '' As Pupilas do Senhor Reitor'' (1935) * ''Bocage'' (1936) * ''Las Tres Gracias'' (1936) * '' Maria Papoila'' (1937) * ''Legião Portuguesa'' (1937) * ''Mocidade Portuguesa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Flaherty
Robert Joseph Flaherty, (; February 16, 1884 – July 23, 1951) was an American filmmaker who directed and produced the first commercially successful feature-length documentary film, '' Nanook of the North'' (1922). The film made his reputation and nothing in his later life fully equaled its success, although he continued the development of this new genre of narrative documentary with '' Moana'' (1926), set in the South Seas, and ''Man of Aran'' (1934), filmed in Ireland's Aran Islands. Flaherty is considered the father of both the documentary and the ethnographic film. Flaherty was married to writer Frances H. Flaherty from 1914 until his death in 1951. Frances worked on several of her husband's films, and received an Academy Award nomination for Best Original Story for '' Louisiana Story'' (1948). Early life Flaherty was one of seven children born to prospector Robert Henry Flaherty (an Irish Protestant) and Susan Klockner (a German Catholic). Due to exposure from his fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louisiana Story
''Louisiana Story'' is a 1948 American black-and-white drama film directed and produced by Robert J. Flaherty. Its script was written by Frances H. Flaherty and Robert J. Flaherty. Although it has historically been represented as a documentary film, the events and characters depicted are fictional. There is not enough factual or educational material in the film to warrant classifying it as docufiction. The film was commissioned by the Standard Oil Company to promote its drilling ventures in the Louisiana bayous. Plot The film deals with the adventures of a young Cajun boy and his pet raccoon, who live a somewhat idyllic existence playing in the bayous of Louisiana. A sub-plot involves his elderly father allowing an oil company to drill for oil in the inlet that runs behind their house. An inland barge is towed into the inlet from interconnecting waterways. Most, if not all, of South Louisiana swamps and inland waters without land access were and are explored using dredged ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Maîtres Fous
LES or Les may refer to: People * Les (given name) * Les (surname) * L.E.S. (producer), hip hop producer Space flight * Launch Entry Suit, worn by Space Shuttle crews * Launch escape system, for spacecraft emergencies * Lincoln Experimental Satellite series, 1960s and 1970s Biology and medicine * Lazy eye syndrome, or amblyopia, a disorder in the human optic nerve * The Liverpool epidemic strain of '' Pseudomonas aeruginosa'' * Lower esophageal sphincter * Lupus erythematosus systemicus Places * The Lower East Side neighborhood of Manhattan, New York City * Les, Catalonia, a municipality in Spain * Leş, a village in Nojorid Commune, Bihor County, Romania * ''Les'', the Hungarian name for Leșu Commune, Bistriţa-Năsăud County, Romania * Les, a village in Tejakula district, Buleleng regency, Bali, Indonesia * Lesotho, IOC and UNDP country code * Lès, a word featuring in many French placenames Transport * Leigh-on-Sea railway station, National Rail station c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spain
Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Europe and the fourth-most populous European Union member state. Spanning across the majority of the Iberian Peninsula, its territory also includes the Canary Islands, in the Eastern Atlantic Ocean, the Balearic Islands, in the Western Mediterranean Sea, and the Autonomous communities of Spain#Autonomous cities, autonomous cities of Ceuta and Melilla, in mainland Africa. Peninsular Spain is bordered to the north by France, Andorra, and the Bay of Biscay; to the east and south by the Mediterranean Sea and Gibraltar; and to the west by Portugal and the Atlantic Ocean. Spain's capital and List of largest cities in Spain, largest city is Madrid, and other major List of metropolitan areas in Spain, urban areas include Barcelona, Valencia, Seville, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Buñuel
Luis Buñuel Portolés (; 22 February 1900 – 29 July 1983) was a Spanish and Mexican filmmaker who worked in France, Mexico and Spain. He has been widely considered by many film critics, historians and directors to be one of the greatest and most influential filmmakers of all time. Luis Buñuel filmography, Buñuel's works were known for their avant-garde surrealism which were also infused with political commentary. Often associated with the surrealist movement of the 1920s, Buñuel's career spanned the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dali on ''Un Chien Andalou'' (1929) and ''L'Age d'Or'' (1930). Both films are considered masterpieces of surrealist cinema. From 1947 to 1960, he honed his skills as a director in Mexico, making grounded and human melodramas such as ''Gran Casino'' (1947), ''Los Olvidados'' (1950) and ''Él (film), Él'' (1953). Here is where he gained the fundamentals of storytelling. Buñuel then transitioned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
