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John Stoddart (stage Designer)
John Stoddart (born 1937) is an Australian opera stage designer. Born in Sydney, he began his career as an architect. On his first British commission in 1967, he designed the stage for Anthony Besch's production of ''Così fan tutte'' at the Scottish Opera, where he continued to work. In 2000 he collaborated with John Cox to stage ''Capriccio'' at the Sydney Opera House during the 2000 Summer Olympics. Aside from ''Capriccio'', with Opera Australia he has designed the sets for ''The Magic Flute'', ''Ariadne auf Naxos'', ''Patience'', ''The Beggar's Opera'', ''Die Fledermaus'', ''Les Huguenots'', ''Don Carlos'', ''A Streetcar Named Desire'', ''Of Mice and Men'', and ''Die tote Stadt (German for ''The Dead City''), Opus number, Op. 12, is an opera in three acts by Erich Wolfgang Korngold (1897–1957) set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It premiered in ...''. References Opera designers Living p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Besch
Anthony John Elwyn Besch (5 February 1924 – 23 December 2002) was an English opera and theatre director. As a young man he worked at Glyndebourne assisting the directors Carl Ebert and Günther Rennert. His first work as an opera director was for Welsh National Opera in 1954. Among other British companies with whom he worked were Opera North, D'Oyly Carte, The Royal Opera, the Aldeburgh Festival and Garsington Opera. He was most closely associated with English National Opera (and its predecessor, Sadler's Wells Opera), Scottish Opera, and the New Opera Company. Besch established an international reputation, and directed operas in continental Europe, North and South America and Australia. He was wary of "concept" productions, preferring to stage operas in a traditional manner, with what the critic Alan Blyth called "his scrupulous eye for what looked good and proved practical on stage." Life and career Early years Besch was born in London and educated at Rossall School, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadside ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's '' Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera'' began a revival run of 1,463 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Living People
Purpose: Because living persons may suffer personal harm from inappropriate information, we should watch their articles carefully. By adding an article to this category, it marks them with a notice about sources whenever someone tries to edit them, to remind them of WP:BLP (biographies of living persons) policy that these articles must maintain a neutral point of view, maintain factual accuracy, and be properly sourced. Recent changes to these articles are listed on Special:RecentChangesLinked/Living people. Organization: This category should not be sub-categorized. Entries are generally sorted by family name In many societies, a surname, family name, or last name is the mostly hereditary portion of one's personal name that indicates one's family. It is typically combined with a given name to form the full name of a person, although several give .... Maintenance: Individuals of advanced age (over 90), for whom there has been no new documentation in the last ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Designers
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Tote Stadt
(German for ''The Dead City''), Opus number, Op. 12, is an opera in three acts by Erich Wolfgang Korngold (1897–1957) set to a libretto by Paul Schott, a collective pseudonym for the composer and his father, Julius Korngold. It premiered in 1920. It is based on the 1892 novel ''Bruges-la-Morte'' by Georges Rodenbach. Origins Rodenbach's 1892 Symbolism (movement), symbolist catholic cult novel had already been adapted by the author into a play. The play was translated into German by Siegfried Trebitsch under the title (''The Silent City''), which he later changed to (''The Mirage''). Trebitsch was a friend of Korngold's father, Julius. The two met in the street one day and got into a conversation about a possible operatic adaptation. Trebitsch later met Erich, who was enthusiastic about the project. Trebitsch recalled "[I] met the young master Erich Wolfgang Korngold in search of a scenario or, even better, a mood or operatic background that could be dramatically elabora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Of Mice And Men (play)
''Of Mice and Men'' is a play adapted from John Steinbeck's 1937 novel of the same name. The play, which predates the Tony Awards and the Drama Desk Awards, earned the 1938 New York Drama Critics' Circle Best Play. Background The 1937 production opened while the novel was still on best seller lists. At the time, George S. Kaufman was the top director in the country. While the play follows the novel closely, Steinbeck altered the character of Curley's Wife, perhaps in response to criticisms from friends. In the play, Curley's wife does not threaten to have Crooks lynched, and in her final scene she talks of her childhood and her father trying to run away with her. This has the effect of softening her character, portraying her as lonely and misunderstood. Plot George, an affable migrant farm worker, and Lennie, a towering simple-minded pleasantly humble young man, are the subjects. They are bound by George's devotion and Lennie's "pathetic helplessness". George's guardianship ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Streetcar Named Desire (opera)
''A Streetcar Named Desire'' is an opera composed by André Previn in 1995 with a libretto by Philip Littell. It is based on the play of the same name by Tennessee Williams. The opera received its premiere at the San Francisco Opera, September 19 – October 11, 1998. It was conducted by André Previn and directed by Colin Graham, with sets by Michael Yeargan. It quickly developed into one of the most widely played contemporary operas. The original production was released on CD and DVD. Cast * Blanche DuBois – Renée Fleming * Stanley Kowalski – Rod Gilfry * Stella Kowalski – Elizabeth Futral * Harold "Mitch" Mitchell – Anthony Dean Griffey * Eunice Hubbell – Judith Forst * Steve Hubbell – Matthew Lord * Newspaper Collector – Jeffrey Lentz * The Mexican – Josepha Gayer * Pablo Gonzales – Luis Oropeza * The Doctor – Ray Reinhardt * The Nurse – Lynne Soffer Reception In a review of the premiere in ''The New York Times'', Bernard Holland observed: ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is an 1867 five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the 1787 play '' Don Karlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller and several incidents from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra (Paris Opera) and given its premiere at the Salle Le Peletier on 11 March 1867. The first performance in Italian was given at Covent Garden in London in Jun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Huguenots
() is an opera by Giacomo Meyerbeer and is one of the most popular and spectacular examples of grand opera. In five acts, to a libretto by Eugène Scribe and Émile Deschamps, it premiered in Paris on 29 February 1836. Composition history ''Les Huguenots'' was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of ''Robert le diable'', recognising the need to continue to present lavish staging, a highly dramatic storyline, impressive orchestration and virtuoso parts for the soloists – the essential elements of the new genre of Grand Opera. Meyerbeer and his librettist for ''Robert le Diable'', Eugène Scribe, had agreed to collaborate on an epic work concerning the French Wars of Religion, with a drama partly based on Prosper Mérimée's 1829 novel ''A Chronicle of the Reign of Charles IX''. Coming from a wealthy family, Meyerbeer could afford to take his time, dictate his own terms, and to be a perfectionist. The very detai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach. ''Le Réveillon'' later was adapted as the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve '' réveillon'', or supper party, was not considered to provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patience (opera)
''Patience; or, Bunthorne's Bride'', is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the Aestheticism, aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster. First performed at the Opera Comique, London, on 23 April 1881, ''Patience'' moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards." ''Patience'' was the sixth operatic collaboration of fourteen between Gilbert and Sullivan. It ran for a total of 578 performances, which was seven more than the authors' earlier work, ''H.M.S. Pinafore' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''Women are like that, or The School for Lovers''), Köchel catalogue, K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''The Marriage of Figaro, Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Joseph II, Holy Roman Emperor, Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John A. Rice (musicologist), John Rice uncovered two String trio, terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''wikt:tutte#Italian, tutte'') to indicate women. It is usually translated into English as "Women are like that". The words a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
