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Joannes Molanus
Joannes Molanus (1533–1585), often cited simply as Molanus, is the Latinized name of Jan Vermeulen or Van der Meulen, an influential Counter Reformation Catholic theologian of Louvain University, where he was Professor of Theology, and Rector from 1578. Born at Lille (a city in the County of Flanders, then under Habsburg rule), he was a priest and canon of St. Peter's Church, Leuven, where he died. He wrote numerous books, several only published posthumously. He is best known for his ''De Picturis et Imaginibus Sacris, pro vero earum usu contra abusus'' ("Treatise on Sacred Images"). This was published in 1570, four years after the Iconoclastic Fury had swept through the Low Countries, and it defended the production and use of devotional images, but enforcing the restrictions of the Council of Trent, as he interpreted them, in a brutally polemical fashion, which was very influential. Five further, enlarged, editions of this appeared between 1594 and 1771, and a modern Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
123 9 Molanus Pt
1 (one, unit, unity) is a number, numeral, and glyph. It is the first and smallest positive integer of the infinite sequence of natural numbers. This fundamental property has led to its unique uses in other fields, ranging from science to sports, where it commonly denotes the first, leading, or top thing in a group. 1 is the unit of counting or measurement, a determiner for singular nouns, and a gender-neutral pronoun. Historically, the representation of 1 evolved from ancient Sumerian and Babylonian symbols to the modern Arabic numeral. In mathematics, 1 is the multiplicative identity, meaning that any number multiplied by 1 equals the same number. 1 is by convention not considered a prime number. In digital technology, 1 represents the "on" state in binary code, the foundation of computing. Philosophically, 1 symbolizes the ultimate reality or source of existence in various traditions. In mathematics The number 1 is the first natural number after 0. Each natural number, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leuven Vulgate
The Leuven Vulgate or Hentenian Bible (, ) was the first standardized edition of the Latin Vulgate. The Leuven Vulgate essentially served as the standard text of the Catholic Church from its publication in 1547 until the Sixtine Vulgate was published in 1590. The 1583 edition of the Leuven Vulgate is cited in the Oxford Vulgate New Testament, where it is designated by the ''siglum'' (H for ''Hentenian''). In 1546, partly in response to the Protestant Reformation, the Council of Trent declared the Vulgate the official Bible of the Catholic church. However, there were different versions of the Vulgate in use, and no edition was accepted as standard. In response, Biblical scholar John Henten sought to produce a more reliable edition by comparing thirty different manuscripts of the Vulgate and drawing from the work of earlier scholars, such as Robert Estienne. This standardized Vulgate was edited by Hentenius (1499–1566) and published in 1547 in Leuven, Belgium, hence the name " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint George And The Dragon
In a legend, Saint Georgea soldier venerated in Christianity—defeats a dragon. The story goes that the dragon originally extorted tribute from villagers. When they ran out of livestock and trinkets for the dragon, they started giving up a human tribute once a day. And, one day, the princess herself was chosen as the next offering. As she was walking towards the dragon's cave, St. George saw her and asked her why she was crying. The princess told the saint about the dragon's atrocities and asked him to flee immediately, in fear that he might be killed too. But the saint refused to flee, slew the dragon, and rescued the princess. The narrative was first set in Cappadocia in the earliest sources of the 11th and 12th centuries, but transferred to Libya in the 13th-century '' Golden Legend''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Christopher
Saint Christopher (, , ; ) is venerated by several Christian denominations. According to these traditions, he was a martyr killed in the reign of the 3rd-century Roman Empire, Roman emperor Decius (), or alternatively under the emperor Maximinus Daia (). Churches and monasteries were named after him by the 7th century. There is no evidence for the historicity of the saint.Britannica, The Editors of Encyclopaedia. "Saint Christopher" Encyclopedia Britannica, 25 July 2024, https://www.britannica.com/biography/Saint-Christopher. Accessed 25 October 2024. The most famous legend connected to the saint recounts that after converting to Christianity, he devoted his life to carrying travelers across a river. One day he carried an unknown young boy across a river after which the boy reve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Judgement
The Last Judgment is a concept found across the Abrahamic religions and the '' Frashokereti'' of Zoroastrianism. Christianity considers the Second Coming of Jesus Christ to entail the final judgment by God of all people who have ever lived, resulting in the salvation of a few and the damnation of many. Some Christian denominations believe most people will be saved, some believe most people will be damned, and some believe the number of the saved and of the damned is unknown. The concept of the Last Judgment is found in all the canonical gospels, particularly in the Gospel of Matthew. The Christian tradition is also followed by Islam, where it is mentioned in many chapters of the Quran, according to some interpretations. The Last Judgment has inspired numerous artistic depictions, including painting, sculpture and evangelical work. In Judaism In Judaism, beliefs vary. Rosh HaShanah is sometimes referred to as a 'day of judgement', but it is not conceptualized as ''the'' Day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swooning Virgin Mary
The Swoon of the Virgin, in Italian Lo Spasimo della Vergine, or Fainting Virgin Mary was an idea developed in the late Middle Ages, that the Virgin Mary had fainted during the Passion of Christ, most often placed while she watched the Crucifixion of Jesus. It was based on mentions in later texts of the New Testament apocrypha, apocryphal ''Gospel of Nicodemus (Acta Pilati)'', which describe Mary swooning. It was popular in later medieval art and theological literature, but as it was not mentioned in the Canonical Gospels, it became controversial - Protestants rejecting it outright, and from the 16th century discouraged also by many senior Catholic churchmen. The swoon might be placed during the episode of Christ Carrying the Cross, as on the Via Dolorosa in Jerusalem, but very commonly also during the Crucifixion of Jesus; Nicholas Penny estimates that "about half of the surviving paintings of the Crucifixion made between 1300 and 1500 will be found to include the Virgin faint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Death Of The Virgin
The Death of the Virgin Mary is a common subject in Western Christian art, and is the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward. Although that doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Nothing is said in the Bible about the end of Mary's life, but a tradition dating back to at least the 5th century says the twelve Apostles were miraculously assembled from their far-flung missionary activity to be present at the death, and that is the scene normally depicted, with the apostles gathered round the bed. A virtuoso engraving by Martin Schongauer of about 1470 shows the Virgin from the foot of a large bed with the apostles spread around the three sides, and this composition influences many later depictions. Earlier depi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pict ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome, decline of western Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Eastern Roman (Byzantine) Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included Kievan Rus', as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Norman-Arab-Byzantine culture, Kingdom o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Wauters
Alphonse Wauters (1817–1898) was a Belgian archivist and historian. Life Alphonse Guillaume Ghislain Wauters was born in Brussels on 13 April 1817. He was appointed archivist of the city of Brussels on 2 April 1842. He became a correspondent of the Royal Academy of Science, Letters and Fine Arts of Belgium in 1860, and a member in 1868. In January 1886, after the death of Louis Prosper Gachard, he became the academy's secretary-treasurer. Joseph Cuvelier, "Wauters (Alphonse)", ''Biographie Nationale de Belgique The ''Biographie nationale de Belgique'' (; ) is a biographical dictionary of Belgium. It was published by the Royal Academy of Belgium in 44 volumes between 1866 and 1986. A continuation series, entitled the ''Nouvelle Biographie Nationale'' (, ...''vol. 27(Brussels, 1938), 110-115. He died in Brussels on 1 May 1898. Works *''Les Délices de la Belgique, ou Description historique, pittoresque et monumentale de ce royaume'' (Brussels and Leipzig, 1844) *with Alexan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
