Jinaratna
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Jinaratna
Jinaratna (Jina·ratna; Hindi: जिनरत्न) was a Jain scholar monk who composed ''Līlāvatīsāra.'' He completed his poem in the year 1285 CE in Jabaliputra, western India, (modern Jalore in Rajasthan). It is an epitome of a much larger work called '' '' composed in Jain Maharashtri, a Prakrit language, in 1036 by Jineshvara, also a Jain monk. What little is known about Jinaratna, he states himself in the colophon he placed at the end of his poem, in which he gives the lineage of the succession of monastic teachers and pupils from Vardhamana, the teacher of Jineshvara who was the author of '' ,'' to another Jineshvara who was Jinaratna's own teacher. Jinaratna studied literature, logic and the canonical texts of the White-Clad Jains, with Jineshvara and other monks. In his colophon he acknowledges the help he received from others in the preparation and correction of the text of ''Līlāvatīsāra.'' Jinaratna in his introductory verses to ''Līlāvatīsāra'' d ...
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Līlāvatīsāra
Līlāvatīsāra (epitome of Līlāvatī) is a poem composed by Jinaratna. Jina Ratna belonged to Khartara Gachchha of the Svetambara sect of Jainism. It tells the stories of the lives of a group of souls as they pass through a series of embodiments on their way to final liberation from the continual cycle of death and rebirth. The purpose of these stories, which are related to Queen Līlāvatī and her husband King Sinha by the teacher-monk Samarasena (Samara-sena), is to promote the ethic of Jainism, which holds that strict adherence to a nonviolent way of life is the key to liberation from the troubles of the world. In the end, Queen Līlāvatī, King Sinha and the other leading characters attain perfect knowledge and liberation. As its title suggests, ''The Epitome of Līlāvatī'' is an epitome of a much larger work, Nivvāṇa-līlāvaī-kahā ''The Story of the Final Emancipation of Līlāvatī'', composed in 1036 by Jineshvara, also a Jain monk. Jinaratna wrote his ...
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Nivvāṇalīlāvaīkahā
The ''Nivvāṇalīlāvaīkahā'' (Nivvāṇa-līlāvaī-kahā) 'Story of the Final Emancipation of Līlāvatī' composed in 1036 by Jineshvara, a Jain monk. The work was composed in Jain Maharashtri, a Prakrit language. Jineshvara was a reformist of lax monasticism, and his work was considered highly conducive to liberation. The primary purpose of Jain narrative literature was to edify lay people through amusement; consequently the stories are racy, and in some cases the moralising element is rather tenuous. The main feature of Jain narrative literature is its concern with past and future lives. There developed a genre of soul biography, the histories, over a succession of rebirths, of a group of characters who exemplified the vices of anger, pride, deceit, greed and delusion. A Sanskrit abridgement of ''Nivvāṇalīlāvaīkahā'' was made by Jinaratna, pupil of Jineshvara, by the title ''Līlāvatīsāra''. See also *Līlāvatīsāra(The Epitome of Lilavati) *Jinaratna J ...
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Clay Sanskrit Library
The Clay Sanskrit Library is a series of books published by New York University Press and the JJC Foundation. Each work features the text in its original language (transliterated Sanskrit) on the left-hand page, with its English translation on the right. The series was inspired by the Loeb Classical Library, and its volumes are bound in teal cloth. History The Clay Sanskrit Library (CSL) is the product of the JJC Foundation, a charitable foundation established by John P. and Jennifer Clay, along with New York University Press. John Peter Clay was born in Paterson, New Jersey in 1934. He won a scholarship to attend St Paul’s School, London in 1947. In 1951, he was offered a full scholarship by the Queen’s College, Oxford, where he achieved a First-class degree in Sanskrit, Old Persian and Avestan. He was later appointed an Honorary Fellow of the Queen’s College. On leaving Oxford, Clay joined Vickers da Costa, a stockbroking firm based in the City of London. He spent 25 ...
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