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José Belloni
José Belloni (September 12, 1882 – November 28, 1965) was a Uruguayan sculptor of the Realist school. Biography José Belloni was born in Montevideo, in 1882; his father was Swiss from Ticino, and his mother Basque from Spain. His family returned to Europe in 1890, however, and the Bellonis settled in Lugano, Switzerland. He took an early interest in sculpture, and was mentored by Luis Vasseli, earning a scholarship that briefly took him to Uruguay, in 1899. He later enrolled in the Munich Academy, and participated in numerous exhibitions throughout Europe. Returning to Uruguay, Belloni became an instructor in the Committee for the Encouragement of Fine Arts, and in 1914, he was picked to succeed painter Carlos María Herrera as director of the institution. Belloni created a sculpture in homage to his recently deceased predecessor, and its unveiling later that year in Montevideo's Paseo del Prado created a demand for his works as monuments. The first of these was Bello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptor
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze relief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People From Montevideo
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uruguayan People Of Basque Descent
Uruguay (; ), officially the Oriental Republic of Uruguay ( es, República Oriental del Uruguay), is a country in South America. It shares borders with Argentina to its west and southwest and Brazil to its north and northeast; while bordering the Río de la Plata to the south and the Atlantic Ocean to the southeast. It is part of the Southern Cone region of South America. Uruguay covers an area of approximately and has a population of an estimated 3.4 million, of whom around 2 million live in the metropolitan area of its capital and largest city, Montevideo. The area that became Uruguay was first inhabited by groups of hunter–gatherers 13,000 years ago. The predominant tribe at the moment of the arrival of Europeans was the Charrúa people, when the Portuguese first established Colónia do Sacramento in 1680; Uruguay was colonized by Europeans late relative to neighboring countries. The Spanish founded Montevideo as a military stronghold in the early 18th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Entrevero
EL, El or el may refer to: Religion * El (deity), a Semitic word for "God" People * EL (rapper) (born 1983), stage name of Elorm Adablah, a Ghanaian rapper and sound engineer * El DeBarge, music artist * El Franco Lee (1949–2016), American politician * Ephrat Livni (born 1972), American street artist Arts, entertainment, and media Fictional entities * El, a character from the manga series ''Shugo Chara!'' by Peach-Pit * El, short for Eleven, a fictional character in the TV series ''Stranger Things'' * El, family name of Kal-El (Superman) and his father Jor-El in '' Superman'' *E.L. Faldt, character in the road comedy film ''Road Trip'' Literature * ''Él'', 1926 autobiographical novel by Mercedes Pinto * ''Él'' (visual novel), a 2000 Japanese adult visual novel Music * Él Records, an independent record label from the UK founded by Mike Alway * ''Él'' (Lucero album), a 1982 album by Lucero * "Él", Spanish song by Rubén Blades from ''Caminando'' (album) * "Él" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Diligencia Belloni
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stelio Belloni
Stelio Belloni (Montevideo, 23 August 1920 - 9 September 1989) was a Uruguayan sculptor. He was son of the notable Realist sculptor José Belloni. Selected works * Guillermo Cuadri (Santos Garrido). Minas (1956). * Woman with Pitcher. Piedra Alta Park, Florida. * Doors of the Cathedral of Florida. * Avente Haedo, Minas. * Atilio Narancio, Estadio Centenario, Montevideo. * José Gervasio Artigas (horseback statue, 12 m tall), Minas, Lavalleja. * El Entrevero (with José Belloni), Montevideo. References External links Website - Taller Belloni Uruguayan people of Swiss-Italian descent People from Montevideo 1920 births 1989 deaths 20th-century Uruguayan sculptors Male sculptors 20th-century Uruguayan male artists {{Uruguay-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18 De Julio Avenue
Avenida 18 de Julio, or 18 de Julio Avenue, is the most important avenue in Montevideo, Uruguay. It is named after the date on which the country's first Constitution was sworn in, on July 18, 1830. It starts from Plaza Independencia at the limits of the Ciudad Vieja (the Old City), crosses the barrios Centro and Cordón and ends at the Obelisk of Montevideo in Tres Cruces, where it meets Artigas Boulevard. Although not the widest or longest avenue of the city, it is considered as the most important of Montevideo, both as a commercial center and because of the many tourist attractions along its length. It is also the district of Montevideo, as well as Ciudad Vieja, where art deco architecture is best preserved, an example of which is the Rinaldi, Díaz and Salvo palaces. History Avenida 18 de Julio was conceived as the axis of the "New City", after the 1829 Constituent Assembly decreed the demolition of the city's walls and fortifications. The avenue was designed in a st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Enrique Rodó
José Enrique Camilo Rodó Piñeyro (15 July 1871 – 1 May 1917) was a Uruguayan essayist. He cultivated an epistolary relationship with important Hispanic thinkers of that time, Leopoldo Alas (Clarín) in Spain, José de la Riva-Agüero in Peru, and, most importantly, with Rubén Darío, the most influential Latin American poet to date, the founder of ''modernismo''. As a result of his refined prose style and the ''modernista'' ideology he pushed, Rodó is today considered the preeminent theorist of the ''modernista'' school of literature. Rodó is best known for his essay ''Ariel'' (1900), drawn from '' The Tempest'', in which Ariel represents the positive, and Caliban represents the negative tendencies in human nature, and they debate the future course of history, in what Rodó intended to be a secular sermon to Latin American youth, championing the cause of the classical western tradition. What Rodó was afraid of was the debilitating effect of working individuals' limited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parque Rodó
Parque Rodó is both a ''barrio'' (neighbourhood or district) of Montevideo, Uruguay and a park which lies mostly outside the limits of the barrio itself and belongs to Punta Carretas. The name "Rodó" has been given in memory of José Enrique Rodó, an important Uruguayan writer whose monument is in the southern side of the main park. The park On the north side of the main park is an artificial lake with a little castle housing a municipal library for children. An area to its west is used as an open-air exhibition of photography. Apart from the main park area which is delimited by Sarmiento Avenue to the south, Parque Rodó includes an amusement park, the Estadio Luis Franzini, belonging to Defensor Sporting, the front lawn of the Faculty of Engineering, and a stripe West of the Club de Golf del Uruguay which includes the ''Canteras del Parque Rodó'' (the quarry of), the ''Teatro de Verano'' and the ''Lago del Parque Rodó'' (the lake of). The barrio Parque Rodó ''barrio'' sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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