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Juno-Gi
Roland Juno-Gi is a music workstation/synth introduced in 2010 by Roland Corporation. As an installment in the long-running Juno series, the synthesizer is the successor to the Juno-G. Features The Juno-Gi is a 128-voice polyphony keyboard that contains about 1,300 sounds and an eight-track digital recorder with guitar, microphone and line inputs. USB memory, MIDI Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, ... file format (SMF/MP3/WAV/AIFF), and D-Beam control are included. References External links Roland- Roland US official site Musician's Friend review for JUNO-Gi(archive.org) Juno-Gi Music workstations D-Beam Polyphonic synthesizers Digital synthesizers Japanese inventions {{Electronic-musical-instrument-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juno-G
Roland Juno-G is a music workstation/synth introduced in 2006 by Roland Corporation. It is based on the Fantom-X series, having a vintage design that resembles the first Juno synthesizers, such as the Juno-106. The Juno-G's main competitors in the approximate price range, with similar features, when first released, were the Korg Triton Le/TR and Yamaha MO6 workstation synthesizers. Despite the similar name and later introduction, the Juno-G was not set to replace the popular Juno-D synthesizer: for they both ran concurrently. Apart from the Juno name, the G and the D have little similarities, the D having its roots in Roland's RS PCM machines. The Juno-G was discontinued in 2010, when Roland introduced its successor, the Juno-Gi. Features The Juno-G has the same sound engine as the Fantom-X series: 128-voice polyphony, 768 patches and 256 GM2 patches within the 64 MB of wave memory, with 16 MIDI plus 4 stereo audio tracks for recording and mixing. It was Windows and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Corporation
is a Japanese multinational manufacturer of electronic musical instruments, electronic equipment, and software. It was founded by Ikutaro Kakehashi in Osaka on 18 April 1972. In 2005, its headquarters relocated to Hamamatsu in Shizuoka Prefecture. It has factories in Malaysia, Taiwan, Japan, and the United States. As of December 2022, it employed 2,783 people. In 2014, it was subject to a management buyout by its CEO, Junichi Miki, supported by Taiyo Pacific Partners. Roland has manufactured numerous instruments that have had lasting impacts on music, such as the Juno-106 synthesizer, TB-303 bass synthesizer, and TR-808 and TR-909 drum machines. It was also instrumental in the development of MIDI, a standardized means of synchronizing electronic instruments manufactured by different companies. In 2016, ''Fact'' wrote that Roland had arguably had more influence on electronic music than any other company. History Background Roland founder Ikutaro Kakehashi had founded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample-based
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis.''Synthesizer Basics''. United States, H. Leonard Books, 1988. 72f. History Before digital recording became practical, instruments such as the Welte (1930s), phonogene (1950s) and the Mellotron (1960s) used analog optical disks or analog tape decks to play back sampled sounds. When sample-based synthesis was first developed, most affordable consumer synthesizers could not record arbitrary samples, but instead formed timbres by combining pre-recorded samples from ROM before routing the result through analog or digital filters. These synthesizers and their more complex descendants are often referred to as ROMplers. Sample-based instruments h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subtractive Synthesis
Subtractive synthesis is a method of sound synthesis in which Harmonic_series_(music)#Partial.2C_harmonic.2C_fundamental.2C_inharmonicity.2C_and_overtone, overtones of an audio signal are attenuated by a audio filter, filter to alter the timbre of the sound. Overview Subtractive synthesis relies on source sounds that have overtones, such as Sine wave, non-sinusoidal waveforms like Square wave (waveform), square and triangle wave, triangle waves, or white noise, white and pink noise. These overtones are then Modulation, modulated to alter the source sound. This modulation can happen in a wide variety of ways, such as Voltage-controlled filter, voltage-controlled or low-pass filter, low-pass filters. The technology developed in experimental electronic studios which were primarily focused on telecommunications and military applications. Early examples include Bell Labs' Voder (1937–8). Composers began applying the concept of subtractive synthesis beyond the recording studio in conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Workstation
A music workstation is an electronic musical instrument providing the facilities of: *a sound module, *a music sequencer and *(usually) a musical keyboard. It enables a musician to compose electronic music using just one piece of equipment. Origin of concept The concept of a music sequencer combined with a synthesizer originated in the late 1970s with the combination of microprocessors, mini-computers, digital synthesis, disk-based storage, and control devices such as musical keyboards becoming feasible to combine into a single piece of equipment that was affordable to high-end studios and producers, as well as being portable for performers. Prior to this, the integration between sequencing and synthesis was generally a manual function based on wiring of components in large modular synthesizers, and the storage of notes was simply based on potentiometer settings in an analog sequencer. Multitimbrality Polyphonic synthesizers such as Sequential Circuit Prophet-5 and Yamaha D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-Beam Control
The D-Beam is a Roland synthesizers interface that can control and manipulate sound and effects via the user's hand movements interacting with an infrared beam of light. Background The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. It was then introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin, the operating principles are fundamentally different; the theremin uses capacitive sensing In electrical engineering, capaciti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roland Synthesizers
Roland (; ; or ''Rotholandus''; or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the Matter of France. The historical Roland was military governor of the Breton March, responsible for defending Francia's frontier against the Bretons. His only historical attestation is in Einhard's ''Vita Karoli Magni'', which notes he was part of the Frankish rearguard killed in retribution by the Basques in Iberia at the Battle of Roncevaux Pass. The story of Roland's death at Roncevaux Pass was embellished in later medieval and Renaissance literature. The first and most famous of these epic treatments was the Old French ''Chanson de Roland">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... ''Chanson de Roland'' of the 11th century. Two masterpieces of Italian Renaissance poetry, the ''Orlando Innamora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Workstations
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer. Music often plays a key r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D-Beam
The D-Beam is a Roland synthesizers interface that can control and manipulate sound and effects via the user's hand movements interacting with an infrared beam of light. Background The D-Beam was originally manufactured by Interactive Light, as a stand-alone unit, around 1996. It was then soon purchased by Roland Corporation, becoming trademarked and rebranded as D-Beam Controller for their own music equipment. It was then introduced on a larger scale through the Roland MC-505 in 1998, was further incorporated into a large number of Roland's grooveboxes, workstations, keyboards, and digital samplers over the years. The controller is usually mounted in the equipment's panel facing upwards, and senses the performer's hand (or other body part) at a height of up to 15" (~40 cm) or so above the device. Although controlled in a similar manner to a theremin The theremin (; originally known as the ætherphone, etherphone, thereminophone or termenvox/thereminvox) is an electroni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphonic Synthesizers
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony). Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
