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Joshua Hecht
Joshua Hecht (March 4, 1928 – March 29, 2019) was an American operatic bass. Biography Born in New York City, the son of Russian Jewish immigrants, he received a Bachelor of Arts from New York University, in 1951. Hecht was a student of Rosa Ponselle, and made his formal debut with her company, the Baltimore Civic Opera, in 1953, as the Comte des Grieux in ''Manon''. Two years later, he first appeared with the New York City Opera, as Monterone in ''Rigoletto'', with Cornell MacNeil in the name part. From 1955 to 1960, the bass sang with that ensemble, as Colline in ''La bohème'', Cesare Angelotti in ''Tosca'', Sparafucile in ''Rigoletto'' (with Aldo Protti, later Louis Quilico, as the jester), Ferrando in ''Il trovatore'' (conducted by Julius Rudel), Oronte in Rolf Liebermann's ''School for Wives'', the Elder Ott in the New York premiere of Carlisle Floyd's ''Susannah'' (with Phyllis Curtin and Norman Treigle, conducted by Erich Leinsdorf), Alonso in the American premiere of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phyllis Curtin
Phyllis Curtin (née Smith; December 3, 1921 – June 5, 2016) was an American soprano and academic teacher who had an active career in operas and concerts from the early 1950s through the 1980s. She is known for her creation of roles in operas by Carlisle Floyd, such as the title role in ''Susannah'' and Catherine Earnshaw in ''Wuthering Heights''. She was a dedicated song recitalist, who retired from singing in 1984. She was named Boston University's Dean Emerita, College of Fine Arts in 1991.Boston University College of Fine Arts , bu.edu; accessed July 18, 2015. Education and early career Phyllis Smith was born in , and ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schweigsame Frau
''Die schweigsame Frau'' (''The Silent Woman''), Op. 80, is a 1935 comic opera in three acts by Richard Strauss with libretto by Stefan Zweig after Ben Jonson's '' Epicoene, or the Silent Woman''. Composition history Since ''Elektra'' and '' Der Rosenkavalier'', with only the exception of '' Intermezzo'', all previous operas by Strauss were based on libretti by Hugo von Hofmannsthal, who died in 1929. Stefan Zweig, who was then a celebrated author, had never met Strauss, who was his senior by 17 years. In his autobiography '' The World of Yesterday'', Zweig describes how Strauss got in touch with him after Hofmannsthal's death to ask him to write a libretto for a new opera. Zweig chose a theme from Ben Jonson. Politics of the opera Strauss was seen as an important icon of German music by the Nazis, who had seized power in Germany in April 1933. Strauss himself was co-operating with the Nazis and became the president of the Reichsmusikkammer in November 1933. Zweig had got ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Regina (Blitzstein)
''Regina'' is an opera by Marc Blitzstein, to his own libretto based on the play '' The Little Foxes'' by Lillian Hellman. It was completed in 1948 and premiered the next year. Blitzstein chose this source in order to make a strong statement against capitalism. In three acts, the musical style has been described as new American verismo, abounding in the use of spirituals, Victorian parlour music, dance forms, ragtime, aria and large, symphonic score. Borrowing from both opera and Broadway styles, in a manner similar to Leonard Bernstein in '' Trouble in Tahiti'' and Virgil Thomson in '' Four Saints in Three Acts'', ''Regina'' has been said to straddle the line between entertainment and so-called serious music. Hellman gave Blitzstein considerable advice and strongly objected to any departures from the play's structure. Blitzstein planned an elaborate choral prologue, but Hellman convinced him to shorten and finally jettison it. Before the premiere, producer Cheryl Crawford insi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc Blitzstein
Marcus Samuel Blitzstein (March 2, 1905January 22, 1964), was an American composer, lyricist, and librettist. He won national attention in 1937 when his pro- union musical '' The Cradle Will Rock'', directed by Orson Welles, was shut down by the Works Progress Administration. He is known for ''The Cradle Will Rock'' and for his off-Broadway translation/adaptation of ''The Threepenny Opera'' by Bertolt Brecht and Kurt Weill. His works also include the opera '' Regina'', an adaptation of Lillian Hellman's play '' The Little Foxes''; the Broadway musical '' Juno'', based on Seán O'Casey's play '' Juno and the Paycock''; and '' No for an Answer''. He completed translation/adaptations of Brecht's and Weill's musical play '' Rise and Fall of the City of Mahagonny'' and of Brecht's play '' Mother Courage and Her Children'' with music by Paul Dessau. Blitzstein also composed music for films, such as ''Surf and Seaweed'' (1931) and ''The Spanish Earth'' (1937), and he contributed two son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Rosing
Vladimir Sergeyevich Rosing (russian: Владимир Серге́евич Розинг) (November 24, 1963), also known as Val Rosing, was a Russian-born operatic tenor and stage director who spent most of his professional career in the United Kingdom and the United States. In his formative years he experienced the last years of the "golden age" of opera, and he dedicated himself through his singing and directing into breathing new life into opera's outworn mannerisms and methods. Rosing was considered by many to rank as a singer and performer of the quality of Feodor Chaliapin. In ''The Perfect Wagnerite'', George Bernard Shaw called Chaliapin and Vladimir Rosing "the two most extraordinary singers of the 20th century". Vladimir Rosing's best known recordings are his performances of Russian art songs by composers such as Mussorgsky, Tchaikovsky, Rachmaninoff, Gretchaninov, Borodin and Rimsky-Korsakov. He was the first singer to record a song by Igor Stravinsky: ''Akahit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beverly Sills
Beverly Sills (May 25, 1929July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was especially renowned for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's ''Lucia di Lammermoor'', the title role in Massenet's '' Manon'', Marie in Donizetti's ''La fille du régiment'', the three heroines in Offenbach's '' Les contes d'Hoffmann'', Rosina in Rossini's ''The Barber of Seville'', Violetta in Verdi's ''La traviata'', and most notably Elisabetta in Donizetti's ''Roberto Devereux''. ''The New York Times'' noted, In her prime her technique was exemplary. She could dispatch coloratura roulades and embellishments, capped by radiant high Ds and E-flats, with se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Ballad Of Baby Doe
''The Ballad of Baby Doe'' is an opera by the American composer Douglas Moore that uses an English-language libretto by John Latouche. It is Moore's most famous opera and one of the few American operas to be in the standard repertory. Especially famous are the title heroine's five arias: "Letter Aria," "Willow Song," "I Knew it Was Wrong", "Gold is a Fine Thing", and "Always Through the Changing." Horace Tabor's "Warm as the Autumn Light" is also frequently heard. Distinguished sopranos who have portrayed Baby Doe include Beverly Sills (Moore's favorite interpreter of the role), Ruth Welting, Karan Armstrong, Faith Esham, and Elizabeth Futral. The opera's premiere took place at the Central City Opera in Colorado in 1956. Hanya Holm and Edwin Levy directed the production, and sopranos Dolores Wilson and Leyna Gabriele alternated in the title role. The opera's New York premiere, directed by Vladimir Rosing, was presented at the New York City Opera in 1958. This revised version ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Douglas Moore
Douglas Stuart Moore (August 10, 1893 – July 25, 1969) was an American composer, songwriter, organist, pianist, conductor, educator, actor, and author. A composer who mainly wrote works with an American subject, his music is generally characterized by lyricism in a popular or conservative style which generally eschewed the more experimental progressive trends of musical modernism. Composer Virgil Thomson described Moore as a neoromantic composer who was influenced by American folk music. While several of his works enjoyed popularity during his lifetime, only his folk opera '' The Ballad of Baby Doe'' (1956) has remained well known into the 21st century. Moore first created music while a student at Yale University from 1911 through 1917; writing usually humorous songs in a popular style for school events in addition to creating music for school plays and musical revues. His work composing music for the Yale Dramatic Association, Elizabethan Club, and Yale Glee Club drew the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Jennings Bryan
William Jennings Bryan (March 19, 1860 – July 26, 1925) was an American lawyer, orator and politician. Beginning in 1896, he emerged as a dominant force in the Democratic Party, running three times as the party's nominee for President of the United States in the 1896, 1900, and the 1908 elections. He served in the House of Representatives from 1891 to 1895 and as the Secretary of State under Woodrow Wilson. Because of his faith in the wisdom of the common people, Bryan was often called "The Great Commoner", and because of his rhetorical power and early notoriety, "The Boy Orator". Born and raised in Illinois, Bryan moved to Nebraska in the 1880s. He won election to the House of Representatives in the 1890 elections, served two terms, and made an unsuccessful run for the Senate in 1894. At the 1896 Democratic National Convention, Bryan delivered his "Cross of Gold" speech which attacked the gold standard and the eastern moneyed interests and crusaded for inflationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 ('' Rigoletto'', '' Il trovatore'' and ''La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of '' King Lear'' (as '' Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is " Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic '' Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
