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Jungle Bass
''Jungle Bass'' is an EP by American funk band Bootsy's Rubber Band. The disc was released in 1990 by 4th & Broadway Records. Jungle Bass reunites most of the original members of Bootsy's Rubber Band, whose last album was released in 1979. The album represents one of the earliest collaborations between Bootsy and producer Bill Laswell. Track listing #"Jungle Bass" (Jungle One/Long Form) (W Collins, Bill Laswell, Bernie Worrell, Joel Johnson) 13:10 #"Disciples of Funk (The Return of the Funkateers)" (W Collins, Fred Wesley, Maceo Parker, Richard Griffith, Rick Gardner) 4:41 #"Jungle Bass" (House of Bass Mix) (W Collins, B Laswell, B Worrell, J Johnson) 9:03 #"Interzone" (Silent Hush-Hush Mix/Cyberfunk) (W Collins, B Laswell, B Worrell, J Johnson) 3:17 Personnel *Trombone: Fred Wesley *Alto Saxophone: Maceo Parker *Trumpet: Richard Griffith, Rick Gardner *Synthesizer: Bernie Worrell, Joel "Razor Sharp" Johnson, Jeff Bova *Front Ground Vocals: Gary Cooper *Bass, Samples & Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootsy's Rubber Band
A group is a number of persons or things that are located, gathered, or classed together. Groups of people * Cultural group, a group whose members share the same cultural identity * Ethnic group, a group whose members share the same ethnic identity * Religious group (other), a group whose members share the same religious identity * Social group, a group whose members share the same social identity * Tribal group, a group whose members share the same tribal identity * Organization, an entity that has a collective goal and is linked to an external environment * Peer group, an entity of three or more people with similar age, ability, experience, and interest * Class (education), a group of people which attends a specific course or lesson at an educational institution Social science * In-group and out-group * Primary, secondary, and reference groups * Social group * Collectives Philosophy and religion * Khandha, a Buddhist concept of five material and mental factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-funk
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4th & Broadway
4th & B'way Records (pronounced and spelled out completely as Fourth and Broadway Records in the UK) is a US-based subsidiary of Island Records that specialised in street-oriented music such as hip hop. Established in 1984, it was the flagship label of the Island Trading Company, the independent-distribution parent company of Island's other record labels that operated in the US. However, 4th & B'way was not distributed through major-label channels—the flagship Island label was distributed by Atlantic Records at that time—until the label and distribution company were acquired by PolyGram Records in 1989, when Island Trading became a unit of PolyGram Group Distribution and was renamed Independent Label Sales (ILS). It was also one of several US-based Island labels that were named after nearby New York City streets when Island's US headquarters were located at 14 East 4th Street in Manhattan, the same building that held the legendary East Village branch of Tower Records, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Laswell
William Otis Laswell (born February 12, 1955) is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, Dub music, dub, and ambient music, ambient styles. According to music critic Chris Brazier, "Laswell's pet concept is 'collision music' which involves bringing together musicians from wildly divergent but complementary spheres and seeing what comes out." Although his bands may be credited under the same name and often feature the same roster of musicians, the styles and themes explored on different albums can vary dramatically. Material (band), Material began as a noisy dance music band, but later albums concentrated on hip hop, jazz, or spoken word readings by William S. Burroughs. Most versions of the band Praxis (band), Praxis have included guitarist Buckethead, but they have explored different permutations on albums. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What's Bootsy Doin'?
''What's Bootsy Doin'?'' is a 1988 album by Parliament-Funkadelic bassist Bootsy Collins. The album was released by Columbia Records and was his first album after a six-year hiatus from the music scene. The album reunites Collins with former P-Funk players Bernie Worrell, Fred Wesley and Gary "Mudd Bone" Cooper, and also features newcomers including Mico Wave and Godmoma. ''What's Bootsy Doin'?'' was also released in Japan in the form of a limited edition metal box, dubbed "Syber-Funk Model"(CBS/Sony 34DP 5535~7). Also included was a booklet entitled "Cult Beat Shock" which gives an overview of other dance-oriented performers on the Columbia record label. Track listing #"Party On Plastic (What's Bootsy Doin'?)" (Bootsy Collins, Vicki Vee) 3:57 (released as a 7" single-Columbia 38-07991 and 12" single-Columbia 44 07878) #"Subliminal Seduction (Funk-Me Dirty)" ( Wes Boatman, George Clinton, Bootsy Collins) 3:31 #"Leakin'" (Trey Stone, George Clinton, Bootsy Collins) 4:16 #"S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blasters Of The Universe
''Blasters of the Universe'' is a 1993 2-CD set by Bootsy's New Rubber Band. The album was first released on the P-Vine record label and then by Rykodisc in the US and the UK. In terms of musical personnel, the album features more P-Funk and Funk alumni than any other Bootsy Collins related release. It also contains one of the last tracks to feature original Parliament-Funkadelic guitarist Eddie Hazel, to whom the album is dedicated. The album also contains a lyric sheet and a comic book called "Back 'N' Dah Day: A Boot Tune Adventure". Track listing Disc 1: #"Funk Express Card" (Bootsy Collins) 5:53 #"J.R. (Just Right)" (Bootsy Collins, Bernie Worrell, Frankie Waddy, Don Davis) 6:48 #"Blasters of the Universe" (Bootsy Collins, Fred Wesley, Maceo Parker, Richard Griffith, Rick Gardner) 6:45 #"Bad Girls" (Bootsy Collins, Joel Johnson, Lawrence Cornett, Anthony Cole) 5:40 #"Back-N-The Day" (Bootsy Collins, Phelps Collins, David Spradley, Maceo Parker) 6:16 #"Where R The Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play (EP) is a Sound recording and reproduction, musical recording that contains more tracks than a Single (music), single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 revolutions per minute, rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm LP record, long play (LP), but , also applies to mid-length Compact disc, CDs and Music download, downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as Mini-LP, mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were Vertic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernie Worrell
George Bernard Worrell, Jr. (April 19, 1944 – June 24, 2016) was an American Keyboard instrument, keyboardist and record producer best known as a founding member of the Parliament-Funkadelic collective. In later years, he also worked with acts such as Talking Heads, Bill Laswell, and Jack Bruce. He is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Worrell was described by journalist Jon Pareles as "the kind of sideman who is as influential as some bandleaders," with his use of synthesizers particularly impactful on funk and hip hop. Biography Early life Worrell was born in Long Branch, New Jersey, and grew up in Plainfield, New Jersey, where his family moved when he was eight. A musical Child prodigy, prodigy, he began formal piano lessons by age three and wrote a concerto at age eight. He went on to study at the Juilliard School and received a degree from the New England Conservatory of Music in 1967. As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Wesley
Fred Wesley (born July 4, 1943) is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s. Biography Wesley was born the son of a high school teacher and big band leader in Columbus, Georgia, and was raised in Mobile, Alabama. As a child, he took piano and later trumpet lessons. He played baritone horn and trombone in school, and when he was around 12, his father brought a trombone home, whereupon he switched (eventually permanently) to trombone. During the 1960s and 1970s, he was a pivotal member of James Brown's bands, playing on many hit recordings including " Say it Loud – I'm Black, and I'm Proud," " Mother Popcorn" and co-writing tunes such as " Hot Pants." His slippery riffs and precise solos, complementing those of saxophonist Maceo Parker, gave Brown's R&B, soul, and funk tunes their instrumental punch. In the 1970s, he also was band leader and musical director of Brown's band the J.B.'s, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maceo Parker
Maceo Parker (; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name. Biography Parker was born in Kinston, North Carolina, United States. Parker's father played piano and drums in addition to singing in church with Parker's mother; his brother Melvin played drums and his brother Kellis played the trombone.Thompson, Dave (2001). ''Funk''. Backbeat Books. pp. 176-179. . Parker and his brother Melvin joined James Brown in 1963; in his autobiography, Brown claims that he originally wanted Melvin as his drummer, but agreed to additionally take Maceo under his wing as part of the deal.Brown, James (1988). ''The Godfather of Soul'' (with Bruce Tucker), Fonta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
