|
Juan Vásquez (composer)
Juan Vásquez (or ''Vázquez'', c. 1500, Badajoz - c. 1560, Seville) was a Spanish priest and composer of the Renaissance. He can be considered part of the ''School of Andalusia'' group of composers along with Francisco Guerrero, Cristóbal de Morales, Juan Navarro Hispalensis and others.Juan Vásquez ''Requiem Survey''.Umeå Academic Choir's early music website /ref>The Spanish Song Companion 2006 -- Page 41 "JUAN VASQUEZ (c.1510—c.1560) Vasquez is a crucial figure in the history of the solo song in Spain. He was born in Badajoz, and spent some time in M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Badajoz
Badajoz (; formerly written ''Badajos'' in English) is the capital of the Province of Badajoz in the autonomous community of Extremadura, Spain. It is situated close to the Portuguese border, on the left bank of the river Guadiana. The population in 2011 was 151,565. Originally a settlement by groups such as the Romans and the Visigoths, its previous name was Civitas Pacensis. Badajoz was conquered by the Moors in the 8th century, and became a Moorish kingdom, the Taifa of Badajoz. After the reconquista, the area was disputed between Spain and Portugal for several centuries with alternating control resulting in several wars including the Spanish War of Succession (1705), the Peninsular War (1808–1811), the Storming of Badajoz (1812), and the Spanish Civil War (1936). Spanish history is largely reflected in the town. Badajoz is the see of the Roman Catholic Archdiocese of Mérida-Badajoz. Prior to the merger of the Diocese of Mérida and the Diocese of Badajoz, Badajoz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancico
The ''villancico'' (Spanish, ) or vilancete ( Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Spain and the New World Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter, ABA framework. The villancico developed as a secular polyphonic genre until religious villancicos gained populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Responsorium
A responsory or respond is a type of chant in western Christian liturgies. Definition The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been designated by the term responsory. In the Roman Rite and rites strongly influenced by it, such as the pre-reformation English rite and the monastic rite of the Rule of St. Benedict, these chants ordinarily follow readings at services of the Divine Office (also called the Liturgy of the Hours); however, they have also been used as processional chants. Structure and performance A responsory has two parts: a respond (or refrain), and a verse. Methods of performance vary, but typically the respond will be begun by the cantor then taken up by the entire choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon ( Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
