|
John Relyea
John Relyea (born 1972 in Toronto) is a Canadian bass-baritone opera singer and winner of the 2003 Richard Tucker Award. He was born in 1972 in Toronto, Ontario, Canada, to Gary Relyea, one of Canada's well-known opera singers, and a native Estonian Anna Tamm-Relyea, also a professional singer. Relyea is a 1998 graduate of the Curtis Institute of Music in Philadelphia. He studied with his father, with renowned opera bass Jerome Hines, and with bass-baritone Edward Zambara. John Relyea has performed with major symphony companies across the country, such as the New York Philharmonic, Santa Fe Opera, Seattle Opera and the Metropolitan Opera in addition to the Swedish Radio Symphony Orchestra. His roles include Figaro in ''Le Nozze di Figaro'', the four villains in ''The Tales of Hoffmann'', Raimondo in ''Lucia di Lammermoor'', Giorgio in ''I Puritani'', Escamillo in ''Carmen'', Don Basilio in ''Il barbiere di Siviglia'', Colline in ''La Bohème'', Marke in ''Tristan und Isolde'', C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toronto
Toronto ( ; or ) is the capital city of the Provinces and territories of Canada, Canadian province of Ontario. With a recorded population of 2,794,356 in 2021, it is the List of the largest municipalities in Canada by population, most populous city in Canada and the List of North American cities by population, fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,765,188 people (as of 2021) surrounding the western end of Lake Ontario, while the Greater Toronto Area proper had a 2021 population of 6,712,341. Toronto is an international centre of business, finance, arts, sports and culture, and is recognized as one of the most multiculturalism, multicultural and cosmopolitanism, cosmopolitan cities in the world. Indigenous peoples in Canada, Indigenous peoples have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with Toronto ravine system, rivers, deep ravines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Puritani
' (''The Puritans'') is an 1835 opera by Vincenzo Bellini. It was originally written in two acts and later changed to three acts on the advice of Gioachino Rossini, with whom the young composer had become friends. The music was set to a libretto by Count Carlo Pepoli, an Italian émigré poet whom Bellini had met at a salon run by the exile Princess Belgiojoso, which became a meeting place for many Italian revolutionaries. The opera is based on ''Têtes Rondes et Cavaliers'' (''Roundheads and Cavaliers''), a historical play written by Jacques-François Ancelot and Joseph Xavier Saintine and set in the English Civil War, which some sources state was based on Walter Scott's 1816 novel '' Old Mortality,'' while others state that there is no connection. When Bellini arrived in Paris in mid-August 1833, he had intended to stay only about three weeks, the main aim being to continue the negotiations with the Paris Opéra which had begun on his way to London a few months earlier. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rusalka (opera)
''Rusalka'' (), Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (1868–1950) based on the fairy tales of Karel Jaromír Erben and Božena Němcová. A rusalka is a water sprite from Slavic mythology, usually inhabiting a lake or river. ''Rusalka'' was the ninth opera Dvořák composed. It is one of the most successful Czech operas, and represents a cornerstone of the repertoire of Czech opera houses. Dvořák had played viola for pit orchestras in Prague (the Estates Theatre from 1857 until 1859 while a student, then from 1862 until 1871 at the Provisional Theatre). He thus had direct experience of a wide range of operas by Mozart, Weber, Rossini, Lortzing, Wagner, Verdi and Smetana. For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Tell
''William Tell'' (french: Guillaume Tell, link=no; it, Guglielmo Tell, link=no) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play ''Wilhelm Tell,'' which, in turn, drew on the William Tell legend. The opera was Rossini's last, although he lived for nearly 40 more years. Fabio Luisi said that Rossini planned for ''Guillaume Tell'' to be his last opera even as he composed it. The often-performed overture in four sections features a depiction of a storm and a vivacious finale, the "March of the Swiss Soldiers". Paris Opéra archivist Charles Malherbe discovered the original orchestral score of the opera at a secondhand book seller's shop, resulting in its being acquired by the Paris Conservatoire. Performance history ''Guillaume Tell'' was first performed by the Paris Opéra at the Salle Le Peletier on 3 August 1829, but within three performances cuts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Damnation De Faust
''La damnation de Faust'' (English: ''The Damnation of Faust''), Op. 24 is a work for four solo voices, full seven-part chorus, large children's chorus and orchestra by the French composer Hector Berlioz. He called it a "''légende dramatique''" ( dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846. Background and composition history The French composer was inspired by a translation of Goethe's dramatic poem '' Faust'' and produced a musical work that, like the masterpiece on which it is based, defies easy categorisation. Conceived at various times as a free-form oratorio and as an opera (Berlioz ultimately called it a "légende dramatique") its travelogue form and cosmic perspective have made it an extreme challenge to stage as an opera. Berlioz himself was eager to see the work staged, but once he did, he conceded that the production techniques of his time were not up to the task of bringing the work to dramatic life. Most of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Clemenza Di Tito
' (''The Clemency of Titus''), K. 621, is an ''opera seria'' in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Pietro Metastasio. It was started after most of ' (''The Magic Flute''), the last of Mozart's principal operas, had already been written. The work premiered on 6 September 1791 at the Estates Theatre in Prague. Background In 1791, the last year of his life, Mozart was already well advanced in writing ' by July when he was asked to compose an ''opera seria''. The commission came from the impresario Domenico Guardasoni, who lived in Prague and who had been charged by the Estates of Bohemia with providing a new work to celebrate the coronation of Leopold II, Holy Roman Emperor, as King of Bohemia. The coronation had been planned by the Estates in order to ratify a political agreement between Leopold and the nobility of Bohemia (it had rescinded efforts of Leopold's brother Joseph II to initiate a program to free the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodelinda (opera)
''Rodelinda, regina de' Longobardi'' ( HWV 19) is an opera seria in three acts composed for the first Royal Academy of Music by George Frideric Handel. The libretto is by Nicola Francesco Haym, based on an earlier libretto by Antonio Salvi. ''Rodelinda'' has long been regarded as one of Handel's greatest works. Performance history ''Rodelinda'' was first performed at the King’s Theatre in the Haymarket, London, on 13 February 1725. It was produced with the same singers as '' Tamerlano''. There were 14 performances; it was repeated on 18 December 1725, and again on 4 May 1731, a further 16 performances in all, each revival including changes and fresh material. In 1735 and 1736 it was also performed, with only modest success, in Hamburg at the Oper am Gänsemarkt. The first modern production – in heavily altered form – was in Göttingen on 26 June 1920 where it was the first of a series of modern Handel opera revivals produced by the Handel enthusiast Oskar Hagen. The o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rape Of Lucretia
''The Rape of Lucretia'' (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play '. Performance history The opera was first performed at Glyndebourne in England on 12 July 1946. It is the first work to which Britten applied his term " chamber opera." The opera debuted in the United States on Broadway at the Ziegfeld Theatre in a production staged by Agnes de Mille which opened on 29 December 1948 and closed on 15 January 1949 after 23 performances. The cast notably included Giorgio Tozzi as Tarquinius, Kitty Carlisle as Lucretia, Lidija Franklin as Bianca, Brenda Lewis as the Female Chorus, and Adelaide Bishop as Lucia. In 1996 the opera was presented at the Opera Theatre of St. Louis directed by Britten expert and friend, Colin Graham. It also appeared in the Opera Company of Philadelphia Opera Philadelphia (prior to 2013 Opera Company of Philad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macbeth (opera)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 ('' Rigoletto'', '' Il trovatore'' and ''La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of '' King Lear'' (as '' Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banquo
Lord Banquo , the Thane of Lochaber, is a semi-historical character in William Shakespeare's 1606 play ''Macbeth''. In the play, he is at first an ally of Macbeth (both are generals in the King's army) and they meet the Three Witches together. After prophesying that Macbeth will become king, the witches tell Banquo that he will not be king himself, but that his descendants will be. Later, Macbeth in his lust for power sees Banquo as a threat and has him murdered by three hired assassins; Banquo's son, Fleance, escapes. Banquo's ghost returns in a later scene, causing Macbeth to react with alarm in public during a feast. Shakespeare borrowed the character Banquo from ''Holinshed's Chronicles'', a history of Britain published by Raphael Holinshed in 1587. In ''Chronicles'' Banquo is an accomplice to Macbeth in the murder of the king, rather than a loyal subject of the king who is seen as an enemy by Macbeth. Shakespeare may have changed this aspect of his character to please Ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection '' Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the '' Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly '' The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
